Recently appointed as the new U. S. Poet Laureate, Ted Kooser has been writing and publishing poetry for more than forty years. In the pages of The Poetry Home Repair Manual, Kooser brings those decades of experience to bear. Here are tools and insights, the instructions (and warnings against instructions) that poets—aspiring or practicing—can use to hone their craft, perhaps into art. Using examples from his own rich literary oeuvre and from the work of a number of successful contemporary poets, the author schools us in the critical relationship between poet and reader, which is fundamental to what Kooser believes is poetry’s ultimate purpose: to reach other people and touch their hearts. Much more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend—a friend who is willing to share everything he’s learned about the art he’s spent a lifetime learning to execute so well.

With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.

"Kooser has written more perfect poems than any poet of his generation." -Dana Gioia, Can Poetry Matter?

Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen.

Ted Kooser sees a writerOCOs workbooks as the stepping-stones on which a poet makes his way across the stream of experience toward a poem. Because those wobbly stones are only inches above the quotidian rush, whatOCOs jotted there has an immediacy that is intimate and close to life. Kooser, winner of the Pultizer Prize and a former U.S. poet laureate, has filled scores of workbooks. "The Wheeling Year" offers a sequence of contemplative prose observations about nature, place, and time arranged according to the calendar year. Written by one of AmericaOCOs most beloved poets, this book is published in the year in which Kooser turns seventy-five, with sixty years of workbooks stretching behind him. a"

In the "quietest magnificent book IUve ever read" (Jim Harrison, author of "Legends of the Fall") Ted Kooser describes with exquisite detail and humor the place he calls home in the rolling hills of southeastern Nebraska--an area known as the Bohemian Alps--where nothing is too big or too small for his attention.

Hormone Repair Manual is a practical guide to feeling better in your 40s, 50s, and beyond. It explains how to navigate the change of perimenopause and relieve symptoms with natural treatments such as diet, nutritional supplements, and bioidentical hormone therapy. Topics include: - Why everything is different after “second puberty.” - How perimenopause can be a tipping point for long-term health. - The four phases of perimenopause. - The role of testosterone and insulin in weight gain. - How to speak with your doctor about hormone therapy, including natural progesterone. - Treatment protocols for all common perimenopause symptoms, including night sweats, insomnia, migraines, and heavy periods. - Risk reduction for osteoporosis, heart disease, and dementia. Written by best-selling author and naturopathic doctor Lara Briden, the book is backed by evidence-based research and real-world patient stories. Praise for Hormone Repair Manual: "The book my patients have been waiting for–a science and whole woman-based approach to the menopausal transition that will give women the wisdom, language, and practical tools to navigate menopause and unveil this time for what it really is–one of the most transformative and empowering chapters of a woman's life." Dr Peta Wright, gynecologist and women's health advocate "This lively, clear and supportive book provides positive and helpful information that many women need as they approach perimenopause and beyond." Jerilynn C. Prior MD, author of Estrogen's Storm Season "Essential reading for all women over 40 and their doctors!" Dr Natasha Andreadis, gynecologist and fertility specialist "Evidence-based natural solutions for optimizing women's health and wellbeing in their 40s, 50s and beyond." Dr Fatima Khan, menopause specialist

"Richard Hugo's free-swinging, go-for-it remarks on poetry and the teaching of poetry are exactly what are needed in classrooms and in the world."—James Dickey Richard Hugo was that rare phenomenon of American letters—a distinguished poet who was also an inspiring teacher. The Triggering Town is Hugo's now-classic collection of lectures, essays, and reflections, all "directed toward helping with that silly, absurd, maddening, futile, enormously rewarding activity: writing poems." Anyone, from the beginning poet to the mature writer to the lover of literature, will benefit greatly from Hugo's sayd, playful, profound insights and advice concerning the mysteries of literary creation.

For Valentine?s Day 1986, Ted Kooser wrote ?Pocket Poem? and sent the tender, thoughtful composition to fifty women friends, starting an annual tradition that would persist for the next twenty-one years. Printed on postcards, the poems were mailed to a list of recipients that eventually grew to more than 2,500 women all over the United States. Valentines collects Kooser?s twenty-two years of Valentine?s Day poems, complemented with illustrations by Robert Hanna and a new poem appearing for the first time. ø Kooser?s valentine poems encompass all the facets of the holiday: the traditional hearts and candy, the brilliance and purity of love, the quiet beauty of friendship, and the bittersweetness of longing. Some of the poems use the word valentine, others do not, but there is never any doubt as to the purpose of Kooser?s creations.

The Thicket opens into intimate encounters with the more-than-human world—rivers, birds, stones—and with a “you” that is not a person, necessarily, but also not not a person: maybe God, maybe an aspect of the self, maybe neither or both. Often speaking of/to the small or overlooked (weeds by a roadside, an abandoned silo), the poems orient themselves toward edges, transitional spaces like the one where fields shift into woods. Where does one body stop? The Thicket takes an interest in becoming, one thing flowing into something else. Excerpt from “At Cape Henlopen” All night wind insists in the trees, its unsteady hush funneling us down into sleep under the tender shelter the oaks, even leafless, make—all night their trunks creak and sigh and speak. Speak to me—I think the word protect until its edges dissolve, inside the tent that wraps us like another, thinner skin, rocked and chastened by the wind that doesn’t cease . . .