The Performance Of Italian Basso Continuo
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Author |
: Giulia Nuti |
Publisher |
: Routledge |
Total Pages |
: 165 |
Release |
: 2017-07-05 |
ISBN-10 |
: 9781351541602 |
ISBN-13 |
: 1351541609 |
Rating |
: 4/5 (02 Downloads) |
Synopsis The Performance of Italian Basso Continuo by : Giulia Nuti
Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.
Author |
: Tharald Borgir |
Publisher |
: |
Total Pages |
: 202 |
Release |
: 1987 |
ISBN-10 |
: UOM:39015012799022 |
ISBN-13 |
: |
Rating |
: 4/5 (22 Downloads) |
Synopsis The Performance of the Basso Continuo in Italian Baroque Music by : Tharald Borgir
Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style. " . . . a major reconsideration of the sound of 17th-century Italian music . . . "
Author |
: Tharald Borgir |
Publisher |
: |
Total Pages |
: |
Release |
: 1978 |
ISBN-10 |
: OCLC:164783920 |
ISBN-13 |
: |
Rating |
: 4/5 (20 Downloads) |
Synopsis The performance of the basso continuo in seventeenth century Italian music by : Tharald Borgir
Author |
: Borgir Tharald |
Publisher |
: |
Total Pages |
: 262 |
Release |
: 1980 |
ISBN-10 |
: OCLC:886720450 |
ISBN-13 |
: |
Rating |
: 4/5 (50 Downloads) |
Synopsis The Performance of the Basso Continuo in Seventeenth Century Italian Music by : Borgir Tharald
Author |
: Tharald Borgir |
Publisher |
: |
Total Pages |
: 262 |
Release |
: 1971 |
ISBN-10 |
: OCLC:604921639 |
ISBN-13 |
: |
Rating |
: 4/5 (39 Downloads) |
Synopsis The Performance of the Basso Continuo in Seventeenth Century Italian Music by : Tharald Borgir
Author |
: Marcello Mazzetti |
Publisher |
: Brepols Publishers |
Total Pages |
: 0 |
Release |
: 2023 |
ISBN-10 |
: 2503608507 |
ISBN-13 |
: 9782503608501 |
Rating |
: 4/5 (07 Downloads) |
Synopsis Basso Continuo in Italy by : Marcello Mazzetti
The volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins - i.e. from the "regole per suonare sopra il basso" which collects and develops the contrappunto alla mente's legacy - up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources.
Author |
: Augusta Campagne |
Publisher |
: Hollitzer Wissenschaftsverlag |
Total Pages |
: 262 |
Release |
: 2022-02-16 |
ISBN-10 |
: 9783990129913 |
ISBN-13 |
: 3990129910 |
Rating |
: 4/5 (13 Downloads) |
Synopsis ANKLAENGE 2020/2021 by : Augusta Campagne
Dieser Band behandelt ein zentrales Moment der Entwicklung in der italienischen Musik um 1600, das gleichermaßen Geschichte des Komponierens, Notierens und der Aufführungspraxis betrifft: die Integration von Akkordinstrumenten in die musikalische Produktion (im weitesten Sinn). Dabei steht das Phänomen des Generalbasses im Mittelpunkt, das nicht nur zahlreiche aufführungspraktische, sondern auch diverse historiographische Fragen aufwirft. So ist der Generalbass nur eine Spielart innerhalb eines breiten Spektrums musikalischer Praktiekn, er resultiert aus vielfältigen historischen Voraussetzungen und steht in Wechselwirkung mit dem Komponieren, der (theoretischen) Konzeption des mehrstimmigen Satzes, aber auch dem musikkulturellen Kontext des späten 16. und frühen 17. Jahrhunderts.
Author |
: Michael Talbot |
Publisher |
: Ashgate Publishing, Ltd. |
Total Pages |
: 462 |
Release |
: 2009 |
ISBN-10 |
: 0754657949 |
ISBN-13 |
: 9780754657941 |
Rating |
: 4/5 (49 Downloads) |
Synopsis Aspects of the Secular Cantata in Late Baroque Italy by : Michael Talbot
The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 and many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
Author |
: Stewart Carter |
Publisher |
: Indiana University Press |
Total Pages |
: 558 |
Release |
: 2012-03-21 |
ISBN-10 |
: 9780253005281 |
ISBN-13 |
: 0253005280 |
Rating |
: 4/5 (81 Downloads) |
Synopsis A Performer's Guide to Seventeenth-Century Music by : Stewart Carter
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author |
: Carrie Churnside |
Publisher |
: Boydell & Brewer |
Total Pages |
: 363 |
Release |
: 2024-05-28 |
ISBN-10 |
: 9781837651580 |
ISBN-13 |
: 1837651582 |
Rating |
: 4/5 (80 Downloads) |
Synopsis Transitions in Mid-Baroque Music by : Carrie Churnside
Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).