From Istanbul's palatial old embassies to its glorious Bosphorus summerhouses, from Ottoman Paris to Ankara's Art Deco, from rainforest mansions to a mad mosque in the mountains... a diplomat's wife reveals their secret histories. This book brings together essays by Patricia Daunt written over the past 25 years for Cornucopia Magazine. It concludes with her latest article, on the magnificent ruins of Aphrodisias, newly listed as a World Heritage Site but long one of her greatest loves. The images are by internationally renowned photographers, including Fritz von der Schulenburg, Simon Upton, Cemal Emden and Jean-Marie del Moral. Foreword by John Julius Norwich.

THE STUNNING NOVEL, PERFECT FOR A SUMMER HOLIDAY, FROM THE NUMBER ONE BESTSELLING AUTHOR A life-changing secret. An unforgettable summer. Arriving at the familiar old stone church nestled in the beautiful countryside of Hampshire, Antoinette prepares to say goodbye to her husband; the man she has loved for as long as she can remember. Little does she know, the arrival of the beautiful and mysterious Phaedra will make her question everything about the man she shared her life with. Phaedra loved George too, and couldn’t bear to stay away from his funeral. But Phaedra is hiding a deeply buried secret. One that will change the lives of Antoinette and her family forever, and one that she can no longer keep hidden . . . Bestselling author Santa Montefiore delivers a captivating novel about love, family and secrets that will stay with you long after you’ve finished reading. A beautiful summer read for fans of Lucinda Riley, Victoria Hislop and Joanna Trollope. ***PRAISE FOR SANTA MONTEFIORE*** ‘Nobody does epic romance like Santa Montefiore’ JOJO MOYES ‘An enchanting read overflowing with deliciously poignant moments’ DINAH JEFFERIES on Songs of Love and War ‘Santa Montefiore hits the spot for my like few other writers’ SARRA MANNING ‘One of our personal favourites’ THE TIMES on The Last Secret of the Deverills ‘Accomplished and poetic’ Daily Mail ‘Santa Montefiore is a marvel’ Sunday Express

This unique record charts the important archaeological finds over 18 years at Ziyaret Tepe in southeast Turkey - site of Tushan, a provincial capital of the Assyrian Empire dating back to the 9th century BC. Informative, scholarly, copiously illustrated, personal and extremely readable, this groundbreaking book sets a new benchmark in the field.

A collection of photographs that captures the soul of 25 contemporary Turkish homes that were taken during each of the four seasons and all over Turkey, from Istanbul and the Black Sea to the Aegean and Cappadocia.

A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

Twenty-nine tales from the folklore of Turkey, India, Denmark, Armenia, and the Sudan.

The world is at war. And time is running out...

Colorful, cosmopolitan, hard-drinking, often outrageous characters throng this rollicking memoir by the late John Freely, who moved with his family to Istanbul in 1960 and changed travel writing for good with his 1972 guide, Strolling Through Istanbul. Dozens of books on travel, history and science would follow.