The great Franciscan theologian St. Bonaventure (c.1217-74) engaged in philosophy as well as theology, and the relation between the two in Bonaventure's work has long been debated. Yet, few studies have been devoted to Bonaventure's thought as a whole. In this survey, Christopher M. Cullen reveals Bonaventure as a great synthesizer, whose system of thought bridged the gap between theology and philosophy. The book is organized according to the categories of Bonaventure's own classic text, De reductione artium ad theologiam. Cullen follows Bonaventure's own division of the branches of philosophy and theology, analyzing them as separate but related entities. He shows that Bonaventure was a scholastic, whose mysticism was grounded in systematic theological and philosophical reasoning. He presents a fresh and nuanced perspective on Bonaventure's debt to Augustine, while clarifying Aristotle's influence. Cullen also puts Bonaventure's ideas in context of his time and place, contributing significantly to our understanding of the medieval world. This accessible introduction provides a much-needed overview of Bonaventure's thought. Cullen offers a clear and rare reading of "Bonaventurianism" in and for itself, without the complications of critique and comparison. This book promises to become a standard text on Bonaventure, useful for students and scholars of philosophy, theology, medieval studies, and the history of Christianity.

The Hackett edition of this classic of medieval philosophy and mysticism--a plan of pilgrimage for the learned Franciscan wishing to reach the apex of the mystical experience--combines the highly regarded Boehner translation with a new introduction by Stephen Brown focusing on St. Francis as a model of the contemplative life, the meaning of the Itinerarium, its place in Bonaventure's mystical theology, and the plan of the work. Boehner's Latin Notes, as well as Latin texts from other works of Bonaventure included in the Franciscan Institute Edition, are rendered here in English, making this the edition of choice for the beginning student.

The authors of the standard approach to Bonaventure’s aesthetics established the broad themes that continue to inform the current interpretation of his philosophy, theology, and mysticism of beauty: his definition of beauty and its status as a transcendental of being, his description of the aesthetic experience, and the role of that experience in the soul’s ascent into God. Nevertheless, they also introduced a series of pointed questions that the current literature has not adequately resolved. In Bonaventure’s Aesthetics: The Delight of the Soul in Its Ascent into God, Thomas J. McKenna provides a comprehensive analysis of Bonaventure’s aesthetics, the first to appear since Balthasar’s Herrlichkeit, and argues for a resolution to these questions in the context of his principal aesthetic text, the Itinerarium mentis in Deum.

"Bibliographical notations": p. xvii-xviii.

Supplementing theological interpretation with historical, literary, and philosophical perspectives, The Weight of Love analyzes the nature and role of affectivity in medieval Christian devotion through an original interpretation of the writings of the Franciscan theologian Bonaventure. It intervenes in two crucial developments in medieval Christian thought and practice: the renewal of interest in the corpus of Dionysius the Areopagite in thirteenth-century Paris and the proliferation of new forms of affective meditation focused on the passion of Christ in the later Middle Ages. Through the exemplary life and death of Francis of Assisi, Robert Glenn Davis examines how Bonaventure traces a mystical itinerary culminating in the meditant’s full participation in Christ’s crucifixion. For Bonaventure, Davis asserts, this death represents the becoming-body of the soul, the consummation and transformation of desire into the crucified body of Christ. In conversation with the contemporary historiography of emotions and critical theories of affect, The Weight of Love contributes to scholarship on medieval devotional literature by urging and offering a more sustained engagement with the theological and philosophical elaborations of affectus. It also contributes to debates around the “affective turn” in the humanities by placing it within this important historical context, challenging modern categories of affect and emotion.

This series provides annotated translations from the Latin originals of the works of St. Bonaventure for students and seekers who wish to steep themselves in the rich theological vision of this medieval giant. Begun in 1996 and now totaling 15 volumes with several volumes in development, this is the definitive series for the best and most current English-language translations of Bonaventure?s work