A collection of poetry representing the forests of the Pacific Northwest and the small towns and people who live there.

The instant #1 New York Times bestseller and #1 USA Today bestseller Amanda Gorman’s electrifying and historic poem “The Hill We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition. “Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry.

Angela Voras­-Hills’s Louder Birds, her debut collection of poetry, is a beautiful study of the natural world, motherhood, and the inherent desire for meaning. This collection of complex lyric poems holds a haunting absence at its center, an absence that is “impossible to navigate.” Yet Voras-Hills presses on, untangling the distinctions that surround her (human and animal, domestic and wild) with both bravery and respect. She writes, “The boundaries between home and the road / are insecure: it’s impossible to navigate this landscape. / We’ve all been in the presence of something dark / and have chosen not to seek shelter.” As the poet hones in on naming the void, her surroundings grow more threatening—but not once does she surrender or turn back. Voras-Hills’s poems are smart enough to know the distinctions themselves are tenuous at best, and wise enough to know that we must always pay our dues to the world beyond our door. Wondrous, ruminative, and revelatory, Louder Birds is a collection that is not to be missed.

This is David Whyte's fourth book of poetry

In the splendour and savagery of ancient Rome, Cassius, the greatest poet of his age, loses the only woman he ever loved. Two thousand yeas later, in the foothills of the Pyrenees, Antonia is driven to solve the riddle Cassius left behind. Her chance comes when she and her father, both archaeologists, excavate the sun-baked valley where Cassius lived and died. This is the heartbreaking, heartwarming story of what Antonia found, and of all that followed. For Antonia there is a chance – one final chance – to undo the mistakes of the past, and to solve the age-old, all-pervading mystery that binds past and present together.

And, of course, one poem about Texas that is magnificent in its awfulness, "Lasca," with memorable lines like "Scratches don't count/In Texas down by the Rio Grande."".

In this important prose work, one of our major poets explores, through autobiography and argument, a woman's life in Ireland together with a poet's work. Eavan Boland beautifully uncovers the powerful drama of how these lives affect one another; how the tradition of womanhood and the historic vocation of the poet act as revealing illuminations of the other.