Sacred poetry from twelve mystics and saints, rendered brilliantly by Daniel Ladinsky, beloved interpreter of verses by the fourteenth-century Persian poet Hafiz One of 6 Books Oprah Loves to Give as Gifts During the Holidays “All kinds of beautiful poetry.” –Hoda Kotb In this luminous collection, Daniel Ladinsky—best known for his bestselling interpretations of the great Sufi poet Hafiz—brings together the timeless work of twelve of the world’s finest spiritual writers, six from the East and six from the West. Once again, Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience. Rumi’s joyous, ecstatic love poems; St. Francis’s loving observations of nature through the eyes of Catholicism; Kabir’s wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa’s sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God” from writers considered “conduits of the divine.” Together, they form a spiritual treasure to cherish always.

The first complete English translation in 40 years. St John of the Cross is the supreme poet of the mystical tradition in Christianity. His poems are, quite simply, the most concise and beautiful expression of the experience of the love of God in Western literature. They are also the inspiration for his great prose works, which are extended commentaries on the poems. Many of these stem from his imprisonment in Toledo in 1577-8, from which he had a dramatic escape, taking refuge in a 'Discalced' (barefoot) Carmelite convent, where he apparently dictated poems from a notebook he had managed to bring out of prison. John was a man of his time and loved the literature, courtly and popular, of his age. Many of his poems reflect this in their imagery and metre. Others draw their inspiration from the Song of Songs in the Bible. So images of human love and nature make his poems readily accessible on an obvious level. But the 'divine' intention is always there, and this is the quality Kathleen Jones has sought to bring out in her translation: 'Considerations of rhyme and metre have been treated as secondary to the importance of precise theological expression, and of conveying something of the lyricism and spiritual power of the original.' Her main purpose is devotional, but her translation is a pleasure to read. The established Spanish text appears on left-hand pages with the English translation facing.

This book is a study of the nine short poems, called romances, composed by the Spanish mystic Saint John of the Cross (San Juan de la Cruz). The focus of the poems is the Trinity, and their point of departure is the opening verses of the Gospel of John. This is the first in-depth, English-language analysis of these poems, and looks at their literary, historical, scriptural, theological, and mystical elements. It also ties these works to San Juan’s better-known lyrical poems and his prose commentaries. It will appeal to anyone interested in Spanish mystical poetry and the sources that inform that poetry.

A collection of poems written by Christian mystical poet St. John of the Cross while he was imprisoned for his dedication to the teachings of Teresa of Avila.

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Saint John’s poetry of love and joy describes the soul’s passage through dark night to final illumination in mystical union with Absolute Being. The allegory the poet uses is that of earthly love, and the poems are strikingly effective on the immediate level of personal experience, quite apart from their theological meanings. Many critics regard the work of Saint John of the Cross (1542-91), the 16th-century mystic, to be among the finest poetry Spain has produced. This bilingual edition, the first in modern English, was originally published in hard cover in 1968 by the Indiana University Press. Most of these poems were written during a period of nine months, in 1577-78, when Saint John (San Juan de la Cruz) was imprisoned and tortured in the dungeon of a small Carmelite monastery in Toledo, and their recurrent motifs are both metaphysical and deeply personal.