From the perennial New York Times bestseller comes a powerful new novel in which Detective Shane Scully, who grew up as an orphan, must revisit his painful childhood to find out who murdered the kind and charismatic man who became a father to him Abandoned by his parents as an infant, Scully was reared in an orphanage, Huntington House. The only positive thing in his young life was the attention of the Home's director, Walter "Pop" Dix. Pop, an avid surfer, would take a small group of kids for early morning surfing. He was the father none of them had ever had. That was thirty years ago. Now, Shane is forced to revisit these memories when Pop is found dead, the victim of an apparently self-inflicted shotgun blast. He leaves a message asking six specific people, all of whom attended Huntington House, to be his pallbearers, and Shane is one of the chosen. He and his fellow pallbearers don't believe it was a suicide. That leaves murder. But why, and by whom? Together, the pallbearers embark on a dangerous odyssey in pursuit of justice for Pop, and for retribution against those responsible for his death. Their journey takes them up against an unforeseen adversary whose power and influence far exceed anything they could have imagined.

LAPD Detective Shane Scully grew up as an orphan under the care of Walter PopDix, the father he never had. Now, 30 years later, Pop has been murdered, andScully will do whatever it takes to avenge his death. Now available in a tallPremium Edition. Martin's Press.

“Paul Tremblay delivers another mind-bending horror novel . . . The Pallbearers Club is a welcome casket of chills to shoulder.” – Washington Post “Uncertainty is Tremblay’s stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.” – Esquire “[A] deliciously confusing thriller.” – Weekend Edition (NPR) A cleverly voiced psychological thriller from the nationally bestselling author of The Cabin at the End of the World and Survivor Song. What if the coolest girl you’ve ever met decided to be your friend? Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right? Decades later, Art tries to make sense of it all by writing The Pallbearers Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts. Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unusual and disconcerting relationship.

"For all the talk of the black aesthetic, few black novelists have broken sharply with the traditional devices of the realistic novel. One writer who departs from such conventions, however, is Ishmael Reed. . . . The Free-Lance Pallbearers uses an explosive combination of straightforward English prose, exaggerated black dialect, hip jargon, advertising slogans and long, howling uppercase screams." Newsweek

An honest and unaffected collection of human experiences that deftly tackles themes of grief, loss, missed opportunities, and the pain of letting go. The stories in Michael Melgaard’s poignant debut collection, Pallbearing, offer candid snapshots of life in a small town, where the struggle to make ends meet forces people into desperate choices. In “Little to Lose,” a son confronts his mother over the crushing prison of debt created by her gambling addiction. The aging divorcee in “Coming and Going” spends her days in paranoid pursuit of evidence with which to incriminate her neighbours in the derelict trailer park where she lives. And in “Stewart and Rose,” lifelong friends find love after their respective partners die — and then face loss all over again. With deceptively spare prose that carries outsized emotional weight and pathos, Melgaard brings his characters to life in sharp-edged portraits and all-too-human dilemmas, creating engaging stories that resonate with honesty and depth, and linger in the imagination.

In Pallbearers Envying the One Who Rides, we see the world through the melancholic eyes of Heart - blood-pumping organ, lover, poet and sceptical philosopher of the everyday. Heart reflects on the vagaries of love, the cruelties of time, on 'whether he is masculine enough', and on 'how some folks get pearls, others pebbles'. Dividing the Heart poems is the long Oh, Immobility, Death's Vast Associate, a jazzy disquisition on human isolation and inaction in the midst of a planet full of people brooding over similar concerns. With his characteristic black humour, maniacal imagination, and in straightforward language that rollercoasters in tone but with a mythic undertow, Stephen Dobyns has written a cycle of medieval morality poems for a new dark age.

A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts. “Absolutely riveting.” — Stephen King In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering. Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child. Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink. Paul Tremblay once again demonstrates his mastery in this chilling and all-too-plausible novel that will leave readers racing through the pages . . . and shake them to their core.

“Truly a masterpiece.” —Lawrence Joseph On a ravaged street overlooking a cemetery in a Christian enclave in war-torn 1970s Beirut, we meet Pavlov, the son of a local undertaker. When his father dies suddenly, Pavlov is approached by a member of the mysterious Hellfire Society—an anti-religious sect that arranges secret burial for outcasts denied last rites because of their religion or sexuality. Pavlov agrees to take on his father’s work for the society, and over the course of the novel he becomes a survivor-chronicler of his embattled and faded community at the heart of Lebanon’s civil war.

Detective Shane Scully responds to a call in the Hollywood hills at a once-immaculate mansion, the scene of an infamous murder twenty-five years prior. He discovers the remnants of a lavish pool party. The revelers have fled, leaving three dead bodies in their wake, all shot with the same gun. One is an acclaimed film producer. The other two, a pair of gorgeous women. With his new partner, Sumner "Hitch" Hitchens, Scully begins to investigate what looks to be an open-and-shut case: The women were hired prostitutes, and there's security video of an angry husband firing on all three. A simple case of brutal revenge. But nothing is ever as simple as it seems: There's a single spent bullet casing that doesn't match the rest. From that single bullet emerges a story of love, murder, suicide, and one of the biggest financial frauds in L.A. history. Someone has gone to great lengths to cover up a decades-old crime, and as Scully and Hitch get closer to the answer, they find themselves in a killer's crosshairs.

Mark Genevich, narcoleptic detective, is caught between friends and a police investigation in this wickedly riveting PI novel with a twist—a follow-up to The Little Sleep Mark Genevich is stuck in a rut: his narcolepsy isn't improving, his private-detective business is barely scraping by, and his landlord mother is forcing him to attend group therapy sessions. Desperate for companionship, Mark goes on a two-day bender with a new acquaintance, Gus, who is slick and charismatic—and someone Mark knows very little about. When Gus asks Mark to protect a friend who is being stalked, Mark inexplicably finds himself in the middle of a murder investigation and soon becomes the target of the police, a sue-happy lawyer, and a violent local bouncer. Will Mark learn to trust himself in time to solve the crime—and in time to escape with his life? Written with the same "witty voice that doesn't let go"* that has won Paul Tremblay so many fans, No Sleep Till Wonderland features a memorable detective whose only hope for reconciling with his difficult past is to keep moving—asleep or awake—toward an uncertain future. *Library Journal, starred review for The Little Sleep