One of the most prominent thinkers of his generation, Hans Jonas wrote on topics as diverse as the philosophy of biology, ethics and cosmology. This work sets forth a systematic philosophy of biological facts, laid out in support of his claim that mind is prefigured throughout organic existence.

In Book Oneof this four-volume work, Alexander describes a scientific view of the world in which all space-matter has perceptible degrees of life, and establishes this understanding of living structures as an intellectual basis for a new architecture. He identifies fifteen geometric properties which tend to accompany the presence of life in nature, and also in the buildings and cities we make. These properties are seen over and over in nature and in the cities and streets of the past, but they have almost disappeared in the impersonal developments and buildings of the last hundred years. This book shows that living structures depend on features which make a close connection with the human self, and that only living structure has the capacity to support human well-being.

Hans Jonas, a pupil of Heidegger and a colleague of Hannah Arendt at the New School for Social Research, was one of the most prominent phenomenologists of his generation. This carefully chosen anthology of Jonas's shorter writings - on topics from Jewish philosophy to philosophy of religion to philosophy of biology and social philosophy - reveals their range without obscuring their central unifying thread: that as living, biological beings, we are also beings who die, and who must consider the implications for current and future ethical and social relations.

An international, interdisciplinary, and interreligious retrospective examination of Hans Jonas (1903-1993) that engages his ideas in light of Existentialism, utopian thought, process philosophy and theology, Zionism, and environmentalism.

What is Life? Where did it come from? Why does it end?

'As an innovative treatment of scientific topics with philosophical undertones, this is an impressive work, Some may not be convinced by the arguments, but for scientists and philosophers alike the author presents a thesis worth exploring.'CHOICEThe book describes a common ground between the biology of life and the humanity of life without compromising either discipline. It attempts to bridge the gap between our 'two cultures' — the sciences and the humanities, as advocated by C P Snow fifty years ago. This book connects our meager existence to the entire living world and the universe, physically and spiritually, through the simple perspective of 'self,' being defined as a system that seeks its own perpetuation.

Do Not Look Outside. No Not Make Noise. Do Not Look At The Sky.The world ends in silence as bizarre entities from outer space descend on the Earth. The survivors must learn to live by three simple rules because to so much as catch a glance of the entities is to die. As they struggle, they're also forced to confront human evil, and another, even more dire threat that has taken the opportunity presented by the apocalypse to take dominion over the Earth.

Body Piercing Saved My Life is the first in-depth journalistic investigation into a subculture so large that it's erroneous to even call it a subculture: Christian rock. Christian rock culture is booming, not only with bands but with extreme teen Bibles, skateboarding ministries, Christian tattoo parlors, paintball parks, coffeehouses, and nightclubs,encouraging kids to form their own communities apart from the mainstream. Profiling such successful Christian rock bands as P.O.D., Switchfoot, Creed, Evanescence, and Sixpence None the Richer, as well as the phenomenally successful Seattle Christian record label Tooth & Nail, enormous Christian rock festivals, and more, Spin journalist Andrew Beaujon lifts the veil on a thriving scene that operates beneath the secular world's radar. Revealing, sympathetic, and groundbreaking, Body Piercing Saved My Life (named for a popular Christian rock T-shirt depicting Christ's wounds) is a fascinating look into the hearts and minds of an enormous, and growing, youth culture.

Published in 1967, when Derrida is 37 years old, Voice and Phenomenon appears at the same moment as Of Grammatology and Writing and Difference. All three books announce the new philosophical project called “deconstruction.” Although Derrida will later regret the fate of the term “deconstruction,” he will use it throughout his career to define his own thinking. While Writing and Difference collects essays written over a 10 year period on diverse figures and topics, and Of Grammatology aims its deconstruction at “the age of Rousseau,” Voice and Phenomenon shows deconstruction engaged with the most important philosophical movement of the last hundred years: phenomenology. Only in relation to phenomenology is it possible to measure the importance of deconstruction. Only in relation to Husserl’s philosophy is it possible to understand the novelty of Derrida’s thinking. Voice and Phenomenon therefore may be the best introduction to Derrida’s thought in general. To adapt Derrida’s comment on Husserl’s Logical Investigations, it contains “the germinal structure” of Derrida’s entire thought. Lawlor’s fresh translation of Voice and Phenomenon brings new life to Derrida’s most seminal work.