Jamie is rebuilding his life after his previous escape from the Pilo Family Circus, with no memories of the circus besides the clown outfit in his cupboard. Far below, as the circus stirs back to life, Jamie finds himself filled with urges to be a clown again (making inappropriate jokes at work, an urge to put on his clown outfit, etc.) He also finds that his friends and family do not trust him, because of that night he was found by police in a clown suit with blood on his shoes, and no memory of what happened. But there are those who do remember what happened. As the circus rebuilds itself, seeking out past performers and enslaving new cast members, Jamie finds himself drawn back into the dark world of the diabolic big top. But this time, the clown paint has no effect on him. His evil twin — JJ — is dead and buried. Jamie believes there is no way to bring back that twisted side of himself. That is, until the body is found and reanimated . . .

Jamie's tyres squealed to a halt. Standing in the glare of the headlights was an apparition dressed in a puffy shirt with a garish flower pattern It wore oversized red shoes, striped pants and white face paint. It stared at him with ungodly boggling eyes, then turned away...this seemingly random incident triggers a nightmarish chain of events as Jamie finds he is being stalked by a trio of gleefully sadistic clowns who deliver a terrifying ultimatum: you have two days to pass your audition. You better pass it, feller. You're joining the circus. Ain't that the best news you ever got? Jamie is plunged into the horrific alternate universe that is the centuries-old Pilo Family Circus, a borderline world between hell and earth from which humankind's greatest tragedies have been perpetrated. Yet in this place peopled by the gruesome, grotesque and monstrous, where violence and savagery are the norm, Jamie finds that his worst enemy is himself - for when he applies the white face paint, he is transformed into JJ, the most vicious clown of all. And JJ wants Jamie dead.

This book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.

Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.

“The book casts a curiously sweet spell.” – Entertainment Weekly Eleven Minutes tells the story of Maria, a young girl from a Brazilian village whose first innocent brushes with love leave her heartbroken. At a tender age, she becomes convinced that she will never find true love, instead believing that “love is a terrible thing that will make you suffer.” A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune, yet ends up working as a prostitute. In Geneva, Maria’s despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria must choose between pursuing a path of darkness—sexual pleasure for its own sake—or risking everything to find her own inner light and the possibility of true love.

In this adventurous retelling of The Prince and the Pauper, the lives of a runaway royal and a carnival worker become intertwined as each is compelled to fight for his life and family. Fans of The Sixty-Eight Rooms and Ophelia and the Marvelous Boy won’t want to miss this. Lute is a prince, next in line to the throne. Griff is a poor carnival worker who does the heavy lifting while the malevolent ringmaster orders him about. But there’s something special about Griff: he can hear the thoughts of everyone around him. And one day, he begins to connect with Lute’s mind, even though they’ve never met and are miles apart. When Lute must run for his very life, Griff may be the only one who can help him. In a journey over land and sea, these heroes battle deadly foes and make unlikely allies, including a host of magical creatures and their caretaker, a bitter old dwarf, and a mysterious lady pirate. When the boys finally come together, they will learn they are connected in ways they could never have imagined, ways that may save them—or cost them both their lives.

For the first time in English, a mind-bending surreal masterpiece by one of Chile's most addictively eccentric experimentalists, Juan Emar

When young Iqbal is sold into slavery at a carpet factory, his arrival changes everything for the other overworked and abused chidren there. It is Iqbal who explains to them that despite their master's promises, he plans on keeping them as his slaves indefinetely. But it is also Iqbal who inspires the other children to look to a future free from toil...and is brave enough to show them how to get there. This moving fictionalized account of the real Iqbal Masih is told through the voice of Fatima, a young Pakistani girl whose life is changed by Iqbal's courage.