This is an annotated English translation of the poetry of Han-shan (Cold Mountain), a 7th or 8th century Chinese Buddhist recluse who wrote many poems about his life alone in the hills. Many of his poems describe the mountains where he lived in dramatic, yet appealing terms, while at the same time symbolizing in Zen fashion the Buddhist quest for enlightenment. Han-shan became a cult figure in the Ch'an/Zen tradition, and legends portray him and his companion Shih-te as eccentrics who said and did nonsensical things. Han-shan does often write on unusual topics with some of his "poems" being clever insights that just happen to be metric and rhymed. His language is simple and direct; his images and symbols fresh and bold. While the literary value of his work has for the most part been overlooked, this book provides line-by-line literary analysis of some of the more artistically interesting poems. Henricks' work represents, therefore, a major contribution to the study of Chinese literature and Chinese religion.

Due to their popularity with the American counterculture, the poems attributed to Hanshan, Shide and Fenggan have been translated several times in recent decades. However, previous translations have either been broadly popular in nature or have failed to understand fully the colloquial qualities of the originals. This new version provides a complete Chinese/English edition of the poems, aimed at combining readability with scholarly accuracy. It will prove useful to students of Chinese poetry and of Chinese religion, as well as anyone interested in a better understanding of works that have proved so influential in the history of East Asian Buddhism and in world literature.

A fresh translation--and new envisioning--of the most accessible and beloved of all classic Chinese poetry. Welcome to the magical, windswept world of Cold Mountain. These poems from the literary riches of China have long been celebrated by cultures of both East and West—and continue to be revered as among the most inspiring and enduring works of poetry worldwide. This groundbreaking new translation presents the full corpus of poetry traditionally associated with Hanshan (“Cold Mountain”) and sheds light on its origins and authorship like never before. Kazuaki Tanahashi and Peter Levitt honor the contemplative Buddhist elements of this classic collection of poems while revealing Hanshan’s famously jubilant humor, deep love of solitude in nature, and overwhelming warmth of heart. In addition, this translation features the full Chinese text of the original poems and a wealth of fascinating supplements, including traditional historical records, an in-depth study of the Cold Mountain poets (here presented as three distinct authors), and more.

"Popularized in the West by Beat Generation writers Gary Snyder and Jack Kerouac, T'ang-era rebel poet Han Shan is an icon of Chinese poetry and Zen. He and his sidekick, Shih Te, are known as the laughing, ragged pair who left their poetry on stones, trees, farmhouses, and monastery walls, calling others to "the Cold Mountain way" of simple, honest, joyful living. J.P. Seaton takes a fresh look at these poets, as well as at Wang Fan-chih, who followed in the outsider tradition a few centuries later. Forceful and wry, all three condemn the excesses of mind and matter that prevent people from attaining true enlightenment. With a comprehensive introduction and commentary throughout, this collection points to where, in a world that's always moving and so full of suffering, stillness and clarity can be found."--P. [2] of cover.

By any measure, Gary Snyder is one of the greatest poets in America in the last century. From his first book of poems to his latest collection of essays, his work and his example, standing between Tu Fu and Thoreau, have been influential all over the world. Riprap, his first book of poems, was published in Japan in 1959 by Origin Press, and it is the fiftieth anniversary of that groundbreaking book we celebrate with this edition. A small press reprint of that book included Snyder's translations of Han Shan's Cold Mountain Poems, perhaps the finest translations of that remarkable poet ever made into English. Reintroducing one of the twentieth century's foremost collections of poetry, this edition will please those already familiar with this work and excite a new generation of readers with its profound simplicity and spare elegance.

In this first serious study of Hanshan (“Cold Mountain”), Paul Rouzer discusses some seventy poems of the iconic Chinese poet who lived sometime during the Tang dynasty (618–907). Hanshan’s poems gained a large readership in English-speaking countries following the publication of Jack Kerouac’s novel The Dharma Bums (1958) and Gary Snyder’s translations (which began to appear that same year), and they have been translated into English more than any other body of Chinese verse. Rouzer investigates how Buddhism defined the way that believers may have read Hanshan in premodern times. He proposes a Buddhist poetics as a counter-model to the Confucian assumptions of Chinese literary thought and examines how texts by Kerouac, Snyder, and Jane Hirshfield respond to the East Asian Buddhist tradition.

A wonderfully diverse collection of Zen poetry from China and Japan—including works by Lao Tzu and Han Shan—presented by two of America’s premier poet-translators A Zen poem is nothing other than an expression of the enlightened mind, a handful of simple words that disappear beneath the moment of insight to which it bears witness. Poetry has been an essential aid to Zen Buddhist practice from the dawn of Zen—and Zen has also had a profound influence on the secular poetry of the countries in which it has flourished. Here, two of America’s most renowned poets and translators provide an overview of Zen poetry from China and Japan in all its rich variety, from the earliest days to the twentieth century. Included are works by Lao Tzu, Han Shan, Li Po, Dogen Kigen, Saigyo, Basho, Chiao Jan, Yuan Mei, Ryokan, and many others. Hamill and Seaton provide illuminating introductions to the Chinese and Japanese sections that set the poets and their work in historical and philosophical context. Short biographies of the poets are also included.

Poetry. This anthology gathers together over 1500 years of Chinese Zen (Ch'an) poetry from the earliest writing, including the Hsin Hsin Ming written by the 3rd Patriarch, to the poetry of monks in this century. Poets include Wang Wei, Li Po, Tu Fu, Yuan Mei, the crazy hermits Han-shan and Shih-te, as well as many anonymous monks and hermits.