Rainer Maria Rilke, Gabriel Garcia Marquez, Emily Dickinson, Albert Camus, Sigmund Freud and the Tao Te Ching are just some of the influences evident in this book which brings poetry to bear on theology. An atmosphere of wonder and vision is created - as when, for example, through the magic of Isak Dinesen's Babette's Feast, Alves evokes a picture of `words which are good to be eaten' - which in turn leads to a meditation on politics, prophecy and the theme of resurrection.

Long before history began, when Ireland was ruled by poets and tribal chieftains, the prophet Sinnach was the most powerful druid in the ancient province of Mumu. But before he was a prophet, before he was a poet, he was a just boy--a boy whom everyone believed was a girl. Unable to suppress his true nature, Sinnach fled persecution and sought refuge in the wilderness. By his nature, his talents, and his oath to the goddess Ériu, Sinnach came to find his place in a world shaped by poetry, magic, and combat. Yet the attainment of great power is not without consequence. Sinnach is inadvertently entangled in the dangerous affairs of both men and Síd, the Faerie Folk. His perilous travels into the Otherworld, the conflicting passions of love, and the return of an old enemy threaten to endanger his identity, peace between the tribes, and peace between the worlds. Inspired by the great mythological epics of ancient Ireland, this is a new myth that tells very old truths about who we were, who we are, and who we might become.

One of the most central figures in monotheistic traditions is King David. The volume takes a new, critical look at the process of biblical creation and exegetical transformation of this character in the intertwined words of Judaism, Christianity and Islam.

As a vast Holy War begins, a powerful new force emerges in the second book of this “violent, passionate, darkly poetic” fantasy series (SFSite.com). The first battle against the heathen has been won, but while the Great Names squabble over the spoils, Kellhus draws more followers to his banner. The sorcerer Achamian and his lover, Esmenet, submit entirely—only to face an unimaginable test of faith. The warrior Cnaiur falls ever deeper into madness. The skin-spies of the Consult watch with growing trepidation. And across the searing wastes of the desert, a name—a title—begins to be whispered among the faithful. Who is the Warrior-Prophet? A dangerous heretic who turns brother against brother? Or the only man who can avert the Second Apocalypse? With the fate of the Holy War hanging in the balance, the great powers will have to choose between their most desperate desires and their most ingrained prejudice. Between hatred and hope. Between the Warrior-Prophet and the end of the world . . .

Given the Prophet Muhammad’s immense impact on history, surprisingly few books specifically analyze his understanding and employment of warfare as an economically, politically and socially transformational process, even though he was continuously at war for a decade and initiated around eighty armed missions, twenty-seven of which he led himself. Most Islamic biographies deal with this issue by using an understandable but insufficient logic: that because Muhammad, as the Messenger of Allah, was the ideal and paradigmatic human, he must have been an ideal and paradigmatic military commander. His successes flowed from his prophetic status and his moral perfection. Following this logic and wanting Muhammad’s behavior to conform to very modern ethical concepts and widespread (but not necessarily accurate) beliefs about the nature and conduct of war, the writers have inadvertently created a narrative which, in significant ways, departs from the account clearly and consistently revealed in the earliest extant Arabic sources. The writers’ narrative also removes the Prophet from his historical and cultural context and the realities of the harsh and competitive tribal society in which he lived. Professor Joel Hayward sees this as an unhelpful explanatory tendency and believes that the modern depiction of the Prophet’s relationship with warfare -- which presents him as being rather antipathetic to war, indeed as virtually a pacifist who only fought reluctantly in self-defense -- cannot actually be sustained by an even-handed analysis of the early Islamic sources. A committed Muslim himself, Hayward agrees that Muhammad was a moral and decent man who saw peace as a highly desirable state in which humans should live and as a goal worth pursuing. Yet Hayward has approached the Prophet’s understanding and employment of warfare from a different vantage point. He has painstakingly scrutinized the earliest Arabic sources impartially according to the strict standards of historical inquiry in order to ascertain whether Muhammad’s actions, habits and methods can -- when understood within their original seventh-century stateless Arabian context -- provide any substantial and meaningful insights into the way that he understood and undertook warfare. Hayward concludes that Muhammad was an astute, situationally aware and self-reflective man who created and communicated a believable strategic vision of a necessary and desirable future. That vision persuaded increasing numbers of people to follow him and risk everything willingly in the struggle to create the optimal conditions for their survival, security, and prosperity. In a competitive and conflictual environment with ubiquitous threats, warfare was necessary to make real the bold new world that he foresaw. Through original, meticulously researched and rigorous analysis, Hayward covers all the raids and campaigns and demonstrates that Muhammad correctly understood the necessity and utility of force and duly developed into an intuitive, effective and victorious military practitioner who developed and enforced a strict moral code so as to attain his goals whilst safeguarding the innocent. This engaging, accessible yet deeply scholarly book makes a major contribution to strategic and military analysis and to the Prophet’s biography.

