Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles. Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard. Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.

Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, and experimentation, as well as the problems in adapting European landscaping ideas to local climate. The Pleasure Gardens of Virginia also brings to life the social and commercial interaction between Williamsburg and the plantations, and examines early American ideas about gracious living. While placing Virginia's garden tradition within the larger context of that of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington at Mount Vernon and Jefferson at Monticello. Martin draws upon both pictorial representations and the findings of modern archaeological excavations in order to recapture the gardens as they existed in colonial times.

Eastward in Clerkenwell lies the Mulberry Pleasure Garden: six acres of leafy walks, colonnades and pavillions. In this bosky setting parade a variety of characters of awesome granduer, innocence and evil - and all are subject to a ring of blackmail terror.

A secret agent in His Majesty's Secret Service meets a mysterious young beauty in a famous pleasure garden and loses his heart to her sensual charms. Original.

First published in 1977, The Pleasure Garden is an entertaining and concise history of English gardening by husband and wife team Osbert Lancaster and Anne Scott-James. In a series of beautifully observed and witty cartoon illustrations Osbert Lancaster captures the essence of gardening styles from Roman times through to the twentieth-century patio. The accompanying text by Anne Scott-James explains the work of garden-makers and designers and the native and newly arrived plants they used.

“Delightful!” —The New York Times Book Review Discover a world of beauty and creativity! Chanticleer has been called the most romantic, imaginative, and exciting public garden in America. It is a place of pleasure and learning, relaxing yet filled with ideas to take home. And now those lessons are available for everyone in this stunning book! You’ll learn techniques specific to different conditions and plant palettes; how to use hardscape materials in a fresh way; and how to achieve the perfect union between plant and site. And Rob Cardillo’s exquisite photographs of exciting combinations will be sure to stimulate your own creativity. Whether you’re already under Chanticleer’s spell or have yet to visit, The Art of Gardening will enable you to bring the special magic that pervades this most artful of gardens into your own home landscape.

During their heyday in the mid-eighteenth century the pleasure gardens were one of the hubs of polite society. Laid out with formal gardens and buildings for dining and amusement, the pleasure gardens were the scene of upper class exercise and entertainment. Most famous were Vauxhall Gardens, Cremorne Gardens and Ranelagh Gardens. In Bath, Sydney Gardens is the only English pleasure garden that has not since been closed and built over. This book tells the story of the pleasure gardens, explaining their beginnings in the seventeenth century, their rising social importance, the variety of entertainment contained within, and their eventual decline into seedy hangouts for gamblers, thieves and prostitutes.

The ancient wanderer Yang Chu's philosophy is published for the first time in modern English in this series of debates about makings of the good life. Yang Chu, known alternately as "the philosopher of pleasure and contentment," has a deep concern with enjoying life to the fullest and argues that true egoism does not center on seeking fame or glory, but rather the development of the individual. By allowing the inner voice and senses to grow, Yang Chu explains, the ability to take pleasure in the simple aspects of life grows as well.

The Pleasure Garden is an intricately woven and sensuous debut that skilfully blends past and present in a rich story of art, history, love and betrayal. Following a chance encounter in the lush gardens at Oakstead, a beautiful eighteenth century stately home with a chequered past, Ruby, an artist, and Ben, the owner, embark on a whirlwind romance. The house and grounds feel strangely familiar to Ruby, and before long, she and Ben are engaged to be married. Their plans are soon disrupted, however, by Charlie, Ben's disreputable lodger, and also by George, the gardener. Distracted by unwelcome academic interest in Oakstead, and absorbed in his own research, Ben fails to notice Ruby's clandestine meetings with George, and is also blissfully unaware of the increasingly strained atmosphere between her and Charlie. But, as Ben finds out more about the home's original owner, the infamous Henry Faulkes, it becomes apparent that history could be repeating itself, and that Ruby is not the only person hiding something at Oakstead.