Underlying Exodus in its priestly redaction is a pilgrimage. Smith's new book starts by reviewing pilgrimage shrines, feasts and practices in ancient Israel. Next, it examines the two pilgrimage journeys in Exodus. In Exodus 1-15 Moses journeys to Mount Sinai, experiences God and receives his commission. In Exodus 16-40, Moses and the people together journey to Mount Sinai for the people's experience of God and their commission. Between lies Exodus 15, the fulcrum-point of the book: vv. 1-12 look back and vv. 13-18 look forward to Israel's journey to Sinai. Finally, the different meanings of torah in the book of Exodus are contrasted, and the book concludes with a consideration of Exodus's larger place in the Pentateuch.

Underlying Exodus in its priestly redaction is a pilgrimage. Smith's new book starts by reviewing pilgrimage shrines, feasts and practices in ancient Israel. Next, it examines the two pilgrimage journeys in Exodus. In Exodus 1-15 Moses journeys to Mount Sinai, experiences God and receives his commission. In Exodus 16-40, Moses and the people together journey to Mount Sinai for the people's experience of God and their commission. Between lies Exodus 15, the fulcrum-point of the book: vv. 1-12 look back and vv. 13-18 look forward to Israel's journey to Sinai. Finally, the different meanings of torah in the book of Exodus are contrasted, and the book concludes with a consideration of Exodus's larger place in the Pentateuch.

Methods for Exodus is a textbook on biblical methodology. The book introduces readers to six distinct methodologies that aid in the interpretation of the book of Exodus: literary and rhetorical, genre, source and redaction, liberation, feminist, and postcolonial criticisms. Describing each methodology, the volume also explores how the different methods relate to and complement one another. Each chapter includes a summary of the hermeneutical presuppositions of a particular method with a summary of the impact of the method on the interpretation of the book of Exodus. In addition, Exodus 1–2 and 19–20 are used to illustrate the application of each method to specific texts. The book is unique in offering a broad methodological discussion with all illustrations centered on the book of Exodus.

Countering scholarly tendencies to fragment the text over theological difficulties, this New Studies in Biblical Theology volume contends that Exodus should be read as a unified whole, and that an appreciation of its missionary theme in its canonical context is of great help in dealing with the difficulties that the book poses.

The Hebrew/Christian Scriptures include many allusions to pilgrimage customs and practices, yet the information is scattered and requires a considerable amount of reconstruction. It is posited that the pilgrimage paradigm, including the journey motif, has influenced the thought patterns of the writers of both the Old and New Testaments. To follow Jesus' journey to Jerusalem on the three feasts of pilgrimage in Luke-Acts and John, and their relevance to the way he revealed himself and taught his disciples, this work begins with the creation and patriarchal narratives, examining how the pilgrimage paradigm relates to discipleship. Reviewing the history of the people of God including the Exodus, the Exile, and restoration, this book establishes the significance of pilgrimage as a paradigm for Israel that eventually shapes Judaism. Seung Y Lee points us to a neglected fact that the three feasts of pilgrimage have developed their own characters and meanings for the momentous events in the history of Israel, and both Luke-Acts and John reflect the significance of the pilgrimage paradigm for Jesus' self-understanding and his teaching.

An examination of the literary and theological dynamics of the divine-human encounter as reflected in theophany narratives in the Hebrew Bible. The point of departure for this study is a type-scene analysis which reveals a common structure to theophany narratives. Beginning with the separation of the protagonist from human society, the text moves to a visual and verbal revelation by the Deity, and records a range of human reactions to the experience. Each of the texts concludes with a description of a more externalized reaction, which marks the carrying over of the experience into a larger societal framework. The analysis develops the underlying structural and contentual similarity among texts which have traditionally been understood as belonging to different literary genres. The discussion offers a nuanced treatment of the range of literary strategies employed by the narrative for addressing these elements. In addition to a detailed analysis of each of the above components of the type-scene, there is discussion of issues such as the idea of the lethal nature of the encounter and intertextual relations between the narratives. JSOTS 420

