Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

The Pen and the Sword is the only comprehensive examination of how the media have covered the 21st century's #1 news story: terrorism and the wars in Afghanistan and Iraq. This is the full story-from 9/11 to the Obama doctrine-including

With the future of the Great Library in doubt, the unforgettable characters from Ink and Bone must decide if it's worth saving in this thrilling adventure in the New York Times bestselling series. The corrupt leadership of the Great Library has fallen. But with the Archivist plotting his return to power, and the Library under siege from outside empires and kingdoms, its future is uncertain. Jess Brightwell and his friends must come together as never before, to forge a new future for the Great Library...or see everything it stood for crumble.

Joe Colsco boarded a flight from San Francisco to Chicago to attend a national chemistry meeting. Through a freak accident, he never sets foot on Earth again. He is unaware he has been poured into a crucible, where time and trials will transform him in ways unimagined, and that will send him and his descendants to a destiny beyond one planet.Book I: Cast Under an Alien Sun On planet Anyar, Joe was found unconscious on a beach of a large island (Caedellium) inhabited by humans where the level of technology is similar to Earth circa 1700. He awoke amidst strangers speaking an unintelligible language, and despaired losing his previous life. He used knowledge of chemistry to introduce new knowledge-but not too advanced of the planet's technology to avoid being labelled a demon. He found a place in the society and developed new friendships, male and female. But all was not idyllic. Joe was dropped into a clash between the people who cared for him, and a military power from elsewhere on the planet, a power with designs on conquest. Joe survived his first experience in deadly conflict but knows it was only a foretaste of what was coming.Book II: Pen and the SwordThe Narthani, a militant realm who believe their manifest destiny is to rule the entire planet, Anyar, plan to absorb Caedellium into their empire and crush any resistance. Yozef Kolsko (aka Joe Colsco) works to find ways to increase the chances of his, and the society which has accepted him, ability to resist the Narthani's planned conquest.Complicating his life is attraction to a brilliant daughter of an island leader, and his uncertainty of his own mind, hers, or intricacies of Caedellium customs.Despite his desire to devote himself to introducing new knowledge Yozef is drawn more and more into developing weapons and giving tactical and strategic advice-things he knows he's unqualified to give. The enemy is coming. The odds seem overwhelming, and it will take all Yozef can do, the courage of his new people, and luck, to survive.

In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe. This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies.

Prince, Pen, and Sword offers a synoptic interpretation of rulers and elites in Eurasia from the fourteenth to the eighteenth century. Four core chapters zoom in on the tensions and connections at court, on the nexus between rulers and religious authority, on the status, function, and self-perceptions of military and administrative elites respectively. Two additional concise chapters provide a focused analysis of the construction of specific dynasties (the Golden Horde and the Habsburgs) and narratives of kingship found in fiction throughout Eurasia. The contributors and editors, authorities in their fields, systematically bring together specialised literature on numerous Eurasian kingdoms and empires. This book is a careful and thought-provoking experiment in the global, comparative and connected history of rulers and elites.

When Abby's class starts a newspaper, Abby envisions herself as the star reporter. But she's only given an advice column to write--and that is not good. Just as she suspects, the column gets Abby in some trouble with her classmates. But, surprisingly, it also gives her a chance to help a friend. Illustrations.

A British company commander details his experience serving in the Falklands War and reflects on the 1982 conflict. “Yomping” was the word Commandos used for carrying heavy loads on long marches. It caught the public’s imagination during this short but bitter campaign and epitomized the grim determination and professionalism of our troops… Called to action on April 2, 1982, the men of 45 Commando Royal Marines assembled from around the world to sail 8,000 miles to recover the Falkland Islands from Argentine invasion. Lacking helicopters and short of food, they “yomped” in appalling weather carrying overloaded rucksacks, across the roughest terrain. Yet for a month in mid-winter, they remained a cohesive fighting-fit body of men. They then fought and won the highly successful and fierce night battle for Two Sisters, a 1,000-foot-high mountain which was the key to the defensive positions around Stanley. More than just a first-hand story of that epic feat, this book is the first to be written by a company commander in the Falklands War. It offers a vivid description of the “yomp” and infantry fighting, and it also offers penetrating insights into the realities of war at higher levels. It is a unique combination of descriptive writing about frontline fighting and wider reflections on the Falklands War, and conflict in general. “This is the real thing, from someone who gave the orders and led from the front, from beginning to bitter end. His account is articulate, poignant and precise, even though thirty years have elapsed . . . highly recommended.” —Military History Monthly

Interviews with the late Edward Said, world-renowned literary scholar, cultural critic, and advocate for Palestinian rights.