With Ranulf's life at stake, can Sir Hugh hope to save him? An exclusive digital novella featuring Sir Hugh Corbett, the medieval sleuth of acclaimed historian Paul Doherty's most popular series. Includes an exclusive extract from the eighteenth Corbett novel Dark Serpent. Perfect for fans of Susanna Gregory and Ellis Peters It is 1311 and England seethes with unrest. Sir Hugh Corbett, former keeper of the Secret Seal, has been absent from royal service for over six years. Content to live a life more relaxed with his wife and children in the country Corbett has enjoyed his time away from the machinations of court and the secrets men will kill to keep. But a visit from his new King, Edward II, brings about change. His former protégé, Ranulf Atte-Newgate, now Senior Clerk in the Chancery, has been implicated in the death of a young novice, and Edward has made it clear that Corbett must resume his post and solve the case if Ranulf is not to hang for the murder... Corbett knows that resuming his post will bring him to the fore of Edward's political machinations but with Ranulf's life at stake, does Corbett have any choice but to accept the Seal once more? What readers are saying about Paul Doherty: 'Doherty manages to build in plot twists and misdirection and the whole thing moves at a tremendous pace to the final conclusion' 'A magical author' 'Master storytelling from one of the best authors'

Peacock is jailed in Iran by the Islamic Revolutionary Guard. While in prison she recounts her remarkable 116 year life to her fellow inmates.

This book is the story of a young girl obsessed by a childhood prophecy of disaster. The author builds up an atmosphere of tension and oppression, in the middle of an Indian summer.

Until Flynn’s neighbor in North Carolina offered him one, he had never considered whether he wanted a peacock. His family became the owners of not one but three charming yet fickle birds: Carl, Ethel, and Mr. Pickle. Here he chronicles their first year as peacock owners, from struggling to build a pen to assisting the local bird doctor in surgery to triumphantly watching a peahen lay her first egg. He also examines the history of peacocks, from their appearance in the Garden of Eden. And Flynn travels across the globe to learn more about the birds firsthand. His book offers surprising lessons about love, grief, fatherhood, and family. -- adapted from jacket.

Recovering from a car crash of which he has no memory, journalist Rob Minardos travels to a remote island for an interview. Though the island is lush and beautiful, Rob senses an air of menace—and there’s an enigmatic woman who seems strangely familiar. Analise Dubois has her own mission—which will be blown sky-high if Rob remembers that she was once his wife. Romantic Suspense by Freda Vasilopoulos writing as Tina Vasilos; originally published by Harlequin Intrigue

Features twelve poets on a single theme, India and things that evoke our land and the myriad of different ways to live and die.

An action-packed, high concept, time-travelling adventure. Full of animal magic and with an epic wolf character. Linked to a website with ‘Meet the Character’ profiles, book excerpt and background stories

Poetry is the most complex and intricate of human language used across all languages and cultures. Its relation to the worlds of human experience has perplexed writers and readers for centuries, as has the question of evaluation and judgment: what makes a poem "work" and endure. The Poem as Icon focuses on the art of poetry to explore its nature and function: not interpretation but experience; not what poetry means but what it does. Using both historic and contemporary approaches of embodied cognition from various disciplines, Margaret Freeman argues that a poem's success lies in its ability to become an icon of the felt "being" of reality. Freeman explains how the features of semblance, metaphor, schema, and affect work to make a poem an icon, with detailed examples from various poets. By analyzing the ways poetry provides insights into the workings of human cognition, Freeman claims that taste, beauty, and pleasure in the arts are simply products of the aesthetic faculty, and not the aesthetic faculty itself. The aesthetic faculty, she argues, should be understood as the science of human perception, and therefore constitutive of the cognitive processes of attention, imagination, memory, discrimination, expertise, and judgment.