This edition published in 1915 includes "Pilgrims of Hope," a 13-episode poem set in the period of the Paris Commune first published in the Socialist League's newspaper 'Commonweal' from 1885-86, and "Chants for Socialists," a collection of songs and poems written for various occasions which appeared in a penny pamphlet published by the Socialist League in 1885.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Excerpt from The Pilgrims of Hope and Chants for Socialists The Pilgrims Of Hope was originally written for and contributed by William Morris to the early issues of The Commonweal, The Official Journal of the [London] Socialist League, during 1885-86. Shortly after its termination in July, 1886, the poem was brought together and privately reprinted by Mr. H. Buxton Forman with the following introductory Note: "When a few sections of this poem had appeared in The Commonweal many besides myself thought that The Pilgrims of Hope was not only a beautiful work, but by its subject and treatment highly important to educated readers. On the appearance of the last part, I tried to persuade Mr. Morris to publish the whole at once as a volume. He demurred, saying that the matter needed consideration and that the poem might want much revision. In several talks I upheld the view that it was not for such a work as this to lie buried in a socialist newspaper concerned mainly in questions of immediate politics, and so fail to come into the hands of more than a few among the reading classes who have his works in their libraries, as a permanent source of pleasure and profit. Failing to carry the point, I said we must have the poem in book form somehow, and that I would print a short issue in a decent manner privately for friends. Being unforbidden, I have proceeded to carry out my project; and indeed it has not been difficult to persuade the poet that a dozen or two copies cherished in libraries where the rest of his poems are lovingly guarded do not add one whit to the publicity of the book pending the arrival of the time when he may set about revising it for general circulation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Pilgrims of Hope and Chants for Socialists The Pilgrims of Hope appeared in The Commonweal between March 1885 and July 1886, its title being decided on with the publication of the second part. Sections I, IV, and VIII were included in Poems by the Way after the author had abandoned his intention of revising it as a whole. To be concluded stands at the bottom of the last instalment. Chants for Socialists, consisting of songs and poems written for various occasions and collected into a penny pamphlet published by the Socialist League in 1885, is here printed entire (with the exception of The Message of the March Wind, pp. 3 although The Day is Coming, The Voice of Toil, and All for the Cause, were included in Poems by the Way. A Death Song, which also appears there, was written for the funeral of Alfred Linnell, who died from injuries received at a Demonstration in Trafalgar Square on November 20, 1887. It first appeared in pamphlet form, with a musical setting by Malcolm Lawson. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

William Morris (1834-1896) was an English artist, writer, socialist and activist. He was one of the principal founders of the British arts and crafts movement, best known as a designer of wallpaper and patterned fabrics, a writer of poetry and fiction and a pioneer of the socialist movement in Britain. Morris and his friends formed an artistic movement, the Pre-Raphaelite Brotherhood. They eschewed the tawdry industrial manufacture of decorative arts and architecture and favoured a return to hand-craftsmanship, raising artisans to the status of artists. He espoused the philosophy that art should be affordable, hand-made, and that there should be no hierarchy of artistic mediums. His best-known works are The Defence of Guinevere, and Other Poems (1858), Hopes and Fears for Art (1882), Chants for Socialists (1885), A Dream of John Ball: A King's Lesson (1888), The House of the Wolfings (1889), Child Christopher and Goldilind the Fair (1895), Old French Romances (1896), The Well at the World's End (1896), and The Hollow Land (1897).

Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.