This text is used at more colleges and universities than any other business law text. With the perfect balance of tradition and innovation, this benchmark text brings to life the functions and inner-workings of business law in the real world. Rich with classic and modern cases, West's Business Law is the ideal text for students entering virtually any field of business. By combining this market leading text with a complete supplements and technology package, this is the one clear choice in business law courses.

KING SOLOMON’S SEAL consists of 63+ pieces, some short, some long, each a story, several containing stories within stories. There is a short introduction, TO THE READER, which informs us by whom it originated and is narrated, if neither the why nor how. There is also an AFTERWORDS, which in some ways puts Finis to these tale-tellings. The time of its narrations is about 1750-1820, the place a small “house of study” perched on a mountain in the eastern part of the Fatra Range in Carpathia, part of the Austro-Hungarian Empire during that century. The materials are diverse in nature, suggestion and purpose, although the reader may and should suppose them meant for us today, even if the language by which the tales are told is a pasticcio of assumed translation into English from some other language, one that relates perhaps to whatever may have been the Yiddish vernacular of those lost times in that faraway place. Some two or three of its fables have appeared in print. KING SOLOMON’S SEAL, playful and mock-serious at once, is meant to entertain. It is a “literary” work, consisting of pseudo-fairy tales, pseudo-folk materials, legends and the like.

Ally knows her super-efficient big sis Linn finds their chaotic family a bit ... exasperating. But when Linn falls for Q, the tearaway lead singer in a local band, all her sensible ways go out of the window. Everyone else can see that Q's a creep, but does Ally have the courage to burst Linn's heart-shaped bubble?