"For more than 75 years, the Penland School of Crafts has attracted the most creative crafters from across the globe. This ... focuses on glass and the ten top contemporary flameworkers who have taught at the school, all of whom have areas of expertise that make them leaders in their field. These skilled masters offer a very personal perspective on their influences and work, with revelatory essays that give their views on flameworking and art in general. In photographic how-to sections of about 25-30 captioned images, each one demonstrates a particular technique, usually resulting in a finished piece."--Global Books in Print.

Miss Lucy went to the North Carolina mountains in 1920 as an apprentice teacher, but she soon discovered that the kind of teaching that she wanted to do was not in the fields in which she was trained. What interested her most was already there among the mountain people--the ancient arts of hand-weaving and vegetable dyeing. Her campaign to revive interest in these native crafts has resulted in the internationally respected Penland School of Handicrafts. Originally published in 1971. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Showcases 10 talented furniture makers who have taught at the Penland School of Crafts. Woodwork descriptions and photographs include the works of: Craig Nutt, Paul M. Sasso, Michael Puryear, Curtis Buchanan, Doug Sigler, Brent Skidmore, Jere Osgood, Jenna Goldberg, John Clark, Kurt Nielsen.

An illustrated guide for building and maintaining a modern glass studio.

All that glitters here IS gold--and it’s gorgeous! This addition to the popular Masters series focuses on a topic--gold jewelry--with mass appeal to a wide audience: jewelers, metalsmiths, collectors, museums, and just about anyone who loves beautiful workmanship. Leading jewelry expert Marthe Le Van has chosen 40 of the world’s best goldsmiths and presents their finest pieces. A short essay accompanies each eight-page section, along with choice quotes from the featured artists. The talented creators showcased here include: Eva Steinberg (Germany): Art Nouveau influences abound in her colorful earrings and pendants Namu Cho (Korea/United States): Cho employs the ancient technique of Korean damascene known as poe mok saang gum. Claude Chavent (France): He plays with the optical illusions of trompe l’oeil, bringing volume and movement to his dazzling flat pieces. Stuart Golder (United States): Golder weaves sheets and wires of gold on a loom, designing elaborate patterns based on traditional cloth weaving.

No Green Berries or Leaves is a collection of autobiographical essays by Paul J. Stankard, recognized widely as one of the world's master glass artists. Stankard is particularly renowned and respected for his flameworked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Stankard was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognized as a maker of fine paperweights, and driven by an intense and incessant pursuit of excellence, Stankard was -- by the 1980s -- recognized as a highly accomplished glass artist, a member of the pioneering generation of glass artists in America. As the emotional, intellectual, and spiritual dimensions of his art matured, and as he continued to develop new techniques for expressing his art, he also assumed more prominent influence in the development of educational programs and institutions that celebrated and expanded art in glass. Throughout his life, Stankard also wrestled with, and learned how to succeed in spite of, a learning disability -- dyslexia. No Green Berries or Leaves presents the author's record of his life as a struggling, then highly successful, artist; reveals insights into the challenges he faced as a dyslexic and how he came to understand, then circumvent, his disability; and records his perspectives on the history of the studio glass movement in America as he witnessed and experienced it during the past fifty years. This book will be of value to readers interested in the life of a major American artist and the history of the glass art movement in America, as well as to those looking for an inspirational story of how one man faced, addressed, and outwitted a learning disability and climbed the steep road to success to become a master artist in glass.

An on-the-page gallery illustrated with hundreds of photographs that showcase the finest work of the contributors who have been inspired to explore the unlimited possibilities of bookbinding and the related arts.

No More Hunger, written by William Dudley Pelley in the throes of the Great Depression of the 1930s and revised in 1961, presents an examination of the economic and financial flaws of private capitalism. It then outlines the features of a Christian Commonwealth that would unleash the full productive capability of the nation, with full implementation of human rights for every solitary citizen. During its republication in the sixties, thousands of copies were printed. They were read by those who were protesting the economic and financial inequities of our society, and by those who opposed the nation's untenable and brutal embroilment in the Vietnam War. Mr. Pelley passed on in 1965; nearly half a century has passed since his death. The ideas he put forth, however, are more vital and timely than ever. Peace with economic justice and stability in the nation cannot be realized without an honest and an analytical focus on the flaws of private capitalism and the abuses of the unconstitutional private banking system. No More Hunger offers a guide to addressing the major obstacle to harmony today: the futile attempt to solve the serious problems of the society while at the same time retaining the very economic structural ills that are responsible for the problems in the first place.

Masters: Earthenware reveals the tremendous imagination, innovation, and technical facility that today’s artists bring to the oldest ceramic medium. Curated by Matthias Ostermann, a celebrated ceramist in his own right, this stunning volume gives each featured artist a mini-retrospective of approximately eight pages that showcase 12–14 of his or her best works. Illuminating comments from the creators accompany the images, outlining their development and artistic philosophy.

More than merely practical places upon which to set coffee cups, the 500 tables selected for inclusion in this exquisitely illustrated book are remarkable works of art. They offer surprise, innovation, craftmanship and beauty. Artists will find inspiration in the inventiveness inherent in each individual table and readers and collectors will delight in the breadth and scope of the entire collection.