The Paston letters viewed in the context of medieval women's writing and medieval letter writing.

Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates.

Rebecca Krug argues that in the later Middle Ages, people defined themselves in terms of family relationships but increasingly saw their social circumstances as being connected to the written word. Complex family dynamics and social configurations motivated women to engage in text-based activities. Although not all or even the majority of women could read and write, it became natural for women to think of writing as a part of everyday life.Reading Families looks at the literate practice of two individual women, Margaret Paston and Margaret Beaufort, and of two communities in which women were central, the Norwich Lollards and the Bridgettines at Syon Abbey. The book begins with Paston's letters, which were written at her husband's request, and ends with devotional texts that describe the spiritual daughterhood of the Bridgettine readers.Scholars often assume that medieval women's participation in literate culture constituted a rejection of patriarchal authority. Krug maintains, however, that for most women learning to engage with the written word served as a practical response to social changes and was not necessarily a revolutionary act.

What have a deaf nun, the mother of the first baby born to Europeans in North America, and a condemned heretic to do with one another? They are among the virtuous virgins, marvelous maidens, and fierce feminists of the Middle Ages who trail-blazed paths for women today. Without those first courageous souls who worked in fields dominated by men, women might not have the presence they currently do in professions such as education, the law, and literature. Focusing on women from Western Europe between c. 300 and 1500 CE in the medieval period and richly carpeted with detail, A Medieval Woman’s Companion offers a wealth of information about real medieval women who are now considered vital for understanding the Middle Ages in a full and nuanced way. Short biographies of 20 medieval women illustrate how they have anticipated and shaped current concerns, including access to education; creative emotional outlets such as art, theater, romantic fiction, and music; marriage and marital rights; fertility, pregnancy, childbirth, contraception and gynecology; sex trafficking and sexual violence; the balance of work and family; faith; and disability. Their legacy abides until today in attitudes to contemporary women that have their roots in the medieval period. The final chapter suggests how 20th and 21st century feminist and gender theories can be applied to and complicated by medieval women's lives and writings. Doubly marginalized due to gender and the remoteness of the time period, medieval women’s accomplishments are acknowledged and presented in a way that readers can appreciate and find inspiring. Ideal for high school and college classroom use in courses ranging from history and literature to women's and gender studies, an accompanying website with educational links, images, downloadable curriculum guide, and interactive blog will be made available at the time of publication.

This landmark book of essays examines the development of women's letter writing from the late fifteenth to the early eighteen century. It is the first book to deal comprehensively with women's letter writing during the Late Medieval and Early Modern period and shows that this was a larger and more socially diversified area of female activity than has generally been assumed. The essays, contributed by many of the leading researchers active in the field, illustrate women's engagement in various activities, both literary and political, social and religious.

"The Pastons of Norfolk left behind them an incomparable picture of life in fifteenth-century England in the earliest great collection of family letters in English."--BOOK JACKET. "The letters span three generations and most were written during the reigns of Henry VI, Edward IV, and Richard III, in a period of political turmoil, local anarchy and war abroad and at home. They reveal personal hopes and anxieties, and contain as well as business matters a wealth of information on leisure pursuits, education, and domestic life. The writers express themselves with a clarity and vigour that is remarkable at this early date, and the letters illustrate, as no other documents can, the state of the language in daily use immediately before and after the introduction of printing."--BOOK JACKET. "This modernized selection prepared from the original manuscripts is designed to present the full range of the Pastons' principal concerns."--BOOK JACKET.

An accessible and clear snapshot of the life and work of women in medieval times from the nunnery to the town to the castle.

Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais - stories in verse based on Breton tales of chivalry and romance - are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband.

Attractive selection conveys well their recurrent concerns with land, money, civil violence, flirtation, marriage, and the purchase of ginger and lace. MEDIUM AEVUM Vivid first-hand accounts of life in England at the time ofthe Wars of the Roses, presented in their historical context. Essential reading on the English middle ages. Within three generations (1426 to 1485), and through the dark anddangerous years of the Wars of the Roses, the Pastons establishedthemselves as a family of consequence, both in their native Norfolk andwithin court circles. Ambitious and highly mobile - womenfolk as wellas men - they kept in touch by correspondence, usually but notinvariably through the medium of a clerk. These letters, a raresurvival, break upon us across the centuries with the urgency, andsometimes the violence, of their preoccupations: defending property, fighting court cases, making the right alliances, and, on the domesticside, managing their estates, conducting their courtships, stockingtheir cupboards. Selected and presented here with Richard Barber'sinvaluable linking narrative, they bring the middle ages triumphantlyto life.

"This publication accompanies the exhibitions 'The Paston Treasure: Microcosm of the Known World' and 'The Paston Treasure: Riches and Rarities of the Known World', co-organized by the Yale Center for British Art, New Haven, on view 15 February-27 May 2018, and Norwich Castle Museum & Art Gallery, on view 23 June-23 September 2018"--Colophon.