"The interwoven stories in Larabi's Ox set in contemporary Morocco, tell of three American travelers--Sarah Rosen, Peter Corvino, and Henry Goodson--who are each visiting Morocco for the first time. Sarah is running away from a failed relationship; Peter is escaping from his own mediocrity; Henry is running toward his impending death from cancer"--Back cover.

A richly documented survey of modern Moroccan history that will enthral those searching for the background to present-day events in the region.

The Passing of Morocco by Frederick Ferdinand Moore has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Morocco is notable for its stable and durable monarchy, its close ties with the West, its vibrant cultural life and its centrality to regional politics. This book, by distinguished historian Susan Gilson Miller, offers a richly documented survey of modern Moroccan history. Arguing that pragmatism rather than ideology has shaped the monarchy's response to crisis, the book begins with the French invasion of Algeria in 1830 and Morocco's abortive efforts at reform, the duel with colonial powers and the loss of independence in 1912, the burdens and benefits of France's forty-four year dominion and the stunning success of the nationalist movement leading to independence in 1956. In the post-independence era, the book traces the monarchy's gradual monopolization of power and the resulting political paralysis, with a postscript bringing events up to 2012. This concise, readable book will inform and enthral students and all those searching for the background to present-day events in the region.

This unique anthology of crime fiction features 15 original stories of “scandals, smugglers, and other sordid tales” by award-winning Moroccan authors (CrimeReads). At first glance, Marrakech may seem like an odd setting for noir fiction. Contemporary Moroccans call it The Joyful City—a place where locals are happy to joke about gossip and quick to forget stories of crime. But in Marrakech Noir, some of Morocco’s finest authors address old wrong that have been kept hidden behind the city’s ancient gates, and spin contemporary tales of poverty, grift, and violence in this global tourist destination. Marrakech Noir features brand-new stories by Fouad Laroui, Allal Bourqia, Abdelkader Benali, Mohamed Zouhair, Mohamed Achaari, Hanane Derkaoui, Fatiha Morchid, Mahi Binebine, Mohamed Nedali, Halima Zine El Abidine, My Seddik Rabbaj, Yassin Adnan, Karima Nadir, Taha Adnan, and Lahcen Bakour.

A soulful chef creates his first masterpiece What Mourad Lahlou has developed over the last decade and a half at his Michelin-starred San Francisco restaurant is nothing less than a new, modern Moroccan cuisine, inspired by memories, steeped in colorful stories, and informed by the tireless exploration of his curious mind. His book is anything but a dutifully “authentic” documentation of Moroccan home cooking. Yes, the great classics are all here—the basteeya, the couscous, the preserved lemons, and much more. But Mourad adapts them in stunningly creative ways that take a Moroccan idea to a whole new place. The 100-plus recipes, lavishly illustrated with food and location photography, and terrifically engaging text offer a rare blend of heat, heart, and palate.

Questions persist about post-migrant generations and their sense of belonging in one homeland or another. As descendants of migrants, ‘second’ and further generations often struggle to establish an unproblematic belonging in/to a resident homeland, as the place where they live and work but are often categorized as ‘outsiders’. Simultaneously, because of improving access to travel, they can also maintain a physical presence in an ancestral homeland. However, their encounters there may also problematize their sense of belonging. During their summertime visits to Morocco, the European-Moroccan participants in this ethnography repeatedly find themselves negotiating a sense of belonging in the ‘homeland’. This book analyzes how these negotiations take place in order to investigate how the categories of ‘diasporic’ and ‘Moroccan’ become shaped by the interactional encounters observed. In the setting of Morocco, where trajectories to and from Europe have colored several centuries of history, this book provides a framework to explore how migration and return become incorporated into contemporary ‘Moroccanness’.

The Conquest of Morocco tells the story of France's last great colonial adventure. At the turn of the twentieth century, Morocco was a nation yet to emerge from the Middle Ages, ruled by local warlords and riven by religious fanaticism. But in the mad scramble for African colonies, Morocco had one great attraction for the Europeans: it was available. In 1903, France undertook to conquer the exotic and backward country. By the time World War I broke out the conquest was virtually complete. Based on extensive original research, The Conquest of Morocco is a splendid work of popular history.