The Palladian Way is the brainchild of Cotswold walker Guy Vowles. It was born out of a previous idea for a long distance walk between Oxford and Bath but was extended northwards to Buckingham where the author was educated nearby. The realization that there was a Palladian bridge at Prior Park outside Bath to match the one at Stowe suggested

Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.

“Palladian Days is nothing short of wonderful–part adventure, mystery, history, diary, and even cookbook. The Gables’ lively account captures the excitement of their acquisition and restoration of one of the greatest houses in Italy. Beguiled by Palladio and the town of Piombino Dese, they trace the history of the Villa Cornaro and their absorption of Italian life. Bravo!” –Susan R. Stein, Gilder Curator and Vice President of Museum Programs, MonticelloIn 1552, in the countryside outside Venice, the great Renaissance architect Andrea Palladio built Villa Cornaro. In 1989, Sally and Carl Gable became its bemused new owners. Called by Town & Country one of the ten most influential buildings in the world, the villa is the centerpiece of the Gables’ enchanting journey into the life of a place that transformed their own. From the villa’s history and its architectural pleasures, to the lives of its former inhabitants, to the charms of the little town that surrounds it, this loving account brings generosity, humor, and a sense of discovery to the story of small-town Italy and its larger national history.

What if we truly belong to each other? What if we are all walking around shining like the sun? Mystic, monk, and activist Thomas Merton asked those questions in the twentieth century. Writer Sophfronia Scott is asking them today. In The Seeker and the Monk, Scott mines the extensive private journals of one of the most influential contemplative thinkers of the past for guidance on how to live in these fraught times. As a Black woman who is not Catholic, Scott both learns from and pushes back against Merton, holding spirited, and intimate conversations on race, ambition, faith, activism, nature, prayer, friendship, and love. She asks: What is the connection between contemplation and action? Is there ever such a thing as a wrong answer to a spiritual question? How do we care about the brutality in the world while not becoming overwhelmed by it? By engaging in this lively discourse, readers will gain a steady sense of how to dwell more deeply within--and even to love--this despairing and radiant world.

Inspired by Frances Schultz’s popular House Beautiful magazine series on the makeover of her East Hampton house, Bee Cottage, what began as a decorating book evolved into a memoir combining the best elements of both: beautiful photos and a compelling personal story. Schultz taps into what she learned during her renovations of Bee Cottage—determining how each area in the house and garden would be used and furnished—to unravel the question of how a mature, intelligent, successful woman could have made such a mess of her personal life. As she figures out each room over a period of years, Frances finds a new path in life, also a continual process. She comes to learn that, like decorating a home, our lives must adapt to who we are and what we need at different points along the way. The Bee Cottage Story is part memoir, part home decorating guide. Frances discusses the kinds of useful, commonsense design issues that professionals take for granted and the rest of us just may not think of, prompting the reader to examine and discover her own “truth” in decorating—and in her life.

To Andrea, the life of a princess is not a dream; it's tedious and stifling. But the certainties of her life, both good and bad, are thrown into chaos when she accidentally travels to an alternative world, from a cave on a forbidden beach in her family's kingdom to the warm and carefree life of Southern California. Then a careless visit to the cave results in terrible consequences: a brewing war between kingdoms, her sister's love for the wrong man, Andrea's own conflicted feelings for an enemy leader, and dark family secrets exposed. Andrea needs to act to resolve problems which she helped to create, and she faces many difficult choices, torn between duty and desire on so many levels. Readers will enjoy the mix of traditional elements of the fantasy genre, with fresh ideas and a look at our culture through the eyes of a stranger.

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

"A new series that promises to be just as engrossing [as Frontlines]...the action just as exciting, the science just as solid, the tension just as high. I gulped down the first book in a day, and I am already eager for the next one." --George R. R. Martin Across the six-planet expanse of the Gaia system, the Earthlike Gretia struggles to stabilize in the wake of an interplanetary war. Amid an uneasy alliance to maintain economies, resources, and populations, Aden Robertson reemerges. After devoting twelve years of his life to the reviled losing side, with the blood of half a million casualties on his hands, Aden is looking for a way to move on. He's not the only one. A naval officer has borne witness to inconceivable attacks on a salvaged fleet. A sergeant with the occupation forces is treading increasingly hostile ground. And a young woman, thrust into responsibility as vice president of her family's raw materials empire, faces a threat she never anticipated. Now, on the cusp of an explosive and wide-reaching insurrection, Aden plunges once again into the brutal life he longed to forget. He's been on the wrong side of war before. But this time, the new enemy has yet to reveal themselves...or their dangerous endgame.

Thomas Jefferson (1743-1826), a cosmopolitan figure with rural roots, was a master of the knowledge of his time. He drafted The Declaration of Independence (1776), and thus founded a new view of the proper relation between governed and government. Jefferson was the architect of the new America, not just in a political sense, but in a literal sense as well. Architecture had an important place in his personal and public agenda. A self-taught architect, Jefferson buildings are amongst America's most famous: Monticello, the Virginia State Capitol and the University of Virginia are the starting points of American classical architecture. Jefferson was guided by his admiration for Palladio's Four Books on Architecture, which provided him with key architectural forms and ideas. Palladio showed him how the admired building types of the ancient Romans could be adapted to modern purposes and provide a rational, harmonious framework for living and for building a new society. Contents: Palladio in America by James S. Ackerman; Jefferson and Palladio by Guido Beltramini; Jefferson: Architecture and Democracy by Fulvio Lenzo; Photographing Jefferson by Filippo Romano; Palladianism in America Before Jefferson by Bruce Boucher; The National Survey Grid and the American Democracy by Catherine Maumi; Jefferson's Creation of American Classical Architecture by Richard Guy Wilson; Jefferson and the First Public Statues in the United States by Giovanna Capitelli; Canova and the Monument to George Washington by Mario Guderzo; Palladio: Materials and Building Techniques Damiana by Lucia Paterno; Jefferson Builder by Travis McDonald. ENTRIES: Monticello; Virginia State Capitol; President's House; Poplar Forest; Bremo; Barboursville; University of Virginia Bibliographiy of works cited List of the Exhibits"

Palladian Design: the Good, the Bad and the Unexpected provides classic catalogue entries which will expand on individual objects as well as bring new opinions and critical thinking to the subject matter through commissioned essays from a range of disciplines and perspectives