Experience the magic of poetry painted in water colors. Remember singing with the flowers, watching a sunset, walking on the beach, or playing in fields of gold. If you do, you will be delighted as Dr. Claus marries these to Love poems to sooth your heart. Discover The Poetess and allow her to whisper "I Love You."

Remember your first rose. Dr. Claus presents everlasting roses enrobed in the beauty of water colors to comfort you. Find this rose within your heart and you will know love. Read and visualize the poetry of love.

In international research, metafictionality and other metaliterary features have typically been regarded as phenomena related to postmodernist fiction, in particular – Metaliterary Layers in Finnish Literature, however, discusses the metalayers of Finnish literature from the early 20th century to the present. By analyzing different genres of Finnish literature in varying historical contexts Metaliterary Layers in Finnish Literature provides an abundance of new information on Finnish literature and its metaliterary phenomena for everyone interested. In the articles of this book, the metalayers of literature are discussed in experimental prose and poetry as well as in popular fiction and children’s literature.

With the publication of his Gedichte in November of 1902, Hermann Hesse "arrived" as a literary figure in the German-speaking world. However, relatively little is known about the years immediately preceding this breakthrough. Through a great deal of "detective" work the author has succeeded in personally locating dozens of Hesse's previously unknown letters and manuscripts. These have been skillfully interwoven in this book along with a lively and most readable account of this crucial phase of Hesse's life from ca. 1899 to 1903. During this period Hesse worked as a bookseller in Basel, where he formed important friendships and creative alliances with writers, publishers, and journalists, described here for the first time. Moreover, during those years he devoted himself almost exclusively to the composition of "neo-Romantic" poetry, most notably his Notturni, handwritten sets of eight or more poems which he sold as unique collections. Two dozen of these poems are published here for the first time in the original.

Paul Dukas wrote about Debussy that the strongest influence he experienced was that of the poets, not that of the musicians. This book undertakes to demonstrate that thesis by studying Debussy's settings of songs by Banville, Verlaine, Baudelaire, Mallarmé, Louÿs, and Debussy himself. A particular insight may be gained in the comparison of six poems by Verlaine set to music by both Fauré and Debussy. The book includes a poetic/musical analysis of Debussy's Prelude to the Afternoon of a Faun, based on the poem by Mallarmé.

Toby Martinez de las Rivas is regarded as one of the most distinctive voices to have emerged in recent times; to some, a modern day William Blake. The Guardian described Terror, his first book, as 'visionary' and 'exciting', the New Statesman as 'remarkable', and all combined to praise it's brave and lucid intensity. Black Sun is a sequel of poise and clarity that is, if anything, more open and accessible than its predecessor. Beginning where Terror left off, it pursues that book's fascination with history and with theology, with preservation and redemption.