The members of the tribe showed great interest in me, especially in my clothing, the like of which, of course, they never had seen. They pulled and hauled upon me, and some of them struck me; but for the most part they were not inclined to brutality. It was only the hairier ones, who most closely resembled the Sto-lu, who maltreated me. At last my captors led me into a great cave in the mouth of which a fire was burning. The floor was littered with filth, including the bones of many animals, and the atmosphere reeked with the stench of human bodies and putrefying flesh. Here they fed me, releasing my arms, and I ate of half-cooked aurochs steak and a stew, which may have been made of snakes, for many of the long, round pieces of meat suggested them most nauseatingly. ~~~ Edgar Rice Burroughs created one of the most iconic figures in American pop culture, Tarzan of the Apes, and it is impossible to overstate his influence on entire genres of popular literature in the decades after his enormously winning pulp novels stormed the public's imagination. The People That Time Forgot, first published in book form in 1924 as the sequel to The Land That Time Forgot, is one of Burrough's most thrilling science-fiction adventure stories. Here, modern man Thomas Billings travels to the lost continent of Caspak, near Antarctica, where, in a sheltered tropic jungle, dinosaurs still roam and savage proto-men maintain a strange civilization. Can Billings survive unknown dangers long enough to rescue the missing friend he came in search of? American novelist EDGAR RICE BURROUGHS (1875-1950) wrote dozens of adventure, crime, and science fiction novels that are still beloved today, including Tarzan of the Apes (1912), At the Earth's Core (1914), A Princess of Mars (1917), The Land That Time Forgot (1924), and Pirates of Venus (1934). He is reputed to have been reading a comic book when he died.

Though now best remembered as the creator of the character Tarzan, Edgar Rice Burroughs was a prolific writer of science fiction and fantasy tales. This novel is the third entry in Burroughs' Caspak trilogy, following The Land That Time Forgot and The People That Time Forgot. Filled with more tantalizing details about the fantastical world the novels describe, this volume also delves into the science behind the story, positing a feasible evolutionary account for the survival of dinosaurs and other prehistoric flora and fauna on a remote island.

The Land That Time Forgot is a fantasy novel by American writer Edgar Rice Burroughs, the first of his Caspak trilogy. His working title for the story was "The Lost U-Boat." The sequence was first published in Blue Book Magazine as a three-part serial in the issues for September, October and November 1918. The complete trilogy was later combined for publication in book form under the title of the first part by A. C. McClurg in June 1924. Beginning with the Ace Books editions of the 1960s, the three segments have usually been issued as separate short novels.

Following the events of The Land That Time Forgot, Tom Billings wrangles a crew and leads a search effort to find the missing Bowen Tyler. He’s unknowingly pulled into the island’s many conflicts. Bowen Tyler is still missing after being marooned on the Antarctic island of Caprona. Tom Billings plans a group expedition to find Bowen and his remaining crew. When his plane is attacked by a gang of creatures, he crashes into an unspecified area. He encounters several inhabitants, both friend and foe, while seeking guidance on his journey. With the remaining team en route, Tom must fend for himself in this fantastical world of mystical beasts. The People That Time Forgot is part of the Caspak trilogy, which centers the occupants of Caprona island. It’s a prehistoric fantasy with elements of romance and adventure. The story is driven by the unwavering commitment of one man and his need to uncover the truth. With an eye-catching new cover, and professionally typeset manuscript, this edition of The People That Time Forgot is both modern and readable.

In creating some of the most enduring characters in 20th century literature, Burroughs (1875-1950) left a complex bibliographic record of editions, and a long chain of fascinated collectors. The present reference work details all United States versions of all his works published through 1995. Each listing begins with a description of the first magazine appearance of the story (with full publication data); the first hardcover is then examined in detail, with publisher, date, a complete description of the book's cover and jacket, print run, price, number of pages, and characteristics that separate it from following editions. Similar information is then provided from all subsequent editions.

Amicus - The Studio That Made Us Scream and Scream Again offers an entertaining and affectionate overview of the legacy of this beloved studio and the films they produced. In the concluding chapter we shall also look at the work Milton Subotsky and Max Rosenberg did after Amicus folded. So, open that decanter of brandy, make sure there aren't any voodoo dolls or disembodied hands lying around, stay out of those catacombs, lock the doors lest an escaped maniac dressed as Father Christmas be lurking, watch out for the Werewolf Break, and prepare to enter the spooky, mysterious, eclectic, and wonderful world of Amicus Productions!

From classics like King Kong, to beloved B-movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it's easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author's critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a "prehistoric reptile." Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology--unless, of course, the movie also has a dinosaur.

From the early days of the movies, "cavemen" have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works.

Bradley, who landed on the primitive island of Caspak with Bowen Tyler, Jr., and others, is now searching for Tyler and a young girl within its ancient jungles. But Bradley is not prepared for the terrible secret he comes upon when he enters the city at the heart of the island. Nor is he prepared for the deadliest challenge of all. Sequel to "The people that time forgot."