At the height of his career in the 1970s, Ismael Rivera shared the stage with salsa greats such as Benny Moré, Tito Puente and Celia Cruz, and is recognized as one, if not the most, important figure in this music. The People's Poet tells the fascinating story of Ismael Rivera's life and the development of his iconic image among the African diaspora. He revolutionized tropical music with his unique singing style and improvisational skills. Today, however, few people in the mainstream U.S. have ever heard of him, but he is lionized in various Afro-Caribbean communities as a bastion of cultural nationalism and Pan-Africanism. Rivera's life story resounds with the imperative issues in Puerto Rican history from the 1930s to the 1980s. This well-researched book uncovers new information about Rivera and includes many archival illustrations.

Describes the life and times of the Nobel Prize-winning Chilean poet.

Sahir Ludhianvi is probably the only songwriter in Hindi films whose poetry was accepted in its purest form and incorporated as a film song. So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet's rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

Slang, writes Michael Adams, is poetry on the down low, and sometimes lowdown poetry on the down low, but rarely, if ever, merely lowdown. It is the poetry of everyday speech, the people's poetry, and it deserves attention as language playing on the cusp of art. In Slang: The People's Poetry, Adams covers this perennially interesting subject in a serious but highly engaging way, illuminating the fundamental question "What is Slang" and defending slang--and all forms of nonstandard English--as integral parts of the American language. Why is an expression like "bed head" lost in a lexical limbo, found neither in slang nor standard dictionaries? Why are snow-boarding terms such as "fakie," "goofy foot," "ollie" and "nollie" not considered slang? As he addresses these and other lexical curiosities, Adams reveals that slang is used in part to define groups, distinguishing those who are "down with it" from those who are "out of it." Slang is also a rebellion against the mainstream. It often irritates those who color within the lines--indeed, slang is meant to irritate, sometimes even to shock. But slang is also inventive language, both fun to make and fun to use. Rather than complain about slang as "bad" language, Adams urges us to celebrate slang's playful resistance to the commonplace and to see it as the expression of an innate human capacity, not only for language, but for poetry.

Born the child of an agricultural labourer in Dorset’s Blackmore Vale, by self-education William Barnes (1801-1886) rose to be a lawyer's clerk, a schoolmaster, a much-loved clergyman, and a scholar who could read over seventy languages. He also became the finest example of an English poet writing in a rural dialect. In this book, Alan Chedzoy shows how, uniquely, he presented the lives of pre-industrial rural people in their own language. He also recounts how Barnes’s linguistic studies enabled him to defend the controversial notion that the dialect of the labouring people of Wessex was the purest form of English. Serving both as an anthology and an account of how the poems came to be written, this biography is essential reading for anyone who wants to discover more about the man who, in an obituary, Thomas Hardy described as ‘probably the most interesting link between present and past life that England possessed’.

Includes 1 DVD in sleeve of book. The DVD includes the documentary film, Milton Acorn: the people's poet, made by Errol Sharpe and Kent Martin in 1971 and nineteen live and studio recordings of Milton's readings and stage performances of poems from I've tasted my blood.

This book is about poetry concerning people, my opinions, fiction, and short stories. It is designed to make the reader think while they are being entertained. The different sections of this book were written over many years. Like all works, it has been a laborious task, but at the same time one that I enjoyed writing. Many different personalities are contained within this book and I hope that each reader finds enjoyment whenever they read the different sections.

In the language of fan fiction, a 'Mary Sue' is an idealised and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism.Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, Who Is Mary Sue? exposes the presumptive politics behind writing and readership: the idea that men invent while women reflect; that a man writes of the world outside while a woman will turn to the interior.Part poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay down a revealing sequence of masks and mirrors that disturb the reflection of authority.A work of captivation and correction, this is a book that will resonate with anyone concerned with identity, shame, gender, trauma, composition and culture: everyone, in other words, who wishes to live openly and think fearlessly in the modern world. Who Is Mary Sue? is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood.

A powerful, moving anthology that celebrates the breadth of Native poets writing today. Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.

Sometimes only a poem will do. These poetic prescriptions and wise words of advice offer comfort, delight and inspiration for all; a space for reflection, and that precious realization - I'm not the only one who feels like this. In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around the length and breadth of Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This pocket-sized book presents the most essential poems in his dispensary- those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.