Kormak's Saga, The Saga of Hallfred Troublesome-Poet, The Saga of Gunnlaug Serpent-Tongue, The Saga of Bjorn, Champion of the Hitardal People, Viglund's Saga Set in the farmsteads of Viking age Iceland at a time when the old ethos of honour and heroic adventure merged with new ideas of romantic infatuation, each of these sagas features poet heroes, complex love triangles, and travels to foreign lands.

A profoundly moving childhood memoir by one of the most widely acclaimed Black American writers of her generation Captured with astonishing beauty, through the eyes of a child, Soldier paints the battleground of June Jordan’s youth as the gifted daughter of Jamaican immigrants, struggling under the humiliations of racism, sexism, and poverty in 1940s New York. “There was a war on against colored people, against poor people,” Jordan writes, and she watches her mother turn inward in her suffering, her father lashing out, often violently, against his own daughter. She learns to harden herself, to be a “soldier,” while preserving a deep capacity for love and wonder. Poignantly exploring the nature of memory, imagination, and familial as well as social responsibility, Jordan re-creates the vivid world in which her identity as a social and artistic revolutionary was forged.

This interpretation of Russian poet Mikhail Lermontov reveals how his life and his works can be understood as manifestations of a coherent worldview. It clarifies what has remained perplexing, corrects what has been misinterpreted and illuminates Lermontov's views of many subjects.

As a master of the word, Rubem Alves relates events and experiences in life where God, religiosity, love, beauty and the meaning of life are always present. They are his Transparencies of eternity a collection of poetic and spiritual chronicles in which the author draws transparent and multicolor stained glass windows, using as raw material the existence and the multiple faces of God: sometimes God is an artist, who gathers the shards of my stained glass, smashed by random stoning, and places them again in the cathedral s window so that the sun s rays may shine through them again; sometimes God is a great, huge Emptiness that encompasses the whole beauty of the universe. Even more: God is a parent who doesn t know how to add. God is not in the business of accounting God doesn t add up either virtue or sins. This is how love is. It has no why s. It is reasonless. Love for love s sake. No accounting of good or of evil. With such a God the universe becomes more humble. And fears vanish. In this book are collected texts that masterfully comprise both a profound knowledge and the major existential questions of humankind. The texts flow with a simplicity of rare beauty, and the result could not be better: spirituality is presented through a new lens, attracting, instigating and enchanting readers who want to broaden their horizons.

Usama Ibn Munqidh (1095-1188) was a Syrian poet and warrior whose life coincided with some of the most dramatic moments in Islamic history: the invasion of the Turks into the Middle East, the collapse of the Shi'ite political power, and above all, the coming of the Crusades. Often at the frontline of such events whilst on military service representing one of his many Lords, including on occasion the legendary Saladin, Usama was nonethless best-known to his contemporaries as a poet. Covering his exquisite anthologies of Arabic poetry, his witty and well- loved memoirs, and his political adventures, this comprehensive biography examines both the literary works of the famous "Arab- Syrian Gentleman" and the tumultuous life which inspired them. With a guide to further reading, a dynastic family tree and a glossary of the principal characters encountered in the book, it offers an indispensable window into Usmama's life, times and world of thought.