**Winner of the Moonbeam Children's Book Award Gold Medal for Activity Book — Education, Science, History** This family-friendly Philippines children's book is packed with fun facts about Filipino culture, history, and daily life! All About the Philippines takes you on an incredible journey across the colorful island nation of the Philippines with Mary, Jaime, and Ari—three Filipino cousins who look entirely different and yet are the best of friends. You'll visit their homes, their schools, their families, their favorite places, and much more. They'll show you how kids in different parts of the Philippines come from many different ethnic groups and have very various cultures—each with separate traditions, languages, and beliefs—and yet, they are all 100% Filipino! This children's book, aimed at kids ages 8 to 12, brings them on an exciting trip through some of the most fascinating islands on earth. Join Mary, Jaime and Ari to see the how earthquakes, typhoons and other natural events can be scary and yet also make the islands beautiful and full of life. Check out Filipino games, and make a sipa—the Philippines's version of a hacky-sack. Experience the festivals and foods of different cultures found in the Philippines, and try a few easy recipes. Make a parol—a Filipino holiday decoration that you can enjoy all year long. Learn about the conquistadors and traders who came to these islands many centuries ago. Learn how peoples who speak very different languages can communicate when they meet. And a lot more! Along with fun facts, you'll learn about the spirit of the Philippines that makes this country and its people unique. This is a book for families or classrooms to enjoy together.

Named one of the best books of 2018 by NPR, Real Simple, Lit Hub, The Boston Globe, San Francisco Chronicle, The New York Post, Kirkus Reviews, and The New York Public Library "A saga rich with origin myths, national and personal . . . Castillo is part of a younger generation of American writers instilling literature with a layered sense of identity." --Vogue How many lives fit in a lifetime? When Hero De Vera arrives in America--haunted by the political upheaval in the Philippines and disowned by her parents--she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter--the first American-born daughter in the family--can't resist asking Hero about her damaged hands. An increasingly relevant story told with startling lucidity, humor, and an uncanny ear for the intimacies and shorthand of family ritual, America Is Not the Heart is a sprawling, soulful debut about three generations of women in one family struggling to balance the promise of the American dream and the unshakeable grip of history. With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.

Two women, two cultures, and the fight to find a new life in America, despite the secrets of the past… Banished by her wealthy Filipino family in Manila, Amparo Guerrero travels to Oakland, California, to forge a new life. Although her mother labels her life in exile a diminished one, Amparo believes her struggles are a small price to pay for freedom. Like Amparo, Beverly Obejas—an impoverished Filipina waitress—forsakes Manila and comes to Oakland as a mail-order bride in search of a better life. Yet even in the land of plenty, Beverly fails to find the happiness and prosperity she envisioned. As Amparo works to build the immigrant’s dream, she becomes entangled in the chaos of Beverly’s immigrant nightmare. Their unexpected collision forces them both to make terrible choices and confront a life-changing secret, but through it all they hold fast to family, in all its enduring and surprising transformations.

This “ groundbreaking book . . . is essential reading not only for the Filipino diaspora but for anyone who cares about the mysteries of racial identity” (Jose Antonio Vargas, Pulitzer Prize–winning journalist). Is race only about the color of your skin? In The Latinos of Asia, Anthony Christian Ocampo shows that what “color” you are depends largely on your social context. Filipino Americans, for example, helped establish the Asian American movement and are classified by the US Census as Asian. But the legacy of Spanish colonialism in the Philippines means that they share many cultural characteristics with Latinos, such as last names, religion, and language. Thus, Filipinos’ “color” —their sense of connection with other racial groups—changes depending on their social context. The Filipino story demonstrates how immigration is changing the way people negotiate race, particularly in cities like Los Angeles where Latinos and Asians now constitute a collective majority. Amplifying their voices, Ocampo illustrates how second-generation Filipino Americans’ racial identities change depending on the communities they grow up in, the schools they attend, and the people they befriend. Ultimately, The Latinos of Asia offers a window into both the racial consciousness of everyday people and the changing racial landscape of American society.

An examination of all major facets of the Philippine economy and development policy, this title looks to the past and to the future using approaches that are descriptive, analytical, interpretive and comparative. It assesses trends since the 1980s, identifies major policy issues, and provides a balance sheet of achievements and deficiencies.

"A bravura performance."—The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora. From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.

War and Resistance in the Philippines, 1942-1944 repairs the fragmentary and incomplete history of events in the Philippine Islands between the surrender of Allied forces in May 1942 and MacArthur's return in October 1944. No book has comprehensively examined the Filipino resistance during this crucial period. Here, James Kelly Morningstar provides for the first time a comprehensive history of the protracted fighting by 260,000 guerrillas in 277 units across the archipelago. Beginning with the Japanese occupation, the collapse of the United States Forces, Far East (USAFFE), and the simultaneous rise of the complex, diverse Philippine guerrilla movements, Morningstar exposes the inadequacy of MacArthur's conventional plans while revealing his inchoate preparation for guerrilla resistance. Morningstar then recounts in detail the impromptu resistance led by refugee American and Filipino soldiers, local politicians, and social revolutionaries left to battle the Japanese--and each other--with emphasis on how Japanese, American, and Filipino actions influenced and proscribed each other. From a distance, MacArthur contacted select guerrillas and organized agents to deliver supplies and radios to them by submarine. In this way he empowered some to gain power as part of a united framework under his leadership. This not only kept alive the resistance that denied the Japanese exploitation of the Philippines while setting the conditions for MacArthur's return, it also ensured that no one guerrilla leader could challenge America's supremacy. MacArthur's selective support to guerrilla groups that encouraged continued Filipino dependence on the United States would prove fatal for the incipient Maoist social revolution on Luzon. Even so, the Filipinos' shared sacrifice in their act of resistance fueled a national consciousness that created a sense of deserved nationhood. War and Resistance in the Philippines, 1942-1944 concludes with a brief discussion of legacies of the guerrilla resistance. MacArthur's return reestablished the power of American and Filipino political elites. Guerrillas and other citizens who had experienced exceptional hardship now had to fight for recognition. However, the war had resulted in a more united Philippine national identity along with new political institutions to repair the divisions between the formerly exiled government, the collaborationists, and the members of resistance. These momentous years of struggle in the Philippines changed the tide of history and challenge our understanding of war and resistance.

This harrowing mystery, winner of the Philippine National Book Award, follows two Catholic priests on the hunt through Manila for a brutal serial killer Payatas, a 50-acre dump northeast of Manila’s Quezon City, is home to thousands of people who live off of what they can scavenge there. It is one of the poorest neighborhoods in a city whose law enforcement is already stretched thin, devoid of forensic resources and rife with corruption. So when the eviscerated bodies of preteen boys begin to appear in the dump heaps, there is no one to seek justice on their behalf. In the rainy summer of 1997, two Jesuit priests take the matter of protecting their flock into their own hands. Father Gus Saenz is a respected forensic anthropologist, one of the few in the Philippines, and has been tapped by the Director of the National Bureau of Investigations as a backup for police efforts. Together with his protégé, Father Jerome Lucero, a psychologist, Saenz dedicates himself to tracking down the monster preying on these impoverished boys. Smaller and Smaller Circles, widely regarded as the first Filipino crime novel, is a poetic masterpiece of literary noir, a sensitive depiction of a time and place, and a fascinating story about the Catholic Church and its place in its devotees’ lives.