Summary: The most authoritative reference on the subject, this encyclopedia covers classical, folk, film, and other musical forms in India. Providing an overview of the historical and cultural contexts of the musical forms, instruments, and composers among others, this encyclopedia includes contributions from leading scholars and experts from all over India and abroad.

The most authoritative, comprehensive, and up-to-date reference on the subject, this encyclopaedia covers the story of music in India spread over almost 2000 years and includes more than 5000 in-depth entries by over 100 acclaimed contributors from India and abroad.Covering classical, folk, film, and other forms of music in India, the three volumes provide an overview of the historical and cultural contexts of the musical forms, instruments, and composers. Fully cross-referenced, the encyclopaedia includes detailed entries on all forms of music, dance, raga,tala, gharana, treatises, instruments, and technical terms, and biographical notes on vocalists, musicologists, saint poets, gurus, composers, dancers, and instrumentalists. The over 200 rare photos, paintings, and line drawings of instruments, musicians, and musicologists from family albums andprivate collections enhance the visual appeal of the work. For the first time, this major undertaking will help to explain much of what music in India is all about and open the subject for a new audience, both in India and abroad.

Summary: The most authoritative reference on the subject, this encyclopedia covers classical, folk, film, and other musical forms in India. Providing an overview of the historical and cultural contexts of the musical forms, instruments, and composers among others, this encyclopedia includes contributions from leading scholars and experts from all over India and abroad.

Summary: The most authoritative reference on the subject, this encyclopedia covers classical, folk, film, and other musical forms in India. Providing an overview of the historical and cultural contexts of the musical forms, instruments, and composers among others, this encyclopedia includes contributions from leading scholars and experts from all over India and abroad.

This work aims to address the historical development of the great Indian raga tradition, enhanced by computational approaches, and to use computational strategies to analyze aspects of contemporary Hindustani classical music (HCM). It is divided into two parts with Part 1 focusing on the history and aesthetics of HCM and Part 2 covering its computational aspects. The historical development of HCM in the ancient, medieval and modern periods; its terms and genre; and its Khayal gharanas are covered in Part 1. The subtopics include essential concepts such as raga, tala, shruti, thaat, gharana, khayal, dhrupad, thumri, tappa, etc. Part 2 covers the state-of-the-art in computational musicology, raga analysis and song analysis using statistics. The subtopics include statistical modeling, inter onset interval, note duration analysis, pitch movement between the notes, rate of change of pitch (pitch velocity) and probabilistic analysis of musical notes. The author concludes the work with reflecting on the lives of a few renowned musicians and musicologists with an account of hilarious moments taken from their lives to excite the reader to know more about HCM. This book would be useful for musicians, musicologists, researchers in music history, aesthetics, computational musicology, and advanced undergraduate and postgraduate students of music and musicology.

This book presents a comprehensive overview of the basics of Hindustani music and the associated signal analysis and technological developments. It begins with an in-depth introduction to musical signal analysis and its current applications, and then moves on to a detailed discussion of the features involved in understanding the musical meaning of the signal in the context of Hindustani music. The components consist of tones, shruti, scales, pitch duration and stability, raga, gharana and musical instruments. The book covers the various technological developments in this field, supplemented with a number of case studies and their analysis. The book offers new music researchers essential insights into the use the automatic concept for finding and testing the musical features for their applications. Intended primarily for postgraduate and PhD students working in the area of scientific research on Hindustani music, as well as other genres where the concepts are applicable, it is also a valuable resource for professionals and researchers in musical signal processing.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.