Przesnicki, an Eastern-European immigrant writer, has survived long Soviet toilet paper lines, the loss of his lover Ernest Hemingway following a passionate affair, and the beatings of the Antarctic literary community for his forays into novel-writing in their native tongue. In The Palimpsests, Aleksandra Lun's stunning debut novel, we find him languishing in a Belgium asylum (a country, we are persistently reminded, that has had no government for the past year!), undergoing Bartlebian therapy to strip away his knowledge of any language that is not Polish, his native tongue. Despite or perhaps because of its absurdity (by turns comic and tragic), The Palimpsests is characterized by an unquestionable timeliness, relevant to today's discussions about immigration, senses of cultural belonging and ownership, and personal relationships to language, complicated and simple, adopted and native. Peppered with darkly comic cameos from famous writers like Vladimir Nabokov, Samuel Beckett, Joseph Conrad, and of course, Przesnicki's former lover Ernest Hemingway, it is the perfect book for lovers of language and the act of writing. Originally written in Spanish by Polish writer Aleksandra Lun, The Palimpsests has been expertly translated into English by Elizabeth Bryer.

At the theoretical level, the chapters discuss the impact of ethnic studies and evolving theories of ethnicity on archiving practices; the effect of ethnic archiving on historical research; and the emergence of memory studies as a lens for understanding identity. Both contemporary and historical perspectives are included.

Knox’ in-situ studies present 50 especially significant city districts from the whole of Europe in words and pictures. His field research focuses on typologically outstanding city districts that have developed a high degree of individuality. Cities are the symbiosis of diverse districts: the smaller units serve to provide an important identity function: business centers and amusement districts such as the City and the West End in London, technology and science quarters (Adlershof in Berlin), designer districts such as the Zona Tortona in Milan and the Fashion District in New York. Two other factors that play a major role are the conversion of industrial wastelands and new districts colored by a supranational capitalism or a sustainable or dubious planning – such as the Vauban residential quarter in Freiburg in South Germany or the Lower Ninth District in New Orleans. Paul Knox also always analyzes how and why these districts have turned out the way they are: outlining their visible and also their hidden and often blurred "biography". A fascinating journey through space and time!

The metaphor of the palimpsest has been increasingly invoked to conceptualize cities with deep, living pasts. This volume seeks to think through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodization and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterized by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travelers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.

American Routes provides a comparative and historical analysis of the migration and integration of white and free black refugees from nineteenth century St. Domingue/Haiti to Louisiana and follows the progress of their descendants over the course of two hundred years. The refugees reinforced Louisiana's tri-racial system and pushed back the progress of Anglo-American racialization by several decades. But over the course of the nineteenth century, the ascendance of the Anglo-American racial system began to eclipse Louisiana's tri-racial Latin/Caribbean system. The result was a racial palimpsest that transformed everyday life in southern Louisiana. White refugees and their descendants in Creole Louisiana succumbed to pressure to adopt a strict definition of whiteness as purity that conformed to standards of the Anglo-American racial system. Those of color, however, held on to the logic of the tri-racial system which allowed them to inhabit an intermediary racial group that provided a buffer against the worst effects of Jim Crow segregation. The St. Domingue/Haiti migration case foreshadows the experiences of present-day immigrants of color from Latin-America and the Caribbean, many of whom chafe against the strictures of the binary U.S. racial system and resist by refusing to be categorized as either black or white. The St. Domingue/Haiti case study is the first of its kind to compare the long-term integration experiences of white and free black nineteenth century immigrants to the U.S. In this sense, it fills a significant gap in studies of race and migration which have long relied on the historical experience of European immigrants as the standard to which all other immigrants are compared.

A palimpsest is "a written document, usually on vellum or parchment, that has been written upon several times, often with remnants of erased writing still visible". Originally published in France in 1982, Gerard Genette's PALIMPSESTS examines the manifold relationships a text may have with prior texts on the same document.

This book analyzes the relation of public memory to history, forgetting, and selective memory in three late-twentieth-century cities that have confronted major social or political traumas—Berlin, Buenos Aires, and New York.

The Archimedes Palimpsest is the name given to a Byzantine prayer-book which was written over a number of earlier manuscripts. This volume provides colour images and transcriptions of three of the texts recovered from it. Pride of place goes to the treatises of Archimedes, including the only Greek version of Floating Bodies, and the unique copies of Method and Stomachion. This transcription provides many different readings from those made by Heiberg from what he termed Codex C in his edition of the works of Archimedes of 1910-1915. Secondly, fragments of two previously unattested speeches by the Athenian orator Hyperides, which are the only Hyperides texts ever to have been found in a codex. Thirdly, a fragment from an otherwise unknown commentary on Aristotle's Categories. In each case advanced image-processing techniques have been used to create the images, in order to make the text underneath legible.

In the Cities of Coin and Spice and In the Night Garden introduced readers to the unique and intoxicating imagination of Catherynne M. Valente. Now she weaves a lyrically erotic spell of a place where the grotesque and the beautiful reside and the passport to our most secret fantasies begins with a stranger’s kiss.… Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse—a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers: Oleg, a New York locksmith; the beekeeper November; Ludovico, a binder of rare books; and a young Japanese woman named Sei. They’ve each lost something important—a wife, a lover, a sister, a direction in life—and what they will find in Palimpsest is more than they could ever imagine.

The 'Palimpsests' volume will contain thirteen chapters divided into five sections. The first section consists on a single overview study by Finbarr Barry Flood that addresses recognizing palimpsests in architectural contexts. The second section, entitled Monuments Inscribed, contains three studies that take what might be called a traditional approach. Each of them examines textual palimpsests added to the interior and exterior of buildings well after the completion of their construction. The third section, entitled Building Transformations, contains three studies that each present the palimpsestual transformation of built architecture. These studies address the transformation of either the original monument or the palimpsestual addition to it. The fourth section, called Site Transformations, considers how a palimpsest is used to transform not a single building, but rather a site as a whole. The final section, entitled Restoration and Rewriting, looks critically at the role of restoration as a process of rewriting in the remaking of older architectural monuments. The Palimpsests volume concludes with summary remarks and outlines directions for future research into monuments and sites as palimpsests, emphasizing the longue duree biography as the primary mode for monument and site studies.