A funny, pitch-perfect autobiographical novel that reads like The Graduate meets Girls, with a freshness of language and outlook that brings to mind The Catcher in the Rye, by the creator of the popular Tumblr "Pitchfork Review Reviews."

This is the first book-length critical treatment of David Shapiro, an emerging voice in American letters who has earned numerous awards for his work. The book addresses Shapiro's exploration and critique of various modes of representation and of erotic experience.

The poems of an architect whose affection for urban reality and imagined space is as evident in his writing as in his buildings and drawings. The poems of John Hejduk are almost nonpoetic: still lives of memory, sites of possessed places. They give a physical existence to the words themselves and an autobiographical dimension to the architect. Architect Peter Eisenman likens them to "secret agents in an enemy camp."Writing about Hejduk's poems in 1980, Eisenman observed, "Walter Benjamin has said that Baudelaire's writings on Paris were often more real than the experience of Paris itself. Both drawing and writing contain a compaction of themes which in their conceptual density deny reduction and exfoliation for a reality of another kind: together they reveal an essence of architecture itself." This is the first comprehensive collection of Hejduks poems to be published outside an architectural setting.

David Shapiro explores the virtues and defects of federalism as it has developed in this country from a variety of perspectives that include historical, constitutional, economic, social, and political considerations. Using the dialectical form adopted by advocates trying a case before a court, Shapiro not only examines the strongest arguments on the two principal sides of the issue but also probes the potential value of the dialectical process itself.

Originally published in 1979. Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her own intensity—the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of our world. The new essays of this edited collection (with a single exception, all were written for this book) broaden the perspective of Plath criticism by going beyond the images of Plath as a cult figure to discuss Plath the poet. The contributors—among them Calvin Bedient, Hugh Kenner, J. D. O'Hara, and Marjorie Perloff—draw on material that most previous commentators lacked: a substantial body of Plath's poetry and prose, a moderately detailed biographical record, and an important selection of the poet's correspondence. The result is an important and provocative volume, one in which major critics offer an abundance of insights into the poet's mind and creative process. It offers insightful and original readings of many poems—some, like "Berck-Plage," scarcely mentioned in previous criticism—and fosters new understandings of such matters as Plath's comedy, the development of her poetic voice, and her relation to poetic traditions. The serious reader, whatever his or her initial opinion of Sylvia Plath, is sure to find that opinion challenged, changed, or deepened. These essays offer insights into a violently interesting poet, one who despite, or perhaps because of, her suicide at age thirty continues to fascinate and trouble us.

Acclaimed poet and World War II veteran Shapiro's pathbreaking gathering of work by more than 60 poets of the war years includes Randall Jarrell, Anthony Hecht, George Oppen, Richard Eberhart, William Bronk, and Woody Guthrie.

Alan Shapiro's seventh collection celebrates art as a woefully inadequate yet necessary source of comfort. "Amazingly sensitive and tough-minded" (Tom Sleigh), the poems in Song and Dance intimately describe the complicated feelings that attend the catastrophic loss of a loved one. In 1998, Shapiro's brother, David, an actor on Broadway, was diagnosed with an incurable form of brain cancer. Song and Dance recounts the poet's emotional journey through the last months of his brother's life, exploring feelings too often ignored in official accounts of grief: horror, relief, impatience, exhaustion, exhilaration, fear, self-criticism, fulfillment.

Since his precocious first book, published when he was eighteen, award-winning David Shapiro's four previous volumes of poetry have been hailed by Kenneth Rexroth, Philip Lopate, and John Ashbery. A Burning Interioroffers a restless poetry dense with stories but without mere confession or whimsical surface. It is a collection both universal and, at the same time, powerfully Jewish. Shapiro's assured voice shows both range and virtuosity-included in this masterful collection are poems for Picasso, translations of Baudelaire and Rilke, amusing "found art poetry," moving elegies, rhymed translations, and dazzling prose poems.