Allusions form a colourful extension to the English Language, drawing on our collective knowledge of literature, mythology, and the Bible to give us a literary shorthand for describing people, places, and events. So a miser is a Scrooge, a strong man is a Samson or a Hercules, a beautifulwoman is a Venus or a modern-day Helen of Troy-we can suffer like Sisyphus, fail like Canute, or linger like the smile of the Cheshire Cat. This completely new reference work explains the meanings of the allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rubens to Rambo. The fascinating book is based on an extensive reading programme that has identified the most commonly-used allusions, and quotations areincluded at most entries to illustrate usage, from a range of authors and sources, from Thomas Hardy to Ben Elton, Charles Dickens to 'Bridget Jones's Diary'.

Allusions form a colourful extension to the English language, drawing on our knowledge of literature and mythology to give a shorthand for describing people, places, and events. This text explains the meanings of the allusions in use in modern English. Originally published: 2001.

Allusions are a marvelous literary shorthand. A miser is a Scrooge, a strong man a Samson, a beautiful woman a modern-day Helen of Troy. From classical mythology to modern movies and TV shows, this revised and updated third edition explains the meanings of more than 2,000 allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rambo to Rubens. Based on an extensive reading program that has identified the most commonly used allusions, this fascinating volume includes numerous quotations to illustrate usage, drawn from sources ranging from Thomas Hardy and Charles Dickens to Bridget Jones's Diary. In addition, the dictionary includes a useful thematic index, so that readers not only can look up Medea to find out how her name is used as an allusion, but also can look up the theme of "Revenge" and find, alongside Medea, entries for other figures used to allude to revenge, such as The Furies or The Count of Monte Cristo. Hailed by Library Journal as "wonderfully conceived and extraordinarily useful," this superb reference--now available in paperback--will appeal to anyone who enjoys language in all its variety. It is especially useful for students and writers.

A guide to references commonly used in speech and writing. Explains more than 900 allusions. Entries include examples from todays leading media. A must for serious readers, language lovers, and ESL students.

An absorbing reference work that explains the meanings of references and allusions in modern English, from Adonis to Zorro. It is fascinating to browse, and is based upon an extensive reading program that has identified the most commonly-used allusions.

This indispensable work is a comprehensive resource offering abundant information that students and general readers of all ages will find clear and to the point. A useful companion to The Facts On File Dictionary of Cultural and Historical Allusions explains the meanings and origins of allusions from the Bible and classical mythology, including Greek, Roman, Norse, Celtic, and Egyptian. It features approximately 2,000 entries, from Abelard and Heloise to Zeus. It covers biblical and mythological figures (Narcissus, Athena, Daniel), places (Mount Olympus, Gesthemane, Elysian Fields), key concepts (doomsday, utopia), and other references with biblical and mythological origins (judgment of Solomon, salt of the earth, patience of Job, labors of Hercules). It also includes a pronunciation key for difficult words or terms; examples of usage; and extensive cross-references.

A reference for the general reader contains concise explanations of the origins of over 1,800 nicknames from contemporary and historical culture referring to historical figures, politicians, athletes, entertainers, places, events, and organizations.

Over 1,900 entries. Allusions form a colourful extension to the English language, drawing on our collective knowledge of literature, mythology, and the Bible to give us a literary shorthand for describing people, places, and events. So a cunning crook is an Artful Dodger, a daydreamer is like Billy Liar, a powerful woman is a modern-day Amazon. This absorbing and accessible A-Z explains the meanings of allusions in modern English. Fascinating to browse through, the book is based on an extensive reading programme that has identified the most commonly-used allusions. For the third edition all entries have been reviewed, revised, and thoroughly updated to ensure the consistency of coverage of allusions and references. New to this edition is the inclusion within each entry of a short summary definition for the allusion or reference, ideal for quick reference, and at least one illustrative citation from a wide range of source materials in almost every entry. The Oxford Dictionary of Reference and Allusion is both a useful and user-friendly reference work for students of English literature and language, as well as for non-native English speakers for aid with unusual references, and an absorbing volume for all lovers of literature and culture in general.

Drawing from history, folklore, cultural traditions, and linguistics, this dictionary illuminates over 550 terms, such as scapegoat, John Hancock, peeping Tom, nepotism, and many others.

The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.