Perhaps fitting for a horror short story, the devil is in the details in Poe’s "The Oval Portrait" (1842). A benighted traveller finds shelter in an abandoned mansion in the Apennine Mountains of Italy. Inside he gets absorbed by a stunning painting and decides to delve into its origins with the help from a book he finds on a pillow. The story revolves around the complex and often tragic relationship between life and art. As per usual Poe can’t help himself to play with layers, and most of the story is told as an embedded narrative. The intense emotional and psychological depths of the narrator’s infatuation with the portrait and the enticing volume that helps to shed a light on the painting make this short story another fascinating and haunting and Poesque tale which succinctly glorifies the immortality of art. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).

NEW YORK TIMES BESTSELLER • What if you lived out the drama of your twenties on Air Force One? “[This] breezy page turner is essentially Bridget Jones goes to the White House.”—The New York Times RECOMMENDED READING theSkimm • Today • Entertainment Weekly • Refinery29 • Bustle • PopSugar • Vanity Fair • The New York Times Editors’ Choice • Paste In 2012, Beck Dorey-Stein is working five part-time jobs and just scraping by when a posting on Craigslist lands her, improbably, in the Oval Office as one of Barack Obama’s stenographers. The ultimate D.C. outsider, she joins the elite team who accompany the president wherever he goes, recorder and mic in hand. On whirlwind trips across time zones, Beck forges friendships with a dynamic group of fellow travelers—young men and women who, like her, leave their real lives behind to hop aboard Air Force One in service of the president. As she learns to navigate White House protocols and more than once runs afoul of the hierarchy, Beck becomes romantically entangled with a consummate D.C. insider, and suddenly the political becomes all too personal. Against a backdrop of glamour, drama, and intrigue, this is the story of a young woman learning what truly matters, and, in the process, discovering her voice. Praise for From the Corner of the Oval “Who knew the West Wing could be so sexy? Beck Dorey-Stein’s unparalleled access is obvious on every page, along with her knife-sharp humor. I tore through the entire book on a four-hour flight and loved reading all about the brilliant yet hard-partying people who once surrounded the leader of the free world. Lots of books claim to give real insider glimpses, but this one actually delivers.”—Lauren Weisberger, author of The Devil Wears Prada “Dorey-Stein . . . writes with wit and self-deprecating humor.”—The Wall Street Journal “Addictively readable . . . Dorey-Stein’s spunk and her sparkling, crackling prose had me cheering for her through each adventure. . . . She never loses her starry-eyed optimism, her pinch-me wonderment, her Working Girl pluck.”—Paul Begala, The New York Times Book Review (Editors’ Choice)

The Library of America presents “the first truly dependable collection of Poe’s poetry and tales”—featuring well-known works like ‘The Raven’ and ‘The Fall of the House of Usher’, plus a selection of rarely published writings (New York Review of Books). Edgar Allan Poe’s poetry is famous both for the musicality of “To Helen” and “The City in the Sea” and for the hypnotic, incantatory rhythms of “The Raven” and “Ulalume.” “The Fall of the House of Usher” and “The Cask of Amontillado” show his mastery of Gothic horror; “The Pit and the Pendulum” is a classic of terror and suspense. Poe invented the modern detective story in “The Murders in the Rue Morgue,” and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon. Poe was also adept at the humorous sketch of playful jeu d'esprit, such as “X-ing a Paragraph” or “Never Bet the Devil Your Head.” All his stories reveal his high regard for technical proficiency and for what he called “rationation.” Poe’s fugitive early poems, stories rarely collected (such as “Bon-Bon,” “King Pest,” “Mystification,” and “The Duc De L'Omelette”), his only attempt at drama, “Politian”—these and much more are included in this comprehensive collection, presented chronologically to show Poe’s development toward Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand. A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe’s own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America’s and the world's most disturbing, powerful, and inventive writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In The Oval Hour Kathleen Peirce addresses the vulnerability of language—which is to say the vulnerability of our reality—when we are in extreme states of desire and loss, especially erotic desire and erotic loss. Central to the book is its series of "Confessions," twenty formally similar poems that contend with the Confessions of Saint Augustine.“Passing through innocence, I came either to experience / or guilt, or they came to me, displacing innocence”: these luminous poems explore the generation and overlapping of carnal and metaphysical identities.

The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field The editor is widely recognized as the founder of modern criticism of the Gothic

»Landor’s Cottage« is a short story by Edgar Allan Poe, originally published in 1849. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.

Over 300 pages of timeless terror from a master storyteller! Horror comics visionary and coloring pioneer Richard Corben has been a voice of creativity and change for over four decades. For the first time ever, Corben's legendary Creepy and Eerie short stories and cover illustrations are being collected into one deluxe hardcover! With an informative foreword by artist and comic book colorist José Villarrubia—who also provides color restoration—this volume features Richard Corben's original stories, Edgar Allan Poe adaptations, and collaborations with cast of comic-book writers.

The Hollow of the Three Hills (+Biography and Bibliography) (Glossy Cover Finish): In those strange old times, when fantastic dreams and madmen's reveries were realized among the actual circumstances of life, two persons met together at an appointed hour and place. One was a lady, graceful in form and fair of feature, though pale and troubled, and smitten with an untimely blight in what should have been the fullest bloom of her years; the other was an ancient and meanly-dressed woman, of ill-favored aspect, and so withered, shrunken, and decrepit, that even the space since she began to decay must have exceeded the ordinary term of human existence. In the spot where they encountered, no mortal could observe them.

Here Edgar Allan Poe writes how he came to produce his poem.