Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earliest works; it was she who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Middle sister Mary Peabody was a passionate reformer who finally found her soul mate in the great educator Horace Mann. And the frail Sophia, an admired painter among the preeminent society artists of the day, married Nathaniel Hawthorne—but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Casting new light on a legendary American era, and on three sisters who made an indelible mark on history, Marshall’s unprecedented research uncovers thousands of never-before-seen letters as well as other previously unmined original sources. “A massive enterprise,” The Peabody Sisters is an event in American biography (The New York Times Book Review). “Marshall’s book is a grand story . . . where male and female minds and sensibilities were in free, fruitful communion, even if men could exploit this cultural richness far more easily than women.” —The Washington Post “Marshall has greatly increased our understanding of these women and their times in one of the best literary biographies to come along in years.” —New England Quarterly

The South's finest and one of America's best-these words have always defined the world-famous Peabody Hotel in Memphis, Tennessee. The Peabody emerged from the war-torn, post-Civil War South in 1869 to become one of the finest hotels in America. Its reputation for comfort, service, and fine dining grew along with Memphis's stature as "the river city, cotton capital, and birthplace of the blues." The most famous and infamous citizens of the era stayed at the original Peabody in its day. There, plantations were won or lost on a roll of the dice. After more than 50 years, the original hotel was replaced by a new 12-story, 615-room hotel in 1925. It was then that the hotel's name became synonymous with elegance. It also became the social center of Memphis and the mid-South, and a haunt for the rich and famous. The celebrated ducks swimming in the marble lobby fountain, parties in the skyway, or dancing on the open plantation roof to the music of the most renowned bands and orchestras of the day have all been part of this fabulous hotel's history. Today, the fully restored Peabody retains its reputation for legendary Southern hospitality and tasteful elegance. The hotel continues to serve as an anchor for the restoration and revitalization of the downtown area of one of America's most important cities.

A boy learns a lesson about the destructive power of gossip.

During the Depression, a young Memphis boy trains his pet duck to do tricks in the fountain of a grand hotel and ends up becoming the Duck Master of the Peabody Hotel.

In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist’s book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker’s production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker’s sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and the fairy tale and with internationally known stories including Roots, Beloved, and Uncle Tom’s Cabin. Walker’s interruption of these familiar works , along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race, especially when aligned with power and desire. Breaking these implicit rules makes them visible—and, in turn, highlights viewers’ reliance on them for narrative legibility. As this study reveals, Walker’s engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture. Peabody also shows how Walker uses her tools and strategies to unsettle cultural histories abroad when she works outside the United States. These stories, Peabody reminds us, not only change the way people remember history but also shape the entertainment industry. Ultimately, Consuming Stories shifts the critical conversation away from the visual legacy of historical racism toward the present-day role of the entertainment industry—and its consumers—in processes of racialization.

Mr Peabody has invented the WABAC, a time-travelling machine that he and his adopted boy Sherman use to explore history. Examining the making of the DreamWorks comedy animation, this book goes behind the scenes in order to shed light on the creative process involved in bringing the film to fruition.

Boys and girls 4-6 will love learning to read in this Step 2 Step into Reading leveled reader that retells some of Mr. Peabody and Sherman's most exciting time-travelling adventures from the DreamWorks Animation hit movie Mr. Peabody & Sherman.