Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.

This Library of America collection presents Twain's best-known works, including Adventures of Hucklebery Finn, together in one volume for the first time. Tom Sawyer “is simply a hymn,” said its author, “put into prose form to give it a worldly air,” a book where nostalgia is so strong that it dissolves the tensions and perplexities that assert themselves in the later works. Twain began Huckleberry Finn the same year Tom Sawyer was published, but he was unable to complete it for several more. It was during this period of uncertainty that Twain made a pilgrimage to the scenes of his childhood in Hannibal, Missouri, a trip that led eventually to Life on the Mississippi. The river in Twain’s descriptions is a bewitching mixture of beauty and power, seductive calms and treacherous shoals, pleasure and terror, an image of the societies it touches and transports. Each of these works is filled with comic and melodramatic adventure, with horseplay and poetic evocations of scenery, and with characters who have become central to American mythology—not only Tom Sawyer and Huck Finn, but also Roxy, the mulatto slave in Puddn’head Wilson, one of the most telling portraits of a woman in American fiction. With each book there is evidence of a growing bafflement and despair, until with Puddn’head Wilson, high jinks and games, far from disguising the terrible cost of slavery, become instead its macabre evidence. Through each of four works, too, runs the Mississippi, the river that T. S. Eliot, echoing Twain, was to call the “strong brown god.” For Twain, the river represented the complex and often contradictory possibilities in his own and his nation’s life. The Mississippi marks the place where civilization, moving west with its comforts and proprieties, discovers and contends with the rough realities, violence, chicaneries, and promise of freedom on the frontier. It is the place, too, where the currents Mark Twain learned to navigate as a pilot—an experience recounted in Life on the Mississippi—move inexorably into the Deep South, so that the innocence of joyful play and boyhood along its shores eventually confronts the grim reality of slavery. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Selected by Choice magazine as an Outstanding Academic Title "Mark Twain endures. Readers sense his humanity, enjoy his humor, and appreciate his insights into human nature, even into such painful experiences as embarrassment and humiliation. No matter how remarkable the life of Samuel Clemens was, what matters most is the relationship of Mark Twain the writer and his writings. That is the subject of this book."—from the Preface In Mark Twain, A Literary Life, Everett Emerson revisits one of America's greatest and most popular writers to explore the relationship between the life of the writer and his writings. The assumption throughout is that to see Mark Twain's writings in focus, one must give proper attention to their biographical context. Mark Twain's literary career is fascinating in its strangeness. How could this genius have had so little sense of what he should next do? As a young man, Samuel Clemens's first vocation, that of journeyman printer, took him far from home to the sights of New York, Philadelphia, and Washington, while his next vocation would give him the identity by which we most frequently know him. His choice of "Mark Twain" as a pen name cemented his bond with the river, as did such books as Life on the Mississippi and Huckleberry Finn. Then following an unsuccessful try at silver mining, Clemens worked as a newspaperman, humorist, lecturer, but also cultivated an interest in playwriting, politics, and philosophizing. In reporting the author's life, Emerson has endeavored to permit Mark Twain to tell his own story as much as possible, through the use of letters and autobiographical writings, some unpublished. These fascinating glimpses into the life of the writer will be of interest to all who have an abiding affection for Samuel Clemens and his extraordinary legacy.

This volume in The Best from American Literature series presents articles and profiles the evolution of literary opinion and the shifts of critical emphasis. Beginning with an analysis of science in the thought of Mark Twain, the volume examines his indebtedness to literary comedians, such as George Horatio Derby, better known as John Phoenix; his contributions to the traditions of Southwestern humor; and how he employed images of endangered families. Other topics include: Twain as translator from the German; the composition and structure of The Adventures of Tom Sawyer; the style of Huckleberry Finn; his first and only novel about a young girl, Joan of Arc; the four roles into which he cast Satan; the probable meaning of A Connecticut Yankee; and a thematic analysis of Pudd'nhead Wilson. ISBN 0-8223-0759-6: $33.50.

