Based on J M Synge’s Playboy of the Western World. Playboy of the West Indies opened at the Oxford Playhouse in 1984 and subsequently toured the UK finishing at the Tricycle Theatre in London. It has also enjoyed huge success in the United States, most notably at The Court Theatre, Chicago; Arena Stage, Washington; New Jersey and Yale Rep. The Court Theatre Chicago's production was nominated for four Jefferson Awards. There was an extremely successful revival of the play at the Lincoln Center, New York in 1993. Mustapha also wrote the television adaptation, screened on BBC2 in 1985. The play was recently revived at the Tricycle Theatre and the Nottingham Playhouse.

Synge, who came from a middle-class Protestant family near Dublin, created a huge scandal at the Abbey Theatre in Dublin, where The Playboy was staged in 1907, because its audience did not take kindly to a comedy that seemed to portray the Irish as violent, superstitious sots and swaggerers. Synge relied on and at the same time mocked the Irish dramatic movement and its ambition to create realistic drama that was also poetically beautiful. The play is set 'near a village, on a wild coast of Mayo'. On the first day, a stranger arrives and declares that he is on the run because he has killed his father - for this, the villagers turn him into a hero. On the second day, however, his father arrives walking wounded, and although Christy knocks him down with a spade, his father seems impossible to kill. The set off together, still quarrelling, and the villagers are bereft of their excitement.

Bisi Adigun and Roddy Doyle’s centenary adaption of J. M. Synge’s classic The Playboy of the Western World had a sold-out run when it was produced at Dublin’s Abbey Theatre in 2007 and was brought back by popular demand in 2008. The new version is set in a contemporary Dublin pub and features the character of a Nigerian asylum-seeker in the lead role. Under the coauthorship of Bisi Adigun, artistic director of Arambe Productions—Ireland’s first African theater company—and best-selling, Booker Prize–winning novelist Roddy Doyle, the play engages with issues of race and immigration in modern Ireland and, when first released, aimed to be a model for intercultural collaboration. This critical edition features the full text of the play, published for the first time, along with a collection of essays exploring the play’s themes, cultural significance, critical reception, and the legal case that cut short its successful production run. Though the play was first produced over a decade ago, the topic of migration has only increased in its global importance over that time, and this adaptation of Playboy remains a popular touchstone among scholars of Irish theater and immigration.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Essays on the production and performances of J.M. Synge's The Playboy of the Western World including a study of the acclaimed Druid production directed by Garry Hynes.

"Matura's play not only offers a potted guide to Trinidadian ethnicity, economics and politics, but also a potent metaphor for the post-colonial process. It is also very funny ... the real power of Matura's play lies in its reminder, under all that surface exuberance, that the movement towards independence carried its own element of fancy-dress masquerade." The Guardian 1950s Port of Spain. Samuel, a young tailor's assistant, dreams of Trinidad's independence. On the eve of carnival everyone fills the streets, dressed up to play mas. This annual celebration turns to tragedy and spurs Samuel on to make a decision that will change the political landscape of the future of this vibrant, volatile island. Play Mas premiered at the Royal Court in 1974, winning the Evening Standard Award for Best Play, and transferred to the West End. Described as a wickedly funny, exuberant and poignant play, it is published in Methuen Drama's Modern Classics series for the first time, with a brand new introduction by Paulette Randall.