On a trip to the New York Aquarium with her third-grade class, a teacher discovers a dead body: “One of the world’s shrewdest and most amusing detectives” (The New York Times). For the third graders at Jefferson School, a field trip is always a treat. But one day at the New York Aquarium, they get much more excitement than they bargained for. A pickpocket sprints past, stolen purse in hand, and is making his way to the exit when their teacher, the prim Hildegarde Withers, knocks him down with her umbrella. By the time the police and the security guards finish arguing about what to do with Chicago Lew, he has escaped, and Miss Withers has found something far more interesting: a murdered stockbroker floating in the penguin tank. With the help of Detective Oscar Piper, this no-nonsense spinster embarks on her first of many adventures. The mystery is baffling, the killer dangerous, but for a woman who can control a gaggle of noisy third graders, murder isn’t frightening at all. The Penguin Pool Murder is part of the Hildegarde Withers Mysteries series, which also includes Murder on the Blackboard and Murder on Wheels.

There are lessons to be learned for retired teacher Hildegarde Withers when a society murder reveals a love triangle gone bad. The war in Europe is over, and America’s fighting men are coming home. Lieutenant Pat Montague spent the war dreaming of a return to his beloved: society princess Helen Abbott. But when Uncle Sam finally lets him go, Pat finds that Helen has become Mrs. Huntley Cairns, and he has nothing to return to at all. He goes to see Helen at the Cairns mansion, only to stumble upon his rival’s murdered corpse. The jealous soldier is the obvious suspect, but Pat’s friends know he is innocent, and entreat Hildegarde Withers—elementary school teacher and talented sleuth—to clear his name. Huntley was rumored to be involved in the black market, and Miss Withers soon discovers his killer was far more sinister than a soldier with a grudge. Miss Withers Regrets is part of the Hildegarde Withers Mysteries series, which also includes The Penguin Pool Murder and Murder on the Blackboard.

(Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos!

This companion volume to Mystery Movie Series of 1940s Hollywood (McFarland, 2010) focuses on 22 series and 167 individual films, primarily released during the 1930s. It was a decade that featured some of the most famous cinema detectives of all time, among them Charlie Chan, Nick and Nora Charles, Philo Vance, Nancy Drew, and such lesser known but equally entertaining figures as Hildegarde Withers, Torchy Blane, Mr. Moto, Mr. Wong, and Brass Bancroft. Each mystery movie series is placed within its historical context, with emphasis on its source material and the changes or developments within the series over time. Also included are reviews of all the series' films, analyzing the quality and cohesiveness of the mystery plotlines. For titles based on literary sources, a comparison between the film and the written work is provided.

Edgar Award-winning editor Otto Penzler's new anthology rolls out the red carpet for the stories that Hollywood is made of. A Vintage Crime/Black Lizard Original. Lights! Camera! Action! The latest book in the Big Book series takes us behind the curtain to uncover the stories that became some of the greatest films of the silver screen. There's the W. Somerset Maugham short story that inspired Hitchcock's Secret Agent; Robert Louis Stevenson's horrifying tale that was later turned into the iconic movie The Body Snatcher, starring Bela Lugosi and Boris Karloff; Sir Ian Fleming's "From a View to a Kill," later one of Roger Moore's greatest Bond films; and "Cyclists' Raid," the short story that formed the basis for the legendary Brando film The Wild One. Otto Penzler delivers the director's cut on these classic short stories and the films they gave rise to. So grab your Sno-Caps and a jumbo box of popcorn and curl up with these cinematic tales from the likes of Agatha Christie, Dennis Lehane, Joyce Carol Oates, Dashiell Hammett, O. Henry, Edgar Allan Poe, and Arthur Conan Doyle.

H.C. Bailey's detective Reggie Fortune was one of the most popular protagonists of the Golden Age of detective fiction. Fortune appeared in nine novels yet it was in a series of 84 short stories that were published from 1920 to 1940 where he truly shone, combining elements of several popular archetypes--the eccentric logician, the forensic investigator, the hard-boiled interrogator, the psychological profiler, the defender of justice. This critical study examines the Fortune stories in the context of other popular detective fiction of the era. Bailey's classics are distinguished by well-clued puzzles, brilliant sleuthing, vivid description and social critique, with Fortune evoking images of Don Quixote and the Arthurian Knights in his pursuit of truth and justice in an uncaring world.

Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.