A major collection of entirely new poems from the Pulitzer Prize and National Book Award-winning author of Time and Materials and The Apple Trees at Olema A new volume of poetry from Robert Hass is always an event. In Summer Snow, his first collection of poems since 2010, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities, expansive intellect, and tremendous readability in one of his most ambitious and formally brilliant collections to date.

The National Book Award winner celebrates a life in poetry, sharing his work-- published and unpublished--in this single volume of his life's accomplishment. Reprint.

Beautiful, sensitive, humorous poems written by a prize-winning Korean-Japanese poet who writes in her second mother language (English).

In "Touch Me," the last poem in the collection, Kunitz propounds a question, "What makes the engine go?" and gives us his answer: "Desire, desire, desire." These poems fairly hum with the energy, the excitement, the ardor, that make Kunitz one of our most enduring and highly honored poets. In the words of Carolyn Forch , "he is a living treasure."

"Fresh from the publication of his welcome collected poems (The Owl in the Mask of the Dreamer, LJ 8/93), Alaska-based poet Haines here bravely presents uncollected poems from the period before the appearance of his first volume, Winter News (1966). Although it is possible to discern in these lines the influences of such poets as Robinson Jeffers and Edgar Lee Masters, as well as that of William Carlos Williams, to whom the young Haines first sent these poems, he early developed his own way. These are the works of a young poet?and a young man (as evidenced by the prosodic and emotional awkwardness of "Admission" or "On a Point of Departure"), but there is an uncommon excitement in hearing Haines's mature voice already fully emergent by the end of the volume, as in "Verse" or "Two Horses, One by the Roadside." Haines's poems, characterized by a spartan lyricism and a distinctive, unshowy intelligence, ought to satisfy fastidious and inexperienced readers alike."--Graham Christian, Library Journal.

Widely regarded as the "rock star" of American poetry, Mary Oliver is a writer whose words have long had the power to move countless readers. Regularly topping the national poetry best-seller list and drawing thousands to her sold-out readings across the coutnry, Oliver is unparalleled in her impact. As noted in the Los Angeles Times, so many "go to her for solace, regeneration and inspiration" that it is not surprising Vice President Joe Biden chose to read one of her poems during the 9/11 remembrance at Ground Zero. Few poets express the complexities of human experience as skillfully as Mary Oliver. This volume, Oliver's twenty-first book of poetry, contains all new poems on her classic themes. Here, readers will find the deep spiritual sustenance that imbues her writing on nature, love, mortality, and grief. As always, Oliver is an accomplished guide to the rarest and most exquisite insights of the natural world. Ranking "among the finest poets the English language has ever produced," according to the Weekly Standard, Oliver offers us lyrics of great depth and beauty that continue her lifelong work of loving the world.