"The Pier-Glass" is a poetry book by Robert Graves, a British poet, historical novelist, and critic who published over 140 works. This book contains some interesting and amazing poems that are loved by many and appreciated among readers.

Focusing on three of Eliot's most influential and widely read novels, this guide traces recent critical interpretations of her work as well as revisiting some of the perspectives offered by original reviewers and early critics.

Prize-winning biographer Richardson has written the definitive work on the fascinating William James, whose life and writing put an indelible stamp on psychology, philosophy, teaching, and religion--and on modernism itself.

Robert Graves: From Great War Poet to Good-bye to All That casts new light on the life, prose and poetry of Graves, without which the story of Great War poetry is incomplete. The writer and poet Robert Graves suppressed virtually all of the poems he had published during and just after the First World War. Until his son, William Graves, reprinted almost all the Poems About War in 1988, Graves's status as a 'war poet' seems to have depended mainly on his prose memoir (and bestseller), Good-bye to All That. None of the previous biographies written on Graves, however excellent, attempt to deal with this paradox in any depth. Robert Graves the war poet and the suppressed poems themselves have been largely neglected – until now. Jean Moorcroft Wilson, celebrated biographer of poets Siegfried Sassoon, Isaac Rosenberg and Edward Thomas, relates Graves's fascinating life during this period, his experiences in the war, his being left for dead at the Battle of the Somme, his leap from a third-storey window after his lover Laura Riding's even more dramatic jump from the fourth storey, his move to Spain and his final 'goodbye' to 'all that'. In this deeply-researched new book, containing startling material never before brought to light, Dr Moorcroft Wilson traces not only Graves's compelling life, but also the development of his poetry during the First World War, his thinking about the conflict and his shifting attitude towards it.

“Articulations and expressions of gender can be destabilising, transgressive, revolutionary and radical, encompassing both a painful legacy of oppression and a joyous exploration of new experience.” Analysing key texts from the 19th to 21st centuries, this book explores a range of British and Anglophone authors to contextualise women’s writing and feminist theory with ongoing debates in consciousness studies. Discussing writers who strive to redefine the gendered world of “sexualized” space, whether internal or external, mental or physical, this book argues how the “delusion” of gender difference can be addressed and challenged. In literary theory and in representations of the female body in literature, identity has increasingly become a shifting, multiple, renegotiable—and controversial—concept. While acknowledging historical and cultural constructions of sexuality, “writing the body” must ultimately incorporate knowledge of human consciousness. Here, an understanding of consciousness from contemporary science (especially quantum theory)—as the fundamental building block of existence, beyond the body—allows unique insights into literary texts to elucidate the problem of subjectivity and what it means to be human. Including discussion of topics such as feminism and androgyny, agency and entrapment, masculinities and masquerade, insanity and emotion, and individual and social empowerment, this study also creates a lively engagement with the literary process as a means of fathoming the “enigma” of consciousness. Daphne Grace is Professor of English, specializing in postcolonial and transnational literature, gender and women’s studies, in addition to British literature of the 19th to 21st centuries. She currently teaches at the University of the Bahamas, and has also previously taught at Sussex University, England, and Eastern Mediterranean University in Cyprus.