This collection of essays, organized around the theme of the struggle for equality in the United States during the nineteenth and twentieth centuries, also serves to honor the renowned Civil War historian James McPherson. Complete with a brief interview with the celebrated scholar, this volume reflects the best aspects of McPherson's work, while casting new light on the struggle that has served as the animating force of his lifetime of scholarship. With a chronological span from the 1830s to the 1960s, the contributions bear witness to the continuing vigor of the argument over equality. Contributors

This classic novel of childhood is set in fictional St. Petersburg, a town based on Mark Twain’s hometown of Hannibal, Missouri. Twain’s recounting of Tom Sawyer’s many escapades is by turns nostalgic, satiric, wise, and hilarious. While this novel is often considered mainly as the precursor to Twain’s great work The Adventures of Huckleberry Finn, it is abundantly worth considering for its own deft and loving transformation of autobiography into fiction. In addition to the full text of the novel based on the first American edition, complete with a selection of the original illustrations by True Williams, this Broadview edition provides a wide range of appendices that place the novel in the context of 1840s rural America as well as 1870s literary America. These include materials on the composition and marketing of Tom Sawyer, selections from other “boy books” of the period, and historical documents relating to temperance, children’s literature, and schools.

This first of two volumes extends from the founding of the colony of Georgia in 1733 up to the Progressive era. From the beginning, Georgia women were instrumental in shaping the state, yet most histories minimize their contributions. The essays in this volume include women of many ethnicities and classes who played an important role in Georgia’s history. Though sources for understanding the lives of women in Georgia during the colonial period are scarce, the early essays profile Mary Musgrove, an important player in the relations between the Creek nation and the British Crown, and the loyalist Elizabeth Johnston, who left Georgia for Nova Scotia in 1806. Another essay examines the near-mythical quality of the American Revolution-era accounts of "Georgia's War Woman," Nancy Hart. The later essays are multifaceted in their examination of the way different women experienced Georgia's antebellum social and political life, the tumult of the Civil War, and the lingering consequences of both the conflict itself and Emancipation. After the war, both necessity and opportunity changed women's lives, as educated white women like Eliza Andrews established or taught in schools and as African American women like Lucy Craft Laney, who later founded the Haines Institute, attended school for the first time. Georgia Women also profiles reform-minded women like Mary Latimer McLendon, Rebecca Latimer Felton, Mildred Rutherford, Nellie Peters Black, and Martha Berry, who worked tirelessly for causes ranging from temperance to suffrage to education. The stories of the women portrayed in this volume provide valuable glimpses into the lives and experiences of all Georgia women during the first century and a half of the state's existence. Historical figures include: Mary Musgrove Nancy Hart Elizabeth Lichtenstein Johnston Ellen Craft Fanny Kemble Frances Butler Leigh Susie King Taylor Eliza Frances Andrews Amanda America Dickson Mary Ann Harris Gay Rebecca Latimer Felton Mary Latimer McLendon Mildred Lewis Rutherford Nellie Peters Black Lucy Craft Laney Martha Berry Corra Harris Juliette Gordon Low

One of the enduring traditions of Western literary history, pastoral is often mischaracterized as a catchall for literature about rural themes and nature in general. In What Is Pastoral?, distinguished literary historian Paul Alpers argues that pastoral is based upon a fundamental fiction—that the lives of shepherds or other socially humble figures represent the lives of human beings in general. Ranging from Virgil's Eclogues to Sarah Orne Jewett's The Country of the Pointed Firs, from Shakespeare and Cervantes to Hardy and Frost, this work brings the story of the pastoral tradition, previously limited to classical and Renaissance literature, into the twentieth century. Pastoral reemerges in this account not as a vehicle of nostalgia for some Golden Age, nor of escape to idyllic landscapes, but as a mode bearing witness to the possibilities and problems of human community and shared experience in the real world. A rich and engrossing book, What Is Pastoral? will soon take its place as the definitive study of pastoral literature. "Alpers succeeds brilliantly. . . . [He] offers . . . a wealth of new insight into the origins, development, and flowering of the pastoral."—Ann-Maria Contarino, Renaissance Quarterly