In 1940 a group of artists, sculptors, film makers, theatre designers and set painters came together to form the Camouflage Unit. They were so successful that in August 1942 Montgomery ordered them to to hide the preparations for the Battle of Alamein. In six weeks two entire divisions were conjured from the sand, while real units, stores and men vanished into thin air. Then, right in front of the German's eyes they made 600 tanks disappear and reappear fifty miles away disguised as lorries. Rommel had been bamboozled by an army made of nothing but string and straw and bits of wood.

Our story is about the genesis and evolution of these phantoms and men-who-never-were, these artists and magicians at the front line who operated in stealth and secrecy. Throughout the course of World War II, Allied forces engaged in elaborate deceptions to fool Hitler's armies. A ragtag group of Bohemian artists and creatives were assembled to devise these strategies, including rubber dummy tanks, faux railway lines and falsified wireless intelligence. They made armies appear out of thin air, baffling German forces and ensuring Allied success in battle. For fifty years, information on the Ghost Army strategies was classified. It is only recently that details of their heroic actions have come to light. This book includes details of SHAEF command centre who organised many of the deceptions, the First US Army Group (the so-called 'Ghost Army'), the 23rd Camouflage Engineers, and accounts of the double cross agents who risked their lives and freedom to mislead Nazi High Command. Featuring never-before-seen information from veteran interviews, The Ghost Army brings to life the fascinating story of the men and women who conned Adolf Hitler.

Initially formed to hide British towns, factories and airfields from enemy bombers, the Camouflage Unit, led by Major Geoffrey Barkas, joined the war in the Western Desert in 1940. At Tobruk they used their skills to weave intricate webs of deception to deceive the enemy. In August 1942 the Unit was ordered to to hide the preparations for the Battle of Alamein. In six weeks two divisions, with armour, field guns and supporting vehicles, were conjured from the sand, while real tanks and lethal twenty-five pound field guns vanished from sight. Then, on the eve of the battle, the unit performed the biggest conjuring trick in military history, making 600 tanks disappear and reappear fifty miles away disguised as lorries. Rommel had been bamboozled by an army made of nothing but string and straw and bits of wood.

“Monumental… [A] vast and detailed study that is surely the finest single-volume history of World War II. Richard Overy has given us a powerful reminder of the horror of war and the threat posed by dictators with dreams of empire.” – The Wall Street Journal A thought-provoking and original reassessment of World War II, from Britain’s leading military historian A New York Times bestseller Richard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. As one of Britain’s most decorated and respected World War II historians, he argues that this was the “last imperial war,” with almost a century-long lead-up of global imperial expansion, which reached its peak in the territorial ambitions of Italy, Germany and Japan in the 1930s and early 1940s, before descending into the largest and costliest war in human history and the end, after 1945, of all territorial empires. Overy also argues for a more global perspective on the war, one that looks broader than the typical focus on military conflict between the Allied and Axis states. Above all, Overy explains the bitter cost for those involved in fighting, and the exceptional level of crime and atrocity that marked the war and its protracted aftermath—which extended far beyond 1945. Blood and Ruins is a masterpiece, a new and definitive look at the ultimate struggle over the future of the global order, which will compel us to view the war in novel and unfamiliar ways. Thought-provoking, original and challenging, Blood and Ruins sets out to understand the war anew.

“A riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. I enjoyed it enormously.” —Tom Brokaw The first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives—now updated with new material. In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs, along with maps, official memos, and letters, accompany Rick Beyer and Elizabeth Sayles’s meticulous research and interviews with many of the soldiers, weaving a compelling narrative of how an unlikely team carried out amazing battlefield deceptions that saved thousands of American lives and helped open the way for the final drive to Germany. The stunning art created between missions also offers a glimpse of life behind the lines during World War II. This updated edition includes: A new afterword by co-author Rick Beyer Never-before-seen additional images The successful campaign to have the unit awarded a Congressional Gold Medal History and WWII enthusiasts will find The Ghost Army of World War II an essential addition to their library.

Recounts how some of Britain's most creative men joined the rest of the world in the fight against the Nazis and used their artistic skills to play a vital role in the winning of the war.

Previously unpublished analysis of why and how the Italians foughtA look at the role the Italian Army played in North Africa as part of the Deutsches Afrika Korps (German Afrika Korps)In spite of poor leadership, the Italian soldier performed well against all odds in North AfricaProfusely illustrated with many rare and unpublished images ‘The German soldier has impressed the world, however, the Italian Bersagliere soldier has impressed the German soldier.’ Erin Rommel aka ‘The Desert Fox’ When most people think of the Italian Army in North Africa during the Second World War, they tend to believe that the average Italian soldier offered little resistance to the Allies before surrendering. Many suggest that the Italian Army performed in a cowardly manner during the war: the reality is not so simple. The question remains as to whether the Italians were cowards or victims of circumstance. While the Italian soldier’s commitment to the war was not as great as that of his German counterpart, many Italians fought bravely. The Italian Littorio and Ariete Divisions earned Allied admiration at Tobruk, Gazala and EI Alamein. The Italian Army played a significant role as part of the German Afrika Korps and made up a large portion of the Axis combat power in North Africa during 1941 and 1942. In the interest of determining how the Italian Army earned the reputation that it did, it is necessary to analyse why and how the Italians fought.

Adolf Hitler’s war in Africa arose from the urgent need to reinforce the Italian dictator, Benito Mussolini, whose 1940 invasion of Egypt had been soundly beaten. Of secondary importance to his ideological dream of conquering the Soviet Union, Germany’s Führer rushed a small mechanised force into the unfamiliar North African theatre to stave off defeat and avert any political fallout. This fresh account begins with the arrival of the largely unprepared German formations, soon to be stricken by disease and heavily reliant upon captured materiel, as they fought a bloody series of see-sawing battles across the Western Desert. David Mitchelhill-Green has gathered a wealth of personal narratives from both sides as he follows the brash exploits of General Erwin Rommel, intent on retaking Libya; the Nile firmly in his sights. Against this backdrop is the brutal human experience of war itself.

After sweeping through France and Belgium in the summer of 1944, the Allies were poised to enter the Netherlands to secure key bridges and towns along the Allied axis of advance. Victor Gregg and his fellow riflemen are asked to volunteer for the Parachute Regiment in an operation called Market Garden. The staunchly held maxim, 'once a rifleman always a rifleman', was overruled by a promise of extra leave. The British airborne forces landed some distance from their objective in Arnhem and were quickly hampered by unexpected resistance. Only a small force was able to reach the Arnhem road bridge, and reinforcements were unable to advance north as quickly as anticipated, therefore failing to relieve the Parachute Regiment. The troops had been up against unimaginable odds and after nine days of fighting, Gregg is captured and sent to a prisoner of war camp in Dresden, where the infamous and tragic bombings were about to begin.