The Penguin Book of Feminist Writing selects writing from across time and throughout the world, creating a treasure-trove of the most important feminist thought alongside surprising and delightful fiction, poetry and diaries, celebrating the multiplicity of feminist voices that have emerged over the centuries. Beginning in the fifteenth century with Christine de Pizan, who imagined a City of Ladies that would serve as a refuge from the harassment of men, this book goes beyond the usual white, western story. The writers in this anthology ask questions about class, capitalism and colonialism, and other axes of oppression that intersect with sexism. Inside, we find writers like Elizabeth Cady Stanton, who declared in 1848 the self-evident truth 'that all men and women are created equal', alongside Sojourner Truth, born into slavery in New York, who asked in 1851 'and ain't I a woman?' Put together by a world-leading historian of ideas and a feminist, The Penguin Book of Feminist Writing is both a history of thought - readers will find incisive and provocative selections from Mary Wollstonecraft, Virginia Woolf, Susan Sontag, Audre Lorde and over one hundred other pioneering thinkers - and a voyage of discovery, highlighting lesser-anthologised thinkers, like Juana Ines de la Cruz's seventeenth-century philosophical satire of 'misguided men', or the "poet of Palestine" Fadwa Tuqan's mountainous journeys towards self-knowledge and revolution. The product of many years of research and reading, The Penguin Book of Feminist Writing is both a deeply considered introduction to feminist thought and an abundance of riches to read and keep throughout a lifetime.

A perfect holiday gift, this beautifully illustrated collection honoring one hundred exceptional “feminist saints” throughout history is sure to inspire women and men alike. “A new set of role models and heroes—‘matron saints’—for the feminist future.”—The New York Times Book Review “The women in this book . . . blazed trails where none existed before.”—The Guardian In this luminous volume, New York Times bestselling writer Julia Pierpont and artist Manjit Thapp match short, vibrant, and surprising biographies with stunning portraits of secular female “saints”: champions of strength and progress. These women broke ground, broke ceilings, and broke molds—including Maya Angelou • Jane Austen • Ruby Bridges • Rachel Carson • Shirley Chisholm • Marie Curie & Irène Joliot Curie • Isadora Duncan • Amelia Earhart • Artemisia Gentileschi • Grace Hopper • Dolores Huerta • Frida Kahlo • Billie Jean King • Audre Lorde • Wilma Mankiller • Toni Morrison • Michelle Obama • Sandra Day O’Connor • Sally Ride • Eleanor Roosevelt • Margaret Sanger • Sappho • Nina Simone • Gloria Steinem • Kanno Sugako • Harriet Tubman • Mae West • Virginia Woolf • Malala Yousafzai Open to any page and find daily inspiration and lasting delight. Praise for The Little Book of Feminist Saints “A whistle-stop tour of inspiring women . . . [The artwork] deserves to be framed in every woman’s living room.”—Diva “Short, snappy and inspiring [with] glorious visuals.”—Psychologies “This beautifully illustrated collection offers daily inspiration and humorous anecdotes to remind you why we worship these women so.”—Hello Giggles “An enticing collection . . . Pierpont’s pithy write-ups are accompanied by Thapp’s funky, wonderfully expressive color illustrations, making for an engaging picture-book experience for adults. . . . Bold and sassy . . . required reading for any seeking to broaden their historical knowledge.”—Kirkus Reviews (starred review) “Small enough to tuck into a bag, this delightful book offers instant inspiration.”—BookPage

Representing the best Italian-American contributions to American literature, this anthology of fiction, poetry, journalistic writings, and essays ranges from the 1800s to the present day.

Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.

From Herodotus to The Mummy, Western civilization has long been fascinated with the exotic myths and legends of Ancient Egypt but they have often been misunderstood. Here acclaimed Egyptologist Joyce Tyldesley guides us through 3000 years of changing stories and, in retelling them, shows us what they mean. Gathered from pyramid friezes, archaological finds and contemporary documents, these vivid and strange stories explain everything from why the Nile flooded every year to their beliefs about what exactly happened after death and shed fascinating light on what life was like for both rich and poor. Lavishly illustrated with colour pictures, maps and family trees, helpful glossaries explaining all the major gods and timelines of the Pharoahs and most importantly packed with unforgettable stories, this book offers the perfect introduction to Egyptian history and civilization.

"Capetillo evaluates the culture and working conditions in her native Puerto Rico and the world outside, while providing a sense of workers' movements and the condition of women at the turn of the century."--BOOK JACKET.

“As timely as it is well-written, this clear-eyed collection is just what I need right now.” —Jacqueline Woodson, author of Brown Girl Dreaming “The intersectional feminist anthology we all need to read” (Bustle), edited by a feminist activist and writer who “calls to mind a young Audre Lorde” (Kirkus) Why do some women struggle to identify as feminists, despite their commitment to gender equality? How do other aspects of our identities – such as race, religion, sexuality, gender identity, and more – impact how we relate to feminism? Why is intersectionality so important? In challenging, incisive, and fearless essays – all of which appear here for the first time – seventeen writers from diverse backgrounds wrestle with these questions, and more. A groundbreaking book that elevates underrepresented voices, Can We All Be Feminists? offers the tools and perspective we need to create a 21st century feminism that is truly for all. Including essays by: Soofiya Andry, Gabrielle Bellot, Caitlin Cruz, Nicole Dennis-Benn, Brit Bennett, Evette Dionne, Aisha Gani, Afua Hirsch, Juliet Jacques, Wei Ming Kam, Mariya Karimjee, Eishar Kaur, Emer O’Toole, Frances Ryan, Zoé Samudzi, Charlotte Shane, and Selina Thompson

Charlotte Perkins Gilman (1860-1935) penned this sardonic remark in her autobiography, encapsulating a lifetime of frustration with the gender-based double standard that prevailed in turn-of-the-century America. With her slyly humorous novel, Herland (1915), she created a fictional utopia where not only is face powder obsolete, but an all-female population has created a peaceful, progressive, environmentally-conscious country from which men have been absent for two thousand years. Gilman was enormously prolific, publishing five hundred poems, two hundred short stories, hundreds of essays, eight novels, and seven years' worth of her monthly magazine, The Forerunner. She emerged as one of the key figures in the women's movement of her day, advocating equality of the sexes, the right of women to work, and socialized child care, among other issues. Today Gilman is perhaps best known for the chilling depiction of a woman's mental breakdown in her unforgettable short story, "The Yellow Wall-Paper". This Penguin Twentieth-Century Classics edition includes both this landmark work and Herland, together with a selection of Gilman's major short stories and her poems.

The Odd Women is a Victorian novel which deals with themes such as the role of women in society, marriage, morals and the early feminist movement. There was the notion in Victorian England that there was an excess of one million women over men. This meant there were "odd" women left over at the end of the equation when the other men and women had paired off in marriage. A cross-section of women dealing with this problem are described in "The Odd Women" and it can be inferred that their lifestyles also set them apart as odd in the sense of strange.