The “striking” holocaust memoir that that inspired the Oscar-winning film “conveys with exceptional immediacy . . . the author’s desperate fight for survival” (Kirkus Reviews). On September 23, 1939, Wladyslaw Szpilman played Chopin’s Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn’t hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling. “Szpilman’s memoir of life in the Warsaw ghetto is remarkable not only for the heroism of its protagonists but for the author’s lack of bitterness, even optimism, in recounting the events.” —Library Journal “Employing language that has more in common with the understatement of Primo Levi than with the moral urgency of Elie Wiesel, Szpilman is a remarkably lucid observer and chronicler of how, while his family perished, he survived thanks to a combination of resourcefulness and chance.” —Publishers Weekly “[Szpilman’s] account is hair-raising beyond anything Hollywood could invent . . . an altogether unforgettable book.” —The Daily Telegraph “[Szpilman’s] shock and ensuing numbness become ours, so that acts of ordinary kindness or humanity take on an aura of miracle.” —The Observer

"An astonishing yet true account of a pianist's life in war-torn Syria and his ultimate escape to Germany offers a deeply personal perspective on the most devastating refugee crisis of this century. Aeham Ahmad was born a second-generation refugee--the son of a blind violinist and carpenter who recognized Aeham's talent and taught him how to play piano and love music from an early age. When his grandparents and father were forced to flee Israel and seek refuge from the Israeli-Palestinian conflict in 1948, Aeham's family built a life in Yarmouk, an unofficial refugee camp to more than 160,000 Palestinians in Damascus. While waiting for the conflict to be resolved so that they could return to their homeland, they raised a new generation in Syria. But another fight overtook their asylum. Their only havens were in music and each other. In his escape from Syria, Aeham sought out a safe place for him and his family to call home and build a better future. Heart-wrenching though full of hope, and told in a raw and poignant voice, The Pianist from Syria is a gripping portrait of one man's search for a peaceful life and of a country being torn apart as the world watches in horror."--Jacket.

" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.

This book offers an insight into Beethoven's career, showing in well-documented detail the rise and decline of his powers as a performer.

Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this volume provides a master class for the performer, instructor, and student alike.

From A to Z to middle C: An “essential reference” for piano students, teachers, players, and music lovers, with hundreds of definitions (E.L. Lancaster, Alfred Music). The Pianist’s Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors’ succinct entries make The Pianist’s Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument. “This new edition is a go-to source for piano scholars and students for quick information on musical terms, pianists, major works in the piano repertoire, piano manufacturers, and more . . . comprehensive, easy to use.” —Jane Magrath, University of Oklahoma

A stirring novel of love and music inspired by the life of pianist Maria-Theresa von Paradis, a blind virtuoso and contemporary of Mozart. Maria-Theresa von Paradis, the only daughter of the secretary of the empress of Austria, was an exceptionally gifted child. By the age of seventeen, she was a full-fledged virtuoso, playing for the royal family, acclaimed for her beauty and talent . . . and because she was blind. Her father, unable to accept her condition despite her soaring musical gifts, enlists the help of Franz Anton Mesmer, the forerunner of the modern practice of hypnotism, where Maria-Theresa discovers the passions and emotions from which her blindness had previously protected her. In the tradition of Sleeping with Schubert and The Cellist of Sarajevo, the novel is moving portrait of courage, loss, the elation of first love—and the pain of lost innocence.

One morning on the outskirts of Damascus, two starving friends are walking through their desolate city and come across a familiar street that has been turned to rubble, concrete bridges towering above them like tombs and houses turned inside out. Aeham turns to the only comfort he has left and sits at his piano to play a song of hope to his fellow Syrians. It is a song that will reach far beyond the streets of his home and carry consequences he could never have dreamed of. This tender and poetic account of Aeham's experiences, from losing his city, friends and family to leaving his country and finding safety, will move readers with raw and candid emotion. This is a gripping portrait of a man's search for solace and of a country that has been fiercely torn apart.

From A to Z to middle C: An “essential reference” for piano students, teachers, players, and music lovers, with hundreds of definitions (E.L. Lancaster, Alfred Music). The Pianist’s Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors’ succinct entries make The Pianist’s Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument. “This new edition is a go-to source for piano scholars and students for quick information on musical terms, pianists, major works in the piano repertoire, piano manufacturers, and more . . . comprehensive, easy to use.” —Jane Magrath, University of Oklahoma

The bestselling memoir of a Jewish pianist who survived the war in Warsaw against all odds. 'We are drawn in to share his surprise and then disbelief at the horrifying progress of events, all conveyed with an understated intimacy and dailiness that render them painfully close... riveting' OBSERVER On September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside - so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, THE PIANIST is a stunning testament to human endurance and the redemptive power of fellow feeling. 'The images drawn are unusually sharp and clear... but its moral tone is even more striking: Szpilman refuses to make a hero or a demon out of anyone' LITERARY REVIEW