In the rarefied realm of classic cartoon pin-up art, nobody did it better than Jack Cole. With his quirky line-drawings and sensual watercolours, cole, under Hugh Hefner's guiding hand, catapulted to stardomin the 1950s as Playboy's marquee cartoonist, a position he held until his untimely death at the age of 43. Jack Cole has been justly celebrated as the creator of Plastic Man and an innovative comic book artist of the 1940s. Most of these drawings have not seen print in more than 50 years. Taken together, they provide a rare glimpse into the singular artistry of Jack Cole.

by Bill Morrison & Dan DeCarlo This book presents a fitting tribute to the life and art of one of the world's all-time best cartoonists in a wide-ranging career retrospective. Lavishly designed with over 300 illustrations, the volume includes rare World War II-era cartoons, original Humorama pinups, seldom-seen newspaper strips, examples of his justly famous commercial comics work, and of course, lots and lots of those fabulous DeCarlo girls!

Archie's Christmas Stocking is filled with enough holiday cheer to keep you warm longer than any lump of coal... though given the mischief, mayhem and mistletoe in these stories, coal may be exactly what some of Archie's pals 'n' gals should expect! Plus, here's your Christmas bonus—a brand new Betty and Veronica Spectacular holiday story! So join Archie, Jughead, Betty, Veronica and all their families and friends for Christmas in Riverdale!

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242} No other pin-up cartoon artist over a 30-year period was as prolific or as omnipresent as Bill Wenzel. Virtually every humor and men's magazine, ranging from Judge in the mid-'40s to Sex to Sexy in the '60s and '70s, boasted two, if not a dozen, of Wenzel's pin-up cartoons. Quick with pen and ink, Wenzel was equally adept with the brush, and nowhere was this more evident than in his work for the Humorama line of girlie digests.

Remember when flying was glamorous and sexy, even fun? When airline food was gourmet, everyone dressed up for a flight, and stewardesses catered to our every need-at least in our imaginations? This classic memoir by two audaciously outspoken young ladies, who lived and loved the free-spirited stewardess life, jets you back to those golden days of air travel-from the captain who's as subtle as a 747 when he's on the make to the passenger who mistakes the overhead luggage rack for an upper berth; from the names of celebrities who were a pleasure to serve (and some surprising notables on the "bad guy" list) to the origins of some naughty stereotypes-Spaniards are the best lovers, actors the most foul-mouthed. This huge bestseller, a First Class jet-age journal, offers a hilarious gold mine of outrageous anecdotes from the high-flying and amorous lives of those busty, lusty, adventuresome young women of the swinging '60s known as "stews."

During the 1950s, under the Humorama banner, Abe Goodman churned out scores of cheap digest-sized magazines that featured cheesecake photos and single panel pin-up cartoons. The digests featured the likes of Playboy's Jack Cole, Archie's Dan DeCarlo and glamour girl legend Bill Ward. In addition to these three pin-up cartooning luminaries, other notable who contributed to the pages of the Humorama digests included longtime illustrator Jefferson Machamer; Basil Wolverton, who influenced a generation of underground cartoonists; Mad's Dave Berg ("The Lighter Side"); and future syndicated cartoonists George Crenshaw ("Belvedere"), Bill Hoest ("The Lockhorns") and Brad Anderson ("Marmaduke").

The late cartoonist who defined Betty & Veronica's look for Archie comics also produced hundreds of exquisite ink-wash cartoons for the Humorama line of girlie digests from 1956 to 1963. This handsome volume collects many of the best.

This beautifully reproduced selection of quirkily elegant, sensual pin-up art from Jack Cole's 1950s career as the premier Playboy cartoonist shows that there was far more to Cole than his brilliant Plastic Man. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

Having mastered comic books and gag cartoons, in 1958 Jack Cole set his sights on the cartoonist's pot of gold—a syndicated newspaper strip. He hit the bull's-eye with Betsy and Me, a breezy domestic farce focusing on a middle-class urban couple and their smart-aleck genius son. Betsy and Me was an instant success and newpapers were lining up to buy it. Then, with only two-and-a-half month's worth of strips completed, Cole purchased a .22 caliber pistol and ended his life. For Betsy and Me, featuring city dweller Chet Tibbit's day-to-day stuggles and achievements, Cole stripped his style down to its bare essentials, creating a strip that sparkles with economy, wit, and charm. What gave the strip its edge, however, was Cole's innovative storytelling. As R.C. Harvey writes in his introduction, "Cole's storytelling manner was unique: the comedy arose from the pictures' contradicting the narrative prose. Cole's fatuous protagonist and narrator would say one thing in the captions accompanying the drawings, but the pictures of his actions showed the opposite, revealing [him] to be a trifle pretentious and wholly delusional." Harvey's intro also serves as a biographical sketch and sheds light on the circumstances surrounding Cole's suicide. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}