As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.

The story of Atlas and Heracles Atlas knows how it feels to carry the weight of the world; but why, he asks himself, does it have to be carried at all? In Weight — visionary and inventive, yet completely believable and relevant to the questions we ask ourselves every day — Winterson’s skill in turning the familiar on its head to show us a different truth is put to stunning effect. When I was asked to choose a myth to write about, I realized I had chosen already. The story of Atlas holding up the world was in my mind before the telephone call had ended. If the call had not come, perhaps I would never have written the story, but when the call did come, that story was waiting to be written. Rewritten. The recurring language motif of Weight is “I want to tell the story again.” My work is full of Cover Versions. I like to take stories we think we know and record them differently. In the retelling comes a new emphasis or bias, and the new arrangement of the key elements demands that fresh material be injected into the existing text. Weight moves far away from the simple story of Atlas’s punishment and his temporary relief when Hercules takes the world off his shoulders. I wanted to explore loneliness, isolation, responsibility, burden, and freedom too, because my version has a very particular end not found elsewhere. —from Jeanette Winterson’s Foreword to Weight

Three classic novellas from “one of our master chroniclers of human hungers, flaws, and frustrations.” (The Kansas City Star). Jim Harrison’s vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His highly acclaimed volume of novellas, The Summer He Didn’t Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family’s health on meager resources. (It helps a bit that his charms are irresistible to the new dentist in town.) Republican Wives is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And Tracking is a meditation on Harrison’s fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known. With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn’t Die is a resonant, warm, and joyful ode to our journey on this earth. “Harrison has proved to be one of our finest storytellers. These novellas are urgent and contemporary, displaying his marvelous gifts for compression and idiosyncratic language.” —Los Angeles Times

Courage Calls to Courage Everywhere is a timely and inspiring call to arms by one of Britain’s most acclaimed and important writers. Whilst recognising how far women have come in the hundred years since getting the vote, Jeanette Winterson also insists that we must all do much more if we are to achieve true gender equality. Examining recent women’s rights movements, the worlds of politics, technology and social media and changes in the law, Winterson calls out all the ways in which women still face discrimination and disadvantage. Like the women who won the right to vote, we need to shout up, reach out, be courageous and finish the job. Also included in this volume is Emmeline Pankhurst’s landmark Suffragette speech, ‘Freedom or Death’, which she delivered in 1913.

This book engages with Margaret Atwood’s work and its adaptations. Atwood has long been appreciated for her ardent defence of Canadian authors and her genre-bending fiction, essays, and poetry. However, a lesser-studied aspect of her work is Atwood’s role both as adaptor and as source for adaptation in media as varied as opera, television, film, or comic books. Recent critically acclaimed television adaptations of the novels The Handmaid’s Tale (Hulu) and Alias Grace (Amazon) have rightfully focused attention on these works, but Atwood’s fiction has long been a source of inspiration for artists of various media, a seeming corollary to Atwood’s own tendency to explore the possibilities of previously undervalued media (graphic novels), genres (science-fiction), and narratives (testimonial and historical modes). This collection hopes to expand on other studies of Atwood’s work or on their adaptations to focus on the interplay between the two, providing an interdisciplinary approach that highlights the protean nature of the author and of adaptation.

A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.

SHORTLISTED: Miles Franklin Literary Award SHORTLISTED: Stella Prize SHORTLISTED: Ned Kelly Prize for Best Crime Novel When 25-year-old Bella Michaels is brutally murdered in the small town of Strathdee, the community is stunned and a media storm ensues. Unwillingly thrust into the eye of that storm are Bella's beloved older sister, Chris, a barmaid at the local pub, and May Norman, a young reporter sent to cover the story. Chris's ex-husband, friends and neighbours do their best to support her. But as the days tick by with no arrest, her suspicion of those around her grows. And as May attempts to file daily reports, she finds herself reassessing her own principles. An Isolated Incident is a humane and beautifully observed tale of everyday violence, the media's obsession with the murder of pretty young women and the absence left in the world when someone dies.

"Ziegler's thoughtful, empathetic play brings home with bitter comedy the unlovely male-domination of this world in the 1950s ... glorious." Independent London 1953. Scientists are on the verge of discovering what they call the secret of life: the DNA double helix. Providing the key is driven young physicist Rosalind Franklin. But if the double helix was the breakthrough of the 20th century, then what kept Franklin out of the history books? A play about ambition, isolation, and the race for greatness. Photograph 51 premiered in the UK in London's West End in 2015 in a production which starred Nicole Kidman, where it won the WhatsOnStage Award for Best New Play. Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand-new introduction by Mandy Greenfield.

A treasure trove of collected works from the legendary author of The Handmaid's Tale and Alias Grace Queen Gertrude gives Hamlet a piece of her mind. An ugly sister and a wicked stepmother put in a good word for themselves. A reincarnated bat explains how Bram Stoker got Dracula hopelessly wrong. Bones and Murder is a bewitching cocktail of prose and poetry, fiction and fairytales, as well as some of Atwood's own illustrations. It's pure distilled Atwood: deliciously strong and bittersweet. 'A marvellous miniature sample case of Atwood's sensuous and sardonic talents' Times Literary Supplement

"Little gems, as observant as anything in Alan Bennett's Talking Heads."--Guardian