Journey into the realms of science and imagination with Fitz-James O'Brien’s intriguing tale, "The Diamond Lens." This captivating story explores the boundaries of perception and reality, inviting readers to witness the wonders that lie just beyond our sight. As O'Brien unfolds his narrative, a provocative question arises: What if the microscopic world, often invisible to the naked eye, holds secrets that could change everything we know? Follow the story of a passionate scientist whose groundbreaking discovery leads him into a mesmerizing and perilous journey through the microscopic universe. O'Brien’s vivid descriptions and imaginative plot challenge our understanding of life and the extraordinary possibilities that lie within the tiniest of creatures. This edition revitalizes O'Brien’s classic tale, making it accessible for contemporary readers while preserving the brilliance of his prose. Each chapter invites you to ponder the intersection of science and fantasy, urging you to consider what wonders might be lurking in the unseen world around you. Are you prepared to peer through the lens of imagination in "The Diamond Lens"? Engage with thought-provoking passages that will stretch your understanding of reality and ignite your curiosity about the natural world. O'Brien's storytelling invites you to explore the delicate balance between discovery and obsession. This is your chance to experience a classic that blurs the lines between science fiction and adventure. Will you dare to uncover the hidden marvels that await within the pages? Don’t miss the opportunity to own this fascinating tale. Purchase "The Diamond Lens" now, and embark on an extraordinary journey through the unseen!

his volume forms part of a continuing initiative by Wayne R. Kime to make available the writings of Fitz-James O'Brien (1828-1862), an Irish-American literary man who during his lifetime won reputation as one of the most talented young authors in the United States, but who has been all but forgotten since. It follows Fitz-James O'Brien: Selected Literary Journalism, 1852-1860 (Susquehanna University Press, 2003) and Behind the Curtain: Selected Fiction of Fitz-James O'Brien (University of Delaware Press and Rowman & Littlefield Publishing Group, 2011), both edited by Kime. Like its predecessors, the volume offers evidence that "not only for his vivid contemporaneity but also for his originality, range, and technical skill" (Fitz-James O'Brien: Selected Literary Journalism, 10), O'Brien's claim to lasting memory was well justified. Thirteen Stories by Fitz-James O'Brien: The Realm of Mind presents a group of works that explore one of the author's special interests, the representation of individual consciousness. All but three of the stories are reprinted here for the first time. The works are arranged chronologically, by date of publication, under five headings: Expanded Faculties ("The Old Boy," "The Spider's Eye," "Seeing the World"), Induced Visions ("The Hasheesh Eater," "Broadway Bedeviled"), New Knowledge ("Mr. Grubbe's Night with Memnon," "The Golden Ingot," "How I Overcame My Gravity"), Love and Hate ("Number 101," "Jubal, the Ringer"), and Dreams ("A Terrible Night," "The Crystal Bell," "From Hand to Mouth"). A general introduction, brief introductions to the individual stories, and explanatory notes complement the reprinted texts. The volume has been designed to appeal to both general and specialist readers.

The Lost Room By Fitz James O'Brien We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Wondersmith Fitz James O'Brien Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. O'Brien's earliest writings in the United States were contributed to the Lantern, which was then edited by John Brougham. Subsequently he wrote for the Home Journal, the New York Times, and the American Whig Review. His first important literary connection was with Harper's Magazine, and beginning in February, 1853, with The Two Skulls, he contributed more than sixty articles in prose and verse to that periodical. He likewise wrote for the New York Saturday Press, Putnam's Magazine, Vanity Fair, and the Atlantic Monthly. To the latter he sent The Diamond Lens(1858) and The Wonder Smith (1859), which are unsurpassed as creations of the imagination, and are unique among short magazine stories. The Diamond Lens is probably his most famous short story, and tells the story of a scientist who invents a powerful microscope discovers a beautiful female in a microscopic world inside a drop of water. The Wonder Smith is an early predecessor of robot rebellion, where toys possessed by evil spirits are transformed into living automatons who turns against their creators. His 1858 short story From Hand to Mouth has been referred to as"the single most striking example of surrealistic fiction to pre-date Alice in Wonderland (Sam Moskowitz, 1971). What Was It? A Mystery (1859) is one of the earliest known examples of invisibility in fiction. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Fitz-James O'Brien was an Irish-born American author whose psychologically penetrating tales of pseudoscience and the uncanny made him one of the forerunners of modern science fiction. The critic August Nemo selected seven short stories by this remarkable author for your enjoyment: - The Diamond Lens. - The Lost Room. - What Was it? A Mystery. - My Wife's Tempter. - The Golden Ingot. - The Child Who Loved a Grave. - Thw Wondersmith.

By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.

Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro American Supernatural Tales is the ultimate collection of weird and frightening American short fiction. As Stephen King will attest, the popularity of the occult in American literature has only grown since the days of Edgar Allan Poe. The book celebrates the richness of this tradition with chilling contributions from some of the nation's brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course—Stephen King. This volumes also includes "The Yellow Sign," the most horrific story from The King in Yellow, the classic horror collection by Robert W. Chambers featured on HBO's hit TV series True Detective. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good collection of stories. Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.