Introduced and selected by Ralph Russell, an eminent Urdu scholar, this collection presents a representative selection of the works of Ghalib's , the most famous and popular of the Urdu poets that the Indian subcontinent has produced. This complete Ghalib anthrology comprises poetry and prose translated from both Persian and Urdu, as well as biographical details. The volume provides a context within which modern-day English-speaking readers can read and understand his work.

Mirza Asadullah Khan Ghalib (1797-1869), noble, poet, and wit of Mughal Delhi in its twilight years before the Revolt of 1857, is the most famous of the Urdu poets that the Indian subcontinent has produced. This volume brings together his significant writings in poetry and prose, and provides information on the life and times of Ghalib.

Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.

A biography of one of the most popular Urdu and Persian poets.

Mirza Asadullah Khan Ghalib was born in Agra in the closing years of the eighteenth century. A precocious child, he began composing verses at an early age and gained recognition while he was still very young. He wrote in both Urdu and Persian and was also a great prose stylist. He was a careful, even strict, editor of his work who took to publishing long before his peers. His predilection for writing difficult, obscure poetry peppered with complex metaphors produced a unique commentarial tradition that did not extend beyond his work. Commentaries on his current Urdu divan have produced a field of critical writing that eventually lead to the crafting of a critical lens with which to view the classical ghazal. The nineteenth century was the height of European colonialism. British colonialism in India produced definitive changes in the ways literature was produced, circulated and consumed. Ghalib responded to the cultural challenge with a far-sightedness that was commendable. His imagination sought engagement with a wider community of readers. His deliberate switch to composing in Persian shows that he wanted his works to reach beyond political boundaries and linguistic barriers. Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

This imaginative approach to the work of the Urdu poet Ghalib (1797-1869) presents highly original renderings, made by seven well-known American poets, of Ghalib's ghazals.

The Urdu Ghazal presents the unique flowering of the ghazal as a by-product of India’s composite culture. It explores a variety of influences on the ghazal, including Sufism, Bhakti movement, and infusion of Rekhta and Persian languages and culture. The book elucidates classical ghazal forms that blossomed from the seeds sown by Amir Khusrau in the fourteenth century to achieve great heights of literary excellence during the next 300 years, notably in the works of great poets like Mir and Ghalib. It also illustrates different socio-political and cultural demands of changing times, primarily how the ghazal provided new creative models to deal with literary movements like progressivism, modernism, and postmodernism, through works of pioneering twentieth-century poets like Faiz Ahmed Faiz, Gulzar, and Javed Akhtar.

This selection of poetry and prose by Ghalib provides an accessible and wide-ranging introduction to the preeminent Urdu poet of the nineteenth century. Ghalib's poems, especially his ghazals, remain beloved throughout South Asia for their arresting intelligence and lively wit. His letters—informal, humorous, and deeply personal—reveal the vigor of his prose style and the warmth of his friendships. These careful translations allow readers with little or no knowledge of Urdu to appreciate the wide range of Ghalib's poetry, from his gift for extreme simplicity to his taste for unresolvable complexities of structure. Beginning with a critical introduction for nonspecialists and specialists alike, Frances Pritchett and Owen Cornwall present a selection of Ghalib's works, carefully annotating details of poetic form. Their translation maintains line-for-line accuracy and thereby preserves complex poetic devices that play upon the tension between the two lines of each verse. The book includes whole ghazals, selected individual verses from other ghazals, poems in other genres, and letters. The book also includes a glossary, the Urdu text of the original poetry, and an appendix containing Ghalib's comments on his own verses.

Mirza Asadu'llah Khan Ghalib was the brightest luminary of his time in the South Asian, Muslim literary community. A poet in Urdu and Persian, he was endowed with exquisite imagination, sparkling wit, and a charming presence. Ghalib was a brilliant conversationalist, skilled in the art of human relations. In the last twenty years of his life, the political conditions of northern India caused the death or dispersion of many of his best friends. He satisfied his gregarious urges by writing exquisite letters in Urdu, in a delightfully conversational style. By these means Ghalib kept in touch with his scattered friends. These letters were so novel in style that the first collection was published only a month after the poet's death. In this book, Daud Rahbar provides thoroughly annotated English versions of 170 Urdu letters. These letters exemplify the possibility of elevating human relations to an art form, and Rahbar's translation reproduces the delicate flavor of the original Urdu prose.

From presenting, in Elwin's own words, the account of his going to work among the tribal peoples of central India, to affording glimpses of his seminal work on the unique institution of the ghotul among the Murias of Bastar, or relating Elwin's attempts at understanding the high incidence of murder and suicide among the Bison-horn Marias of Bastar, The Oxford India Elwin looks beyond the general and the oft-repeated to include within its covers the many fascinating discoveries that Verrier Elwin made while working among the different tribal communities in India. While the Introduction to Folk Songs of the Maikal Hills discusses the principles of translating folk poetry, the importance of the elements of nature, magic, the supernatural, and song and dance in tribal life is highlighted through selections from The Myths of Middle India. Whether providing glimpses of Elwin's travels in the remote Northeast, or discussing the effects of 'civilization' on tribal art, or describing the Naga people and their customs, or presenting the myths of the NEFA region, the effort is to bring the man, his thoughts and actions, the contributions he made towards upholding and preserving the cultural diversity of the Subcontinent, closer to readers through a single volume which will be both accessible and affordable. The book will be a valuable addition to the Oxford India Collection which includes the writings of Ghalib, Premchand, Ramanujan, Nehru, and Gandhi. Armed with a useful and perceptive Introduction by G.N. Devy, this edition will appeal to all those who know and adore Elwin, as also students and researchers of anthropology, cultural studies, and Indian history.