A pregnant mother, a teacher who had fallen ill, a thirty-year-old homeless thief, refugees from war-torn communities, orphans, widows, the mentally disabled and domestic servants. What this diverse group of individuals—mentioned in a wide range of manuscript and print sources in German, Hebrew, and Yiddish—had in common was their appeal to early modern Jewish communities for aid. Poor relief administrators, confronted with multiple requests and a finite communal budget, were forced to decide who would receive support and how much, and who would not. Then as now, observes Debra Kaplan, public charity tells us about both donors and recipients, revealing the values, perceptions, roles in society, and the dynamics of power that existed between those who gave and those who received. In The Patrons and Their Poor, Kaplan offers the first extensive analysis of Jewish poor relief in early modern German cities and towns, focusing on three major urban Ashkenazic Jewish communities from the Western part of the Holy Roman Empire: Altona-Hamburg-Wandsbek, Frankfurt am Main, and Worms. She demonstrates how Jewish charitable institutions became increasingly formalized as Jewish authorities faced a growing number of people seeking aid amid limited resources. Kaplan explores the intersections between various sectors of the population, from wealthy patrons to the homeless and stateless poor, providing an intimate portrait of the early modern Ashkenazic community.

A pregnant mother, a teacher who had fallen ill, a thirty-year-old homeless thief, refugees from war-torn communities, orphans, widows, the mentally disabled and domestic servants. What this diverse group of individuals—mentioned in a wide range of manuscript and print sources in German, Hebrew, and Yiddish—had in common was their appeal to early modern Jewish communities for aid. Poor relief administrators, confronted with multiple requests and a finite communal budget, were forced to decide who would receive support and how much, and who would not. Then as now, observes Debra Kaplan, public charity tells us about both donors and recipients, revealing the values, perceptions, roles in society, and the dynamics of power that existed between those who gave and those who received. In The Patrons and Their Poor, Kaplan offers the first extensive analysis of Jewish poor relief in early modern German cities and towns, focusing on three major urban Ashkenazic Jewish communities from the Western part of the Holy Roman Empire: Altona-Hamburg-Wandsbek, Frankfurt am Main, and Worms. She demonstrates how Jewish charitable institutions became increasingly formalized as Jewish authorities faced a growing number of people seeking aid amid limited resources. Kaplan explores the intersections between various sectors of the population, from wealthy patrons to the homeless and stateless poor, providing an intimate portrait of the early modern Ashkenazic community.

Why has there not been more progress with reducing poverty in India? Patrons of the Poor offers a rich and contemporary account of politics and policymaking in India, as it seeks to provide an answer to this vital question. Despite unprecedented economic growth, the last twenty years have witnessed a growing divergence across Indian states in terms of their poverty alleviation records. In that context, and given that state governments are responsible for a wide range of redistributive policies, this book analyses trends in state politics and policymaking. Based on the analysis, it explains why some Indian states have managed to reduce poverty more effectively than others. Using detailed case studies from Karnataka and Tamil Nadu, the author examines the policymaking processes and political histories of these states. He argues that patterns of caste dominance combined with the degree of competition in populist policies can significantly explain whether states adopt pro-poor policies or not. Lakshman's analysis combines a deep reading of state-specific political and sociological data with a range of interviews with top political leaders, senior bureaucrats, and academics to corroborate his core argument.

Assuming that women’s empowerment would accelerate the pace of social change in rural Nepal, the World Bank urged the Nepali government to undertake a “Gender Activities Project” within an ongoing long-term water-engineering scheme. The author, an anthropologist specializing in bureaucratic organizations and gender studies, was hired to monitor the project. Analyzing her own experience as a practicing “development expert,” she demonstrates that the professed goal of “women’s empowerment” is a pretext for promoting economic organizational goals and the interests of local elites. She shows how a project intended to benefit women, through teaching them literary and agricultural skills, fails to provide them with any of the promised resources. Going beyond the conventional analysis that positions aid givers vis-à-vis powerless victimized recipients, she draws attention to the complexity of the process and the active role played by the Nepalese rural women who pursue their own interests and aspirations within this unequal world. The book makes an important contribution to the growing critique of “development” projects and of women’s development projects in particular.

French Louisiana music emerged from the bayous and prairies of Southwest Louisiana in the late nineteenth and early twentieth centuries. Pioneered by impoverished Acadian and Afro-Caribbean settlers, the sound is marked by a high-pitched fiddle playing loud and fast above the bellow of a diatonic accordion. With lyrics about disaster and heartache sung cheerfully in a French dialect, the effect is dissonant and haunting. French Louisiana music was largely ignored in mainstream music culture, except by a handful of collectors, scholars, and commercial promoters who sought to popularize it. From the first recordings in the 1920s to the transformation of the genre by the 1970s, the spread of this regional sound was driven by local, national, and international elites who saw the music’s traditions and performers in the context of larger social, political, and cultural developments, including the folk revival and the civil rights and ethnic revival movements. Patricia Peknik illuminates how the music’s history and meaning were interpreted by a variety of actors who brought the genre onto a national and global stage, revealing the many interests at work in the popularization of a regional music.

Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.

First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.