The Name Command (NC) is usually interpreted as a prohibition against speaking Yhwh’s name in a particular context: false oaths, wrongful pronunciation, irreverent worship, magical practices, cursing, false teaching, and the like. However, the NC lacks the contextual specification needed to support the command as speech related. Taking seriously the narrative context at Sinai and the closest lexical parallels, a different picture emerges—one animated by concrete rituals and their associated metaphorical concepts. The unique phrase ns' shm is one of several expressions arising from the conceptual metaphor, election as branding, that finds analogies in high-priest regalia as well as in various ways of claiming ownership in the Ancient Near East, such as inscribed monuments, the use of seals, and the branding of slaves. The NC presupposes that Yhwh has claimed Israel by placing Yhwh’s own name on her. In this light, the first two commands of the Decalogue reinforce the two sides of the covenant declaration: “I will be your God; you will be my people.” The first expresses the demand for exclusive worship and the second calls for proper representation. As a consequence, the NC invites a richer exploration of what it means to be a people in covenant with Yhwh—a people bearing his name among the nations. It also points to what is at stake when Israel carries that name “in vain.” The image of bearing Yhwh’s name offers a rich source for theological and ethical reflection that cannot be conveyed nonmetaphorically without distortion or loss of meaning.

This book suggests a regional paradigm for understanding the development of the traditions about Egypt and the exodus in the Hebrew Bible. It offers fresh readings of the golden calf stories in 1 Kgs 12:25-33 and Exod 32, the Balaam oracles in Num 22-24, and the Song of the Sea in Exod 15:1b-18 and from these paints a picture of the differing traditions about Egypt that circulated in Cisjordan Israel, Transjordan Israel, and Judah in the 8th century B.C.E. and earlier. In the north, an exodus from Egypt was celebrated in the Bethel calf cult as a journey of Israelites from Egypt to Cisjordan, without a detour eastward to Sinai. This exodus was envisioned in military terms as suggested by the nature of the polemic in Exod 32, and the attribution of the exodus to the warrior Yahweh, Israel's own deity. In the east, a tradition of deliverance from Egypt was celebrated, rather than the idea of a journey, and it was credited to El. In the south, Egypt was recognized as a major enemy, whom Yahweh had defeated, but the traditions there were not formulated in terms of an exodus. While acknowledging the reshaping of these traditions in response to the exile, Images of Egypt argues that they originated in the pre-exilic period and relate to Syro-Palestinian history as it is otherwise known.

Julia Bolton Holloway's The Pilgrim and the Book: A Study of Dante, Langland and Chaucer investigates major fourteenth-century texts, the Commedia, Piers Plowman and The Canterbury Tales, in the light of the medieval theory and practice of pilgrimage, especially concentrating on Emmaus and Exodus paradigms. Holloway's analysis draws extensively on iconography, musicology, typology and anthropology. The concluding chapter explains why each poet places himself within his poem - in his own image - as a pilgrim.

This festschrift honors Aloysius Fitzgerald, F.S.C. The essays largely reflect the honoree's interests in the poetic and prophetic material of the Hebrew Bible and the ancient Near Eastern context of that material. The volume includes an introduction by Joseph Jensen, O.S.B. and the following articles: Leslie J, Hoppe, O.ftM., "Vengeance and Forgiveness: The Two Faces of Psalm 79" (pp. 1-22); Mark S. Smith, "The Poetics of Exodus 15 and Its Position in the Book" (pp. 23-34); Susan F. Mathews, "The Power to Endure and Be Transformed: Sun and Moon Imagery in Joel and Revelation 6" (pp. 35-49); Gregory J. Polan, O.S.B., "Zion, the Glory of the Holy One of Israel: A Literary Analysis of Isaiah 60" (pp. 50-71); Maribeth Howell, O.P., "A Closer Look: Isaiah 35:110" (pp. 72-80); Mark D. Futato, "Sense Relations in the 'Rain' Domain of the Old Testament" (pp. 81-94); John J. Ferrie, Jr., "Singing in the Rain: A Meteorological Image in Isaiah 42:10-12" (pp. 95-104); Irene Nowell, O.S.B., "Psalm 88: A Lesson in Lament" (pp. 105-18); Dale Launderville, O.S.B., "Anti-monarchical Ideology in Israel in Light of Mesopotamian Parallels" (pp. 119-28); Edward G. Mathews, Jr., "Water in the First Creation Account of Genesis I in the Commentary on Genesis of Ephrem the Syrian" (pp. 129-44); Deirdre Dempsey, "The Verb Syntax of the Idol Passage of Isaiah 44:9-20" (pp. 145-56); Alice Ogden Bellis, "The New Exodus in Jeremiah 50:33-38" (pp. 157-68); Lawrence Boadt, C.S.P., "Re-Examining a Preexilic Redaction of Isaiah 1-39" (pp. 169-90).