Contains almost 200 collected poems in both Spanish and English.

A collection of poems by Mexican poet and essayist Octavio Paz, presented in Spanish and in English.

A Tree Within (Arbol Adentro), the first collection of new poems by the great Mexican author Octavio Paz since his Return (Vuelta) of 1975, was originally published as the final section of The Collected Poems of Octavio Paz, 1957-1987. Among these later poems is a series of works dedicated to such artists as Miró, Balthus, Duchamp, Rauschenberg, Tapies, Alechinsky, Monet, and Matta, as well as a number of epigrammatic and Chinese-like lyrics. Two remarkable long poems --"I Speak of the City," a Whitmanesque apocalyptic evocation of the contemporary urban nightmare, and "Letter of Testimony," a meditation on love and death--are emblematic of the mature poet in a prophetic voice.

Octavio Paz, the 1990 Nobel Laureate, has won distinction as an anthropologist, philosopher and critic of art and literature. But it is as a poet that he is most celebrated. Configurations was his first major collection to be published in this country, and includes in their entirety Sun Stone (1957) and Blanco (1967). Paz himself translated many of the poems from the Spanish. Some distinguished contributors to this bilingual edition include, among others, Paul Blackburn, Lysander Kemp, Denise Levertov, and Muriel Rukeyser.

"The growth of the work of Octavio Paz," writes Muriel Rukeyser in her preface to this bilingual selection of the Mexican poet's Early Poems, "has made clear to an audience in many languages what was evident from the beginning ... he is a great poet, a world-poet whom we need. The poems here speak--as does all his work since--deeply, erotically, with grave and passionate involvement." In this, a much revised edition of the earlier Selected Poems (Indiana University Press, 1963), Miss Rukeyser has joined to her own translations those of Paul Blackburn, Lysander Kemp, Denise Levertov, and William Carlos Williams, while many of the readings embody Paz's own revisions of the original texts. The poems were chosen from eight separate collections, among them Condición de nube ("Phase of Cloud"), Semillas para un himno ("Seeds for a Psalm"), Piedras sueltas ("Riprap"), and Estación violenta ("Violent Season").

Now in paperback, the definitive, life-spanning, bilingual edition of the poems by the Nobel Prize laureate The Poems of Octavio Paz is the first retrospective collection of Paz’s poetry to span his entire writing career from his first published poem, at age seventeen, to his magnificent last poem. This landmark bilingual edition contains many poems that have never been translated into English before, plus new translations based on Paz’s final revisions. Assiduously edited by Eliot Weinberger—who has been translating Paz for over forty years—The Poems of Octavio Paz also includes translations by the poet-luminaries Elizabeth Bishop, Paul Blackburn, Denise Levertov, Muriel Rukeyser, and Charles Tomlinson. Readers will also find Weinberger’s capsule biography of Paz, as well as notes on many poems in Paz’s own words, taken from various interviews he gave throughout his long and singular life.

A bilingual edition of the short prose poetry written by Mexico's most distinguished living poet in 1949-50.

Octavio Paz, 1990 Nobel Prize winner, declares that his many nonfiction books on the subject of India are only footnotes to his India poems. Those collected here cover more than 40 years of Paz's many and various commitments to Indiaas Mexican ambassador, student of Indian philosophy, and, above all, poet. "Paz's poetry is a seismograph of our century's turbulence, a crossroads where East meets West".PUBLISHERS WEEKLY.

The undisputed intellectual leadership of Octavio Paz, not only in Mexico but throughout Spanish America, rests on achievements in the essay and in poetry. In the field of the essay, he is the author of more than twenty-five books on subjects whose diversity—esthetics, politics, surrealist art, the Mexican character, cultural anthropology, and Eastern philosophy, to cite only a few—is dazzling. In poetry, his creativity has increased in vigor over more than fifty years as he has explored the numerous possibilities open to Hispanic poets from many different sources. The bridge that joins the halves of his writing is a concern for language in general and for the poetic process in particular. Toward Octavio Paz defines this process of creation through a close examination of the books that represent the summit of the poet's development, three long poems and three collections. It is intended for readers of varied poetic experience who are approaching Paz's work for the first time. By studying the relationship of the parts of the poem, particularly structure and theme, Fein traces the poet's growth through approaches to the reader, each embodied in a separate work. From the divided circularity of Piedra de sol through the intensification of the subject of Salamandra, the multiple meanings of Blanco, the polarities of Ladera este, and the literary solipsism of Pasado en claro, to the silences of Vuelta, Paz has shaped his audience's responses to his work through suggestion rather than control. The result is not only a new poetry but a new receptivity.