Bharatvarsha, Land Of The Aryas: 272 BC Bindusar, the second Samrat Chakravartin of all the Aryas, rules the Indian sub-continent from his capital, Patliputra. Fifty years previously, his father, Chandragupta Maurya, had laid the foundations of this vast Samrajya, guided by the famed Guru, Arya Chanakya. But the pinnacle of the Empire’s wealth and glory has now passed… As the Samrat’s health declines due to .a mysterious illness, problems and factions, in-fighting and rebellion, raise their heads across his realm. There is no clear successor as the ninety-nine sons of Bindusar vie to ascend the throne. Bharatvarsha waits for a warrior-king to rise up and lead the Empire once again. Can young Prince Asoka, least favoured of Bindusar’s sons, take on his grandfather’s mantle? Can Radhagupta, a mere Councillor at Court, be the inspiration Chanakya was to his Emperor and his people? Book I of the epic Asoka Trilogy revolves around the haunting question: Who will be the next Samrat of the revered land of the Aryas? The first book of this riveting narrative captures the decline of a golden age, the upsurge of greed and chaos, the dark aspirations of royal heirs, and the dramatic events in the remarkable life of a man of destiny.

The ruined city of Pataliputra wore a haunted look. Withered trees, cattle and vultures loomed in the sky. You could only see broken buildings and the pain on the faces of few surviving inhabitants. Krishna arrives in Dholakpur un-announced, and goes straight to meet Bheem asking for help. Bheem and team readily agree, and the next morning they set off to Pataliputra, with Kalia, Dholu & Bholu sneaking in, as usual. On reaching Pataliputra, they find everything strange. The people are scared and refuse to talk. In the night, they discover that people actually turn into dead people. The team is scared and thoroughly confused. On persisting, they get to know the story about the king and soothsayer from the people of the village. They also encounter the royal siblings, who are unfriendly and rude to them. The soothsayer is the one who controls the royal siblings and the entire city of Pataliputra. Lord Krishna and Bheem propose to meet him but are turned down. They later learn that there is a ritual to be performed on a full moon night to save Pataliputra from a curse. But what is this curse? And who is the soothsayer? Is Bheem able to help Lord Krishna? Do the people of Pataliputra see the smile of a beautiful day again? To get answers to all these questions, just keep reading!

The Indus region, comprising the northwestern part of the Indian subcontinent (now Pakistan), has always had its distinct identity - racially, ethnically, linguistically and culturally. In the last five thousand years, this region has been a part of India, politically, for only five hundred years. Pakistan, then, is no 'artificial' state conjured up by the disaffected Muslim elite of British India. Aitzaz Ahsan surveys the history of Indus - as he refers to this region - right from the time of the Harappan civilization to the era of the British Raj, concluding with independence and the creation of Pakistan. Ahsan's message is aimed both at Indians still nostalgic about 'undivided 'India and their Pakistani compatriots who narrowly tend to define their identity by their 'un-Indianness'.

Articles on the history and antiquities of Patliputra (now Patna) in Bihar.

Reprint of the original, first published in 1869.

It is not only the past that lies in ruins in Patna, it is also the present. But that is not the only truth about the city that Amitava Kumar explores in this vivid, entertaining account of his hometown. We accompany him through many Patnas, the myriad cities locked within the city—the shabby reality of the present-day capital of Bihar; Pataliputra, the storied city of emperors; the dreamlike embodiment of the city in the minds and hearts of those who have escaped contemporary Patna's confines. Full of fascinating observations and impressions, A Matter of Rats reveals a challenging and enduring city that exerts a lasting pull on all those who drift into its orbit. Kumar's ruminations on one of the world's oldest cities, the capital of India's poorest province, are also a meditation on how to write about place. His memory is partial. All he has going for him is his attentiveness. He carefully observes everything that surrounds him in Patna: rats and poets, artists and politicians, a girl's picture in a historian's study, and a sheet of paper on his mother's desk. The result is this unique book, as cutting as it is honest.