A New York Times Notable Book A San Francisco Chronicle, San Jose Mercury News, and Los Angeles Times Best Book of the Year “A gripping and resonant novel. . . . It immerses the reader in a distant world with startling immediacy and ardor. . . . Riveting.” —Michiko Kakutani, The New York Times In 1886 a shy, middle-aged piano tuner named Edgar Drake receives an unusual commission from the British War Office: to travel to the remote jungles of northeast Burma and there repair a rare piano belonging to an eccentric army surgeon who has proven mysteriously indispensable to the imperial design. From this irresistible beginning, The Piano Tuner launches readers into a world of seductive, vibrantly rendered characters, and enmeshes them in an unbreakable spell of storytelling.

In The Piano Tuner, Peter Meinke writes of the foreignness that awaits us when we go abroad and when we answer our own front door to admit a stranger, that confronts us in unfamiliar cities and villages and in the equally disquieting surroundings of our memories and regrets. Often in these stories, what seems a safe, comfortable environment turns suddenly threatening. In the title story, a writer's quiet existence amid his antiques and books is dismantled, piece by piece, by a demonic, beer-bellied piano tuner. In "The Ponoes," a man recalls how, as a young boy living in Brooklyn during World War II, he became a collaborationist in the brutal pranks of two Irish bullies. In "The Twisted River," the sedate collegiality of a Polish university is disrupted when an American on a Fulbright grant attempts to blackmail two faculty members. And in "The Bracelet," a young anthropology student doing field work in Africa finds herself drawn further and further into the role of a priestess of Oshun, into a life dictated by the configuration of cowry shells cast upon the floor. Meinke writes of a world where our control over our lives seldom exists across a border, and often extends no further than our fingertips. Attempts to bridge two cultures, two lives are sometimes successful, as when an actor finds love in the arms of a tough-talking barmaid, but more usually lead to disillusionment, as when a hard-drinking salesman's career is shattered after he is drunk under the table one night by a Polish engineer, or when an English father struggles to find common ground with his American son. Riveting, almost terrifying, the stories in The Piano Tuner tell of decent men and women caught in events that they could never have predicted, would never have chosen.

Provides all the information needed for restoring and maintaining pianos, both for professionals and amateurs.

Welcome to the humourous and adult world of Mr. D'elia, the Piano Tuner, as it leaps from the imagination of creator Ignacio Noe.

To find out more information about Rowman & Littlefield titles please visit us at www.rowmanlittlefield.com.

Pianos Inside Out takes an in-depth look at the history, design, and maintenance of the piano, and provides practical guidance to anyone who wants to learn how to improve action performance, or tune, repair, regulate, voice, or rebuild pianos. Covering a wide range of topics, from introductory to advanced, the book puts between two covers all the advancements and understanding gained by the piano industry over the last 30 years, to provide a unified and coherent view of that much-needed information, from coincident partial tuning and interval inharmonicity, to touchweight analysis, string leveling, and the different types of modern lubricants. Although written for hobbyists, students, and piano technicians, Pianos Inside Out will also help pianists and owners of pianos to better understand their instruments and to communicate more effectively with their technicians. The book is full of clear, concise, step-by-step instructions, and more than 700 illustrations and diagrams.

Rather than become a concert artist, Debbie Weinstock's great ambition is to be a piano tuner, just like her grandfather

The subject of this book is tuning theory and the integration of aural and electronic tuning techniques. All of the information presented will be analyzed from both aural and electronic perspectives, so that every technique used aurally will have an electronic equivalent, and every technique used electronically will have its aural test. The information is equally helpful for those who tune strictly by ear or exclusively with an electronic aid, and provides a firm understanding of the equivalent tests and procedures from both worlds for the growing number of tuners that use both their ears and an electronic aid.

Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.