Although modern English and Irish poetry arises from the different cultures of the two countries these poets have shared - throughout this century - the same editors and publishers, competed for the same prizes, and been judged, ostensibly, by the same standards. This book examines contexts for these exchanges over four decades - tracing the lineages of Yeats and Hardy from their meeting in 1912 through WWI, the 30s, the 60s, and the 90s, - to see what influences and ideas are exchanged and how poetic value accrues.

This volume explores the history of Irish writing between the Second World War (or the 'Emergency') in 1939 and the re-emergence of violence in Northern Ireland in the 1970s. It situates modern Irish writing within the contexts of cultural transition and transnational connection, often challenging pre-existing perceptions of Irish literature in this period as stagnant and mundane. While taking into account the grip of Irish censorship and cultural nationalism during the mid-twentieth century, these essays identify an Irish literary culture stimulated by international political horizons and fully responsive to changes in publishing, readership, and education. The book combines valuable cultural surveys with focussed discussions of key literary moments, and of individual authors such as Seán O'Faoláin, Samuel Beckett, Edna O'Brien, and John McGahern.

Draws from a wide range of disciplines to bring together 36 leading scholars writing about 400 years of modern Irish history

Assembling contributions from top thinkers in the field, thiscompanion offers a comprehensive and sophisticated exploration ofthe history of economic thought. The volume has a threefold focus:the history of economic thought, the history of economics as adiscipline, and the historiography of economic thought. Provides sophisticated introductions to a vast array oftopics. Focuses on a unique range of topics, including the history ofeconomic thought, the history of the discipline of economics, andthe historiography of economic thought.

This book presents a political understanding of socio-economic rights by contextualising constitution-makers' and judges' decision-making in terms of Ireland's rich history of people's struggles for justice 'from below' between 1848 and the present. Its theoretical framework incorporates critical legal studies and world-systems analysis. It performs a critical discourse analysis of constitution-making processes in 1922 and 1937 as well as subsequent property, trade union, family and welfare rights case law. It traces the marginalisation of socio-economic rights in Ireland from specific, local and institutional factors to the contested balance of core-peripheral and social relations in the world-system. The book demonstrates the endurance of ideological understandings of state constitutionalism as inherently neutral between interests. Unemployed marches, housing protestors and striking workers, however, provided important challenges and oppositional discourses. Recognising these enduring forms of power and ideology is vital if we are to assess critically the possibilities and limits of contesting socio-economic rights today.

"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.

This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.