Describes the experience of students within American Law Schools.

Before the Paper Chase: The Scholarship of Law School Preparation and Admissions contains the best of the recent qualitative and quantitative research on the law school application process and the law school experience. Over the years, numerous books have offered advice to students on how to get into law school; no work, however, has ever provided those interested in law school with information about what the scholars say about legal education and the admissions process. The editors have gathered insightful articles from academic journals and law reviews on a variety of topics relevant to the admissions experience, including the Law School Admissions Test; the ranking of law schools by national magazines; the most reliable first-year success indicators, including the significance of the undergraduate major; future employment patterns; law school tuition and the consequences of student debt; and the psychological impact of the law school experience. Their analysis will help demystify the admissions process for students, provide prelaw advisors with information that will enhance their counseling, and offer law school admissions officials an opportunity to consider how scholars from a wide variety of disciplines are evaluating their institutions. Students and prelaw advisors alike will find the book an informative and, at times, disconcerting work.

In My Paper Chase, Harold Evans recounts the wild and wonderful tale of newspapering life. His story stretches from the 1930s to his service in WWII, through towns big and off the map. He discusses his passion for the crusading style of reportage he championed, his clashes with Rupert Murdoch, and his struggle to use journalism to better the lives of those less fortunate. There's a star-studded cast and a tremendously vivid sense of what once was: the lead type, the smell of the presses, eccentrics throughout, and angry editors screaming over the intercoms. My Paper Chase tells the story of Evans's great loves: newspapers and Tina Brown, the bright, young journalist who became his wife. In an age when newspapers everywhere are under threat, My Paper Chase is not just a glorious recounting of an amazing life, but a nostalgic journey in black and white.

One L, Scott Turow's journal of his first year at law school and a best-seller when it was first published in 1977, has gone on to become a virtual bible for prospective law students. Not only does it introduce with remarkable clarity the ideas and issues that are the stuff of legal education; it brings alive the anxiety and competiveness--with others and, even more, with oneself--that set the tone in this crucible of character building. Each September, a new crop of students enter Harvard Law School to begin an intense, often grueling, sometimes harrowing year of introduction to the law. Turow's group of One Ls are fresh, bright, ambitious, and more than a little daunting. Even more impressive are the faculty. Will the One Ls survive? Will they excel? Will they make the Law Review, the outward and visible sign of success in this ultra-conservative microcosm? With remarkable insight into both his fellows and himself, Turow leads us through the ups and downs, the small triumphs and tragedies of the year, in an absorbing and thought-provoking narrative that teaches the reader not only about law school and the law but about the human beings who make them what they are. In the new afterword for this edition of One L, the author looks back on law school from the perspective of ten years' work as a lawyer and offers some suggestions for reforming legal education.

Longlisted for the HWA Non-Fiction Crown 'A remarkable achievement' Spectator In the summer of 1705, a masked woman knocked on the door of a London printer's workshop. She did not leave her name, only a package and the promise of protection. Soon after, an anonymous pamphlet was quietly distributed in the backstreets of the city. Entitled The Memorial of the Church of England, the argument it proposed threatened to topple the government. Fearing insurrection, parliament was in turmoil and government minister Robert Harley launched a hunt for all of those involved. The printer was eventually named, but could not be found... In this breakneck political adventure, Joseph Hone shows us a nation in crisis through the story of a single incendiary document. 'An elegant blend of scholarship and detection' Peter Moore, author of Endeavour 'Enthralling' London Review of Books 'An exciting story told with vigour' Adrian Tinniswood, Literary Review

San Francisco book-restoration expert Brooklyn Wainwright loves a good book festival except when murder is the main event in this thrilling new addition to the New York Times bestselling Bibliophile Mystery series. Brooklyn is excited to be included in the Covington Library’s first annual Mark Twain Festival. She’ll rebind a rare first edition of The Prince and the Pauper before an enthusiastic audience of book nerds—her favorite people. The festival is the passion project of wealthy media mogul, book lover, and newspaper owner Joseph Cabot, who considers himself Twain’s biggest fan. Brooklyn’s hunky husband, Derek, and his security team once rescued Joseph from a corporate kidnapping attempt. Now Derek and his agents are charged with keeping Joseph and his beautiful young wife safe during the festivities taking place all over town. The centerpiece of the festival is a citywide contest based on The Prince and the Pauper: one lucky look-alike will trade places with Joseph for a few days—with access to all the money and power that Joseph commands. Brooklyn and Derek worry that the contest might be generating some dangerous attention. And when someone is mysteriously poisoned right before Brooklyn’s eyes, she’s not convinced that the victim was the intended target. Now she and Derek must frantically chase clues and suspects through the streets of San Francisco before another murder becomes front-page news. . . .

An uncle's fictional legacy leads a young man on a search for the truth about his family and himself. When Uncle Patrick dies, he leaves his ramshackle home to his nephew, Damien. What Damien uncovers in the house leads him to a decades old mystery and some dark, unsettling truths.

Since the middle of the eighteenth century, political thinkers of all kinds — radical and reactionary, professional and amateur — have been complaining about “bureaucracy.” But what, exactly, is all this complaining about? The Demon of Writing is a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork. States rely on records to tax and spend, protect and serve, discipline and punish. But time and again this paperwork proves to be unreliable. Examining episodes from the story of a clerk who lost his job and then his mind in the French Revolution to Roland Barthes’s brief stint as a university administrator, the book reveals the powers, failures, and even pleasures of paperwork. Many of its complexities, the book argues, have been obscured by the comic-paranoid style that characterizes so many of our criticisms of bureaucracy. At the same time, the book outlines a new theory of what Marx called the “bureaucratic medium.” Returning first to Marx, then to Freud, The Demon of Writing argues that this theory of paperwork must be attentive to both praxis and parapraxis.