First published in 1974, The Augustan Vision looks at the entire spectacle of Augustan Society in an attempt to see English culture as a whole and thus gain greater insight into this critical period in English Literature. Later parts of the book explore poetry, drama, and aesthetics; that distinctive expression of the age, satire, where abuse is made into art, and the moral essay; and finally, the emerging novel, the crucial new form of this period. This is a must read for students and researchers of English literature.

The Triumph of Augustan Poetics offers an important re-evaluation of the transition from Baroque to Augustan in English literature. Starting with Butler's Hudibras, Blanford Parker describes Augustan satire as a movement away from the 'controversial disputation' of the seventeenth century to a general satire which ridicules Protestant, Anglican and Catholic in equal measure, as well as the poetic traditions that supported them. Once the dominant forms of late medieval and Baroque thought - analogical and fideist, a fully symbolic world and an empty wilderness - were erased, a novel space for the imagination was created. Here a 'literalism' new to European thought can be seen to have replaced the general satire, and at this moment Pope and Thomson create a new art of natural and quotidian description, in parallel with the rise of the novel. Parker's account concludes with the ambiguous or hostile reaction to this new mode seen in the works of Samuel Johnson and others.

The fifteen essays in this volume, written by friends, colleagues, and former students, attempt both to acknowledge and to honor Martin C. Battestin's many contributions to our understanding of the literature and art of the so-called Augustan period.

Mohit K. Ray, b.1940, former Professor of English, Burdwan University; contributed articles.

This essential guide defines literature of the eighteenth century as a literature written and received as public conversation. Moyra Haslett discusses and challenges conventional ways of reading the period, particularly in relation to notions of the public sphere. In her wide-ranging study, Haslett reads key texts - including The Dunciad, Gulliver's Travels and Pamela - in their literary and cultural contexts, and examines such genres as the periodical, the familiar letter, the verse epistle and the novel as textual equivalents of coterie culture.

How to Find Out About Literature aims to provide a general survey of literatures and a general indication of the dates of these literatures. The book first elaborates on how to study and appreciate literature and how to trace literary works, including exercises and universal and national bibliographies. The text then examines how to trace poetry, drama, novels, and prose, foreign and subject bibliographies, library and sale catalogues, and guides to libraries, and literary information on general reference books and encyclopedias. The manuscript discusses how to trace literary information in handbooks and concordances to poetry and drama, handbooks and reference books on novelists and prose writers, dictionaries and guides to the English language and specialized subjects, essays, theses, and periodical articles. The text ponders on how to trace periodical articles and literary abstracts. The book is a valuable reference for students and researchers in their studies.

